Miguel Angel Nuñez

Miguel Angel Nuñez

Artist:
Miguel Angel Nuñez

Education, Exhibitions, Awards

Education 1984-1998 Escuela Municipal de Artes Plasticas y Visuales de Maldonado. Con el maestro Carlos Tonelli. 2008- 2009 Fundación ARAUCO Madrid - España Exhibitions PRINCIPALES EXPOSICIONES- Desde 2002 de forma permanente en Galerias de la Ciudadela- Punta del Este - Montevideo 2002 - Ministerio Relaciones Exteriores - Palacio Santos - Montevideo 2003 - Trench Gallery - Buenos Aires - Argentina 2013- Espacio de Arte Roberto Camassmie - Sao Paulo- Brasil 2015- Galeria Sacca & Zilkha- Panamá 2016- Botticelli Art- Alcoy- Alicante España 2016- Galeria Renoir - Buenos Aires - Argentina Awards • 1990. V Salón Departamental Maldonado. • 1991. XX. Salón del interior San José de Mayo. • 1996. XV. Salón Nacional de arte joven. Sala Vaz Ferreira Biblioteca Nacional. Salón de Arte Junta Departamental de Maldonado. • 1997. XXV. Salón del interior- San José de Mayo. Premio Punta del Este del Ministerio de Turismo. • 1998. VII. Salón de la Primavera- Salto. • 1999. XXVIII. Salón Nacional de Arte Joven, Sala Pedro Figari, Biblioteca Nacional. XI. Salón de Pintura Marítima, Club Naval, sede centro. I.Salón de Arte Joven Mosca- Museo de Arte Contemporáneo Montevideo. •2000. XII. Salón Pintura Marítima Club Naval- Sede Carrasco. •2001. XXVI. Salón del interior San José de Mayo. XX. Salón Nacional Arte Joven. Sala INJU. • 2002. Salón departamental de Maldonado.- Museo de San Fernando. 2013. Primer Premio I er Concurso Realismo en la Pintura. España 2015. Mención Honorifica mes de Agosto en Exhibition of Art By The World

Cajal paintings

Cajal paintings
When we talk about hyperrealism, the word photography always appears, but the reality is that each artist works differently, according to their own ideas, desires, and goals. López's work is the search for the perfect work, and in that search the simple copy is insufficient, so his works are a unique creation of various references: combining notes, sketches, photographs, color tests, observation of nature, etc … This is to get the work he has in mind, above and beyond any reference. Composition, as a general base and stabilizing element, has become his obsession, to achieve a harmonious and orderly set; and the color, which in his case takes on special importance, being at times a barrier that can be made almost impassable, a tough challenge that has taken him to the limit more than once.

Artist Statement:
"One day, I decided to change an element of the landscape. Since this moment, it became a kind of obsession the fact of trying to obtain an equilibrated ensemble going beyond the referent; working sometimes with a lot of images for only a painting trusting my intuition, because it is possible to foresee with accuracy the final result". "According to the composition, I usually take profit of closer elements in order to equilibrate the “visual weights” and give more strength and/ or depth to the landscapes. I also usually change or modify some elements, trying to find the ensemble stability. Of course, I also look for a colour equilibrium avoiding as much as possible contrasts or stridencies, which could stray from the attention focused on the important elements".

Artist:
José Manuel Cajal López

Exhibitions

2018 – Q-Gallery. Ootmarsum. Holanda. 2017 – “Algo más que realismo” 2016 – Q-Gallery. Holland. 2016 – Galería Gaudí. Madrid. 2015 – Q-Gallery. Ootmarsum. Holanda. 2014 – Q-Gallery. Holland. 2013 – Plus One Gallery. London. 2013 – Lapada art fair. London (by Plus One Gallery). 2013 – Permanenet exhibition on the MEAM museum. Spain. 2013 – “Algo más que realismo VII” Galería Artelibre. Zaragoza (Spain). 2012 – Sammer Gallery. Spain. 2012 – Galería Rincón del Arte. Granada. Spain. 2012 – Q-Gallery. Holland. 2012 – Galería Mellado. Madrid. 2011 – Q-Gallery. Holland. 2011 – Sammer Gallery. Spain. 2011 – “Algo más que realismo V” Galería Artelibre.Spain. 2010 – Galería Sokoa. Madrid. 2010 – “Algo más que realismo IV” Galería Artelibre.Spain 2009 – Sammer Gallery. Puerto Banús. 2008 – Galería Cuadro. Dubái. 2008 – Galería Mellado. Madrid. 2008 – Petley Fine Art Gallery. Mayfair. London. 2007 – Sammer Gallery. Puerto Banús. 2006 – Exposición colectiva en Feria de Valladolid 2006 – Holland Fair Art. La Haya 2006 – Puro Arte. Vigo. 2006 – Museo del Calzado. Elda. Spain. 2006 – CEU de San Pablo. Elche. Spain. 2006 – Centro Cultural de Petrer. Spain. 2006 – Centro Cultural de Sax.. 2006 – Feria internacional de Arte contemporáneo Marb-Art. Marbella. Spain 2005 – Galería Ra del Rey. Madrid 2005 – Feria internacional LINEART. Gante (Bélgica) 2004 – Exposición de pintura al Óleo: Centro cultural Julio Cortazar.

Cajal has always loved drawing. When he was a child, he used to fill plenty of papers and class notebooks. He felt very comfortable in this way. Regarding the color, it was not the same. He remembers his drawing lessons at school, where children used to use their color pencils without any problem, whereas for him it, was quite difficult to distinguish and to choose the colour to utilize. He finally took the decision to go to the ophthalmologist and after doing the Farnsworth test, was diagnosed with colour blindness. But it didnot stopp him from pursuing his dream.

"One day, I decided to change an element of the landscape. Since this moment, it became a kind of obsession the fact of trying to obtain an equilibrated ensemble going beyond the referent; working sometimes with a lot of images for only a painting trusting my intuition, because it is possible to foresee with accuracy the final result". "According to the composition, I usually take profit of closer elements in order to equilibrate the “visual weights” and give more strength and/ or depth to the landscapes. I also usually change or modify some elements, trying to find ensemble stability. Of course, I also look for a color equilibrium avoiding as much as possible contrasts or stridencies, which could stray from the attention focused on the important elements".

PUBLICATIONS:

-Artículo en: Estrella de Oro. (Publicación impresa) 2010 -Artículo en: Diseño en la ciudad. (Publicación impresa/digital)) 2013 -Artículo en: El imparcial. (Periódico digital) 2013 -Artículo en Foromuseos: Internet 2013. -Artículo en: Menéame. (Periódico digital) -Entrevista para la Universidad de Las Palmas. -Entrevistas para la Politécnica de Valencia, área de restauración.2012

JRubiales
Photorealism

JRubiales Photorealism
Rubiales is a proper photorealist in the Americana-ised sense, dealing with graffiti'd city streets and vignettes of glossy consumerism. Those in the relevant art-study field can't help but notice Rubiales loving reference or intentional homage to the photorealist great Chuck Close, but his seemingly cynical anti-commercial twist on it plays out in his Beatles set or his Disneyworld set sets his work above and beyond the duty of rational creators of realism.

Themes
"voyeurs" "drops" "still lifes" "vibrated" "the fair"

Artist:
JRubiales

Jrubiales was born in Ontinyent, (Valencia), in 1966. His career in the world of painting began in 1996. Since then he has been trying to make a painting that talks about him, his surroundings and his experiences. It was in inter-Art (Valencia), where he discovered the works of Joan Castejón and Ribera de Berenguer, it is what made him enter the world of figurative painting. From that moment, he sought for art rooms in which this type of painting was given special treatment like Santiago Etxeberria, (Madrid) and Fornara Gallery (Marbella). Finally, He no longer yawned from many of the exhibitions he visited. In 1999, he made his first exhibition (Expo-Arte Gallery, Madrid) where he sold all his art works. Then he has been exhibiting in groups: Lisbon (Current Gallery), Madrid (Expo-Arte Gallery and Mada Primavesi), Valencia (Thema). Art fairs INTERART, Marb-Art, Arte-Ando, ​​Irún (Bilbao), Arte-Sevilla. He currently exhibits permanently at Fornara Gallery.

Artist Statement

"In the 80s, I introduced himself very much in the new cultural movements. He followed Richard Corben (comics), El Hortelano, Ceesepe, he listened to the "Ramones", "The Clash", the "Velvet", etc, to Spanish "indies" groups like "Demolitions, Paralysis, La Mode" etc, I read fanzines, visited museums and art galleries and am less interested in less commercial cinema. Self-taught, it takes me a long time to dedicate myself 100% to the profession of a painter. I thought it would cost me a lot to live from this and for this trade and of course, it was."

Guennadi Ulibin

Guennadi Ulibin
The exhibition presents two main lines of Ulibin's work. Despite their external differences, they are united by a common philosophical concept. The first line is a series of paintings that show the post-historical world - the result of human activities based on the principle of reckless consumption and exploitation. These paintings are like open portals to a world freed from technological civilization, in which humanity opens up completely new development paths based on self-improvement, knowledge of one’s inner potential and harmony with the Universe. This is the time when the course of the history of mankind and its meaning are rethought. Man is the most perfect thing on Earth and the potential of human capabilities is much greater than that used in the framework of modern civilization. Any, even the most high-tech machine, is for a man only a tool - a substitute for his own undisclosed abilities. Naked human on bare earth is the main motive of the compositions. Civilization and technology no longer exist, only its remnants, in the form of strange objects, once high-tech machines rise above the surface of the earth or sea, - a pile of metal, like a defeated idol of a technogenic system. The space of heaven and sea symbolizes the infinity of the universe and freedom, the same infinite. The Earth, as a renewed space, is part of the Universe, - mysterious, but at the same time open to human knowledge and giving it inspiration. Women personify the future of humanity. They are hope and inspiration, as well as a symbol of love and beauty - the beginning for the creation of a new beautiful world based on the principle of knowledge and understanding of the infinite Universe.
The second line in his work also has a deep philosophical content. Most of the works in this series are made in the schedule - coal on paper. These are compositions that are the result of my imagination, reflection and searching for answers to the main questions. They are united by the theme of the meaning of life, knowledge of the fundamental principles of being and evolutionary development. The process of comprehending the ideas for expressing them in the form of graphic or pictorial compositions has gone far beyond the scope of fine art and has become a philosophical method for studying reality. This led to the fact that it became possible to implement my creative ideas in large multi-figured paintings. So the picture “Diaries of the Horsemen of the Apocalypse” appeared. In this picture, the Apocalypse, as an emergency intervention in the course of the evolutionary-historical process, is not the end of the world, but its beginning. The Apocalypse is a moment of spiritual and intellectual enlightenment - understanding the true mission of human, as the embodiment of the mind on earth with the goal of cognition and understanding of the infinite Universe.

Artist:
Guennadi Ulibin

Guennadi Ulibin is an artist who is originally from Russia. He has a fine arts degree from the Saint Petersberg Academy of Fine Arts. When we immerse ourselves in the style and ways of the art world it is difficult to classify the characteristics of his works and subject matter. His work is hyperrealist and we regularly find surrealist elements and objects which at times we cannot properly identify. These phantasmagorical elements appear side by side with human figures and surprise because they are painted so realistically and provoke a sense of an unreal reality within Ulibin’s compositions as they are directly captured in the place they represent. Perhaps we can view Guennadi’s work as a form of transcendental realism trying to show us people who, it seems, suddenly, for some mysterious reason, have traveled to another dimension or another world. Real people, made of flesh and blood with their own unique characters, thoughts, and feelings. Nudes on a bare landscape are the main theme in his creations. Technological civilizations no longer exist as there are only the remains of inexplicable machinery depicted as giant silhouettes, which sometimes look like ghosts protruding from the land or emerging from the sea. But the protagonist in his works is always humanity. Despite the apparent stillness emanating from the posture of his characters, one can appreciate enormous energy from within everyone. In the solitude and thoughts of his characters, the painter creates a psychological universe.

Exhibitions

2003: International festivals of modern art. Seville. Spain The international festival of modern art De Arte. Madrid. Spain Circulo Mercantil e Industrial. Seville. Spain Gallery Gema Lazcano. Madrid. Spain Exhibition devoted corrida. Exhibition at the center of the culture of cityOsuna. Spain. Exhibition Modern secrets . Gallery Clave . Spain Gallery Castello 120. Madrid. Spain Exhibition hall Osborne. Puerto de Santa Maria. Spain International Bienale of modern art. Florence. 2002: International festivals of modern art. Seville. Spain Gallery Pablo Ruiz. Malaga. Spain Gallery SanVisente 31. Seville. Spain Gallery Art Gallery Encarna Gomez. Marbella. Spain Exhibition at the center of culture of city Puebla del Rio. Spain Plaza de Armas. Seville. Spain II Bienal of modern figurative art. Gallery Clave. Murcia. Spain I competition devoted to the international day of protection environmental. Exhibition at the centre of culture of city Osuna. Spain. Hermanamiento artistico entre Sevilla y San Petersburgo. An exhibition hall at the centre of TV and radio of an announcement Andalucia. (RTVA). Seville. Spain Exhibition hall of the telecentre Canal Sur. Malaga. Spain Exhibition Tondo. Gallery Clave. Murcia. Spain Palacio de Pena Flor. Ecija. Spain The international festival of modern art. Gante. Belgium. Gallery Castello 120. Madrid. Spain 2000: Charitable exhibitions for the restoration of church Sacred Agustin. center of culture of city Osuna. Spain. 1999: Exhibitions Ballet and dance an Exhibition hall of the union of the artists. St.-Petersburg. Exhibition of degree works. An exhibition hall of Academy of arts. St.-Petersburg. 1997: Exhibition devoted to the teacher. An exhibition hall Academies of arts. St.-Petersburg. Exhibition of the students and teachers in Lenexpo. St.-Petersburg 1996: Exhibitions Northern light Chattanooga. Tennessee. USA. 1993: Exhibitions of Landscape painting. An exhibition hall of Academy arts. St.-Petersburg. .

Solo exhibitions

2003: Galleries Clave. Murcia. Gallery Pablo Ruiz. Malaga. 2001: Exhibition at the centre of culture of city . Casino Cultural de Estepa. Exhibition at the centre of culture of city Lora de Estepa. Gallery Sargadelos. Seville. Exhibition hall Plaza del Altozano. Seville. 2000: Exhibition halls CajaSur- Reyes Catolicos. Cordoba. 1999: Casino de Osuna. Palacio de Pena Flor. . 1998: Exhibition at the centre of culture of city.

Achievement

In 2003 was awarded "The premium Lorenzo Medichi on Bienale international of modern art" in Florence.

Lorena Kloosterboer

Lorena Kloosterboer
Lorena Kloosterboer is a Dutch-Argentine artist (the Netherlands, 1962) painting contemporary realist still lifes. She seeks to capture the fascinating interactions between colors, light, shadows, textures and reflections, and unite them in visual poetry. During Kloosterboer’s thirty+ year career her artwork has received many prestigious awards, and has been exhibited in well over 150 gallery and museum exhibitions in Argentina, Belgium, Canada, Denmark, Estonia, France, Germany, Japan, the Netherlands, Spain, the United Kingdom, and the United States. Kloosterboer has written a book about painting in acrylics which has been published worldwide in several languages. She also writes essays about art and artists, catalog introductions, and has undertaken several curatorial projects. All her articles can be found on her website under Art Blog. Lorena Kloosterboer currently lives and works in Antwerp, Belgium.

Artist:
Lorena Kloosterboer

Lorena Kloosterboer is a Dutch-Argentine artist (the Netherlands, 1962) painting contemporary realist still lifes. She seeks to capture the fascinating interactions between colors, light, shadows, textures and reflections, and unite them in visual poetry. During Kloosterboer’s thirty+ year career her artwork has received many prestigious awards, and has been exhibited in well over 150 gallery and museum exhibitions in Argentina, Belgium, Canada, Denmark, Estonia, France, Germany, Japan, the Netherlands, Spain, the United Kingdom, and the United States. Kloosterboer has written a book about painting in acrylics which has been published worldwide in several languages. She also writes essays about art and artists, catalog introductions, and has undertaken several curatorial projects. All her articles can be found on her website under Art Blog. Lorena Kloosterboer currently lives and works in Antwerp, Belgium.

Reflections of the World - Worlds of Reflections

Reflections of the World - Worlds of Reflections
Gerd Lieder, an artist and, among other things, an art historian, spans the broad spectrum from basic topics of the art science to philosophy to a contemporary exploration of human perception. With the highest technical and content precision, he brings seemingly unstructured shapes and colors into overarching, perfectly harmonious harmony. Through his individual, well-defined imagery he manages to convey the essential nature of art: art is a reflection, a reflection of reality, or rather, what we perceive as reality. It is our perception that shapes reality, so the reality is always subjective and cannot be determined according to generally applicable standards. Lieder reminds us of this by dissolving, reflecting and flowing into one another the forms we are talking about. The point of this game with perception is that there is no solution and everything is possible at the same time. The answer is not provided by the artist, but the viewer has to find it for himself. So life is.

Theme
Since 2000 his theme is about the visual experienceable world by means of reflection in different media like foils, water, glass, mirrors, and reality.

Artist Statement
The first “picture” in human history was a reflection - in a puddle, a still lake or a water hole. And the reflection of a bowed-over early face may have contributed significantly to the realization of man: The self-performed movements and grimaces are also the mirror image again - so I have to be what it looks at me. The key phrase is not “Cogito, ergo sum”, but “Video, ergo sum” - I see (me), therefore I am. - Gerd Lieder (https://gerdlieder.com/de/rezensionen/)

Artist:
Gerd Lieder

Reflections of the World - Worlds of Reflections

Gerd Lieder was born in Germany in 1955. He currently lives and works in Bremen. His contemporary oil paintings are depictions of the world as seen through the lens of reflection. Since 2000, the artist has carried different mirrors with him throughout the world to arrange as conspirators to his unique observations of compositions, situations, objects, and environments. Strategically placed for viewing his subjects through, they create the opportunity for a freeze-framing filter, representing the way our individual experiences inform unique renditions of our common existence. Overall, his paintings remark on the transient qualities of reality affected by place, circumstance, time and the ever-changing and impermanent perceptions of the viewer. Lieder attended the Ludwig-Maximillian University in Munich where he studied theatre science, history of art, German language and literature. His work has been included in many solo and group exhibitions in Germany and the United States.

EXHIBITIONS

2019: HOHMANN at Art Palm Springs 2019, HOHMANN 2018: HOHMANN at CONTEXT Art Miami 2018, HOHMANN 2016: HOHMANN at Palm Springs Fine Art Fair 2016, HOHMANN 2016: HOHMANN Celebrates 40th Anniversary, HOHMANN, Palm Desert 2016: GERD LIEDER - REFLECTED, HOHMANN, Palm Desert 2007: The Hart Gallery, Palm Desert, California 2007: Reflections and Reflections, Galerie Lonnes, Bremen, Germany (solo) 2007: What you see is what you get, VONDERBANK Art galleries, Hamburg, Germany (solo) 2006: Reality Revisted, gallery scale, Cologne, Germany 2006: Al caro Giorgio Gaber ”Circolo Artistico Politecnic, Naples 2006: Mirroring, mirroring on the wall…, Galerie Kunsthaus Oberkassel, Dusseldorf, Germany (solo) 2006: New location, ART - isotope, Galerie Schober, Dortmund, Germany (solo) 2006: Spiegelglatt, Gallery Eigen-art, Lauenburg, Sandesneben / Duchy, Germany (solo) 2005: Reflections 1995-2005, Galerie L'ART Lonnes, Worpswede, Germany (solo) 2005: Reichstag and Roland, Kontorhaus Bremen, Germany (solo) 2004: Welt - Spiegel, Galerie Loy, Rastede, Germany (solo) 2004: Reflections II, gallery scale, Cologne (solo) 2004: State Museum Buca, Tivat / Montenegro, Serbia (catalog) 2004: Querblick 3 ", Kolnisches Stadtmuseum, Cologne 2003: Ducal residence Rastede, Galerie Loy, Rastede, Germany 2003: Mirror of the Worlds - Worlds of Reflections II, Village Gallery, L'ART Lonnes, Worpswede (catalog) (solo) 2003: Reflections, gallery scale, Cologne (solo) 2002: Kontorhaus Bremen (solo) 2001: Mirror of the Worlds - Worlds of Reflections I, Village Gallery, L'ART Lonnes, Worpswede (catalog) (solo)

Amanda Greive

Amanda Greive
Amanda Greive's hyper-realistic compositions reference both classical and contemporary symbolism and iconography. While the primary motivation behind her work is to tease out the nuanced emotions embedded within the human condition and to confront isolation and anxiety born of gender-based stereotypes, She also looks to comment on the contradiction between creating realistic imagery and portraying emotional rawness, as well as the uncompromised truth in the imagery portrayed versus its symbolic ambiguity.

Artist:
Amanda Greive

​Amanda Greive graduated with a bachelor’s degree in visual arts from the University of Illinois at Springfield in 2008 and has exhibited her work both locally and nationally. She has exhibited her work at the St. Louis Artist’s Guild, Woman Made Gallery in Chicago, and the Louisville, KY, Visual Arts Association. Most recently, she had solo shows at the Contemporary Art Center of Peoria and the Springfield Art Association. She was also a juried member of the Chicago Artist’s Coalition’s HATCH project for 2011-12. One of her pieces, “The Last Judgment”, was also published in Manifest Gallery’s fourth edition of the International Painting Annual.

Education

2008: University of Illinois at Springfield Bachelors of Arts in Visual Arts 2003: University of Illinois at Springfield Masters of Public Health with an emphasis in epidemiology 2001: University of Illinois at Springfield Bachelors of Science in Biology, graduated cum laude

Exhibitions

2019: Market Art + Design, RJD Gallery, Bridgehampton, NY Towards New Ways, invitational group show hosted by Hyperrealism Magazine, Copro Gallery, Santa Monica, CA Painting the Figure Now 2019, traveling exhibit, Wausau Museum of Contemporary Art, Wausau, WI, Zhou B Art Center, Chicago, IL LA Art Show, in association with Rehs Contemporary Gallery, New York, NY 2018: SCOPE New York, Amelchenko Art Advisory, New York, NY Market Art + Design, RJD Gallery, Bridgehampton, NY Modern Muse, ARC Salon Group Exhibit, Rehs Contemporary Art Gallery, New York BIG ART. small canvas, RJD Gallery, Bridgehampton, NY 2017: Drowning in the Delicate, solo exhibition, The Victorian House Art Gallery, Olivet Nazarene University, Bourbonnais, IL Figurativas 2017, finalist, Fundacio de las Artes y los Artistas, Barcelona, Spain ARC Visions, group exhibit, Arcadia Contemporary, Los Angeles, CA LA Art Show, in association with Arcadia Contemporary Gallery, Los Angeles, CA A Place Kinder Than Home, group exhibit, Strawn Art Gallery, Jacksonville, IL (upcoming) Big Art. Small Canvas, group exhibit, RJD Gallery, Bridgehampton, NY 2016: 2016 Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Mirror | Mirror, Two-Person Exhibit, University of Illinois-Springfield Visual Arts Gallery, Springfield, IL Invitational Art and Artisan Festival, Lubeznik Center for the Arts, Michigan City, IN Art Renewal Center 12th ARC International Salon, finalist 2015: Amanda Greive: Symbolic Realism, Quincy Art Center, Quincy, IL BIO-fied, Group Exhibition, University of Illinois-Springfield, Springfield, IL BIO-fied, Group Exhibition, State Street Gallery, Chicago, IL St. Louis Art Guild’s Ann Metzger Memorial National All Media Exhibition, St. Louis, MO

Awards

2017 Rehs Contemporary Award, 13th ARC International Salon 2016 Arcadia Contemporary Award, 12th ARC International Salon 2015 Ann Metzger Award, St. Louis Art Guild’s Ann Metzger Memorial National All Media Exhibition 2014 Best of Show, Liturgical Art Juried Exhibit 2013 Painting Award, Illinois State Fair Professional Art Exhibit 2010 Realism Award, Watertower Regional Juried Exhibit Realism Award, Traditions in 2-D juried Exhibit 1st place, painting, Illinois State Fair Professional Artist Exhibition 2009 OSF Hospital Painting Award, 64 Arts National Juried Exhibit 2008 Cover art, Lincoln Land Community College Harvester Chancellor’s Award, III Space, UIS Senior Exhibition 2007 Merit award, Illinois Community College Juried Art Exhibition Cover art, Lincoln Land Community College Harvester Painting award, Lincoln Land Community College Student Art Exhibit 2006 Best of Show, Lincoln Land Community College Student Art Exhibit

Hubert de Lartigue

Hubert de Lartigue
The female body is the major inspiration and subject in Hubert de Lartigue's work. Influenced by fashion photography and the glossy idealization of the female nude, the artist portrays the beauty and imperfections of his live models in sensual and alluring poses. Hubert explains his work by saying, “The portrait is a classic theme in the world of painting. However, I try to create elements of surprise in each of my portraits, the way I crop them, the expression or the attitude of the models. But the power of the portrait lies above all in the look of the model, which is unique each time. All I have to do is underline the strength and the intensity,”

Artist:
Hubert de Lartigue

Hubert de Lartigue is a French painter and illustrator. After graduating with graphic arts, he began his career in the field of packaging, as well as a freelance illustrator. His works were more related to science fiction, book covers, and pin-ups. Since the 2000s, he turned increasingly to photo-realism and hyper-realism, including anatomical details in portraits or large canvases.

SELECTED SOLO EXHIBITIONS

2012 Muses, Bernarducci Meisel Gallery, New York 2001 "Figure it Out", Louis K. Meisel Gallery, New York, NY, 27 January - 24 February 2004 "Great American Pin-up- Vintage and Contemporary Works", Louis K. Meisel Gallery, New York, 11 September – 2 October. 2006 "Femmes artistes (peintures recente)", Galerie Frederic Bosser, Paris, France, 20 February – 10 March. 2007 Bernarducci Meisel Gallery, New York, NY, 4- 27 October 2006 Femmes Artistes (peintures récentes), Galerie Frederic Bosser, Paris, France Exhibition of pin-ups at the Christophe Agency in Paris Solo exhibition of SF illustrations at the Imaginales in Épinal (France) Exhibition and sales at the Monde de Jeu, Porte de Versailles Paris 2004 French Pin-ups, Galerie Frederic Bosser, Paris, France Exhibition “Great American Pin-up- Vintage and Contemporary Works”, Louis K. Meisel Gallery, New York, September 11 – October 2 2003 Exhibition 2012 Muses, Bernarducci Meisel Gallery, New York 2001 "Figure it Out", Louis K. Meisel Gallery, New York, NY, 27 January - 24 February 2004 "Great American Pin-up- Vintage and Contemporary Works", Louis K. Meisel Gallery, New York, 11 September – 2 October. 2006 "Femmes artistes (peintures recente)", Galerie Frederic Bosser, Paris, France, 20 February – 10 March. 2007 Bernarducci Meisel Gallery, New York, NY, 4- 27 October 2006 Femmes Artistes (peintures récentes), Galerie Frederic Bosser, Paris, France Exhibition of pin-ups at the Christophe Agency in Paris Solo exhibition of SF illustrations at the Imaginales in Épinal (France) Exhibition and sales at the Monde de Jeu, Porte de Versailles Paris 2004 French Pin-ups, Galerie Frederic Bosser, Paris, France Exhibition “Great American Pin-up- Vintage and Contemporary Works”, Louis K. Meisel Gallery, New York, September 11 – October 2 2003 Exhibition of pin-ups Frédéric Bosser Gallery, Paris, France 2001 Exhibition Figure it out, Louis K. Meisel Gallery, New York 1999 Exhibition Galaxiales in Nancypin-ups Frédéric Bosser Galler

SELECTED GROUP EXHIBITIONS

2017 The Europeans, Louis K. Meisel Gallery, New York, NY 2016 Collective exhibition pour the coming out of the book Tall Trees of paris at the Art Factory Gallery, Paris. Collective exhibition The Portrait Show at the Bernarducci Gallery, New York. 2015 Summer Group Exhibition, Bernarducci Meisel Gallery, New York, NY Context Art Miami, Bernarducci Meisel Gallery, Miami, FL Art Silicon Valley/San Francisco, Bernarducci Meisel Gallery, San Francisco, CA 2014 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, Indiana Austin Art Projects, Palm Desert, CA Collective exhibition, Winter White at the Bernarducci Meisel Gallery, Catalogue, New York. Collective exhibition, Derivare at the Nouveaux Frigos, Paris. 2013 Photorealism Revisited, Oklahoma City Museum of Art, OK; The Butler Institute of American Art, Youngstown, OH; MANA Contemporary, Jersey City, NJ Photorealism in the Digital Age, Bernarducci Meisel Gallery, New York Sneak Peek: Photorealism in the Digital Age, Bernarducci Meisel Gallery, New York Collective exhibition, The Naked Truth, Plus One Gallery, London 2011/2 Stand Still, Bernarducci.Meisel.Gallery, New York 2012 Collective exhibition, Bernarducci Meisel Gallery, New York Collective exhibition at the Imago Gallery, Desert Palm, USA Collective exhibition at the Rarity Gallery, Mykonos, Greece Collective exhibition, Galerie de Bellefeuille, Photoréalisme, Montreal Collective exhibition at the Marie Ricco Gallery, Calvi, Corsica 2011 National Juried Biennial, Amarillo Art Museum, Amarillo, TX Art Hamptons, Bridgehampton, NY Watermill Art Center, Watermill, NY Galerie Marie Ricco, Calvi, Corsica, France 2010 Expansion, Bernarducci.Meisel.Gallery, New York Permanent exhibition Alexis Lartigue Gallery, Paris, France 2009 Heros Collective, Zone Franche, Bagneux, France. Louis K. Meisel Gallery: 40 Years of Photorealism, Bernarducci Meisel Gallery, New York Figure 8, Bernarducci Meisel Gallery, New York

SOUL Of AFRICA

SOUL Of AFRICA
This collection of Vodun art convinces the experts of African art and baffles the interested novice. It is a collection with volume and depth that can be found nowhere else, not in Afica, Europe or the United States. This one time collection put together by curator Henning Christoph gives the "gods of the West African Slave Coast" the opportunity to express themselves. As a whole the collection gives a deep and complete picture of Vodun culture in West Africa. The art of the Vodun culture is displayed in it's complete breadth. I am convinced, that all visitors of this exhibition will have a lasting memory of what Vodun really is. Professor Joseph Adande Dept. for Art History University of Cotonou, Benin Hidden away in an Essen, Germany apartment is a small museum devoted to the traditional beliefs and rites of Western Africa. Touching on secret societies, magic, healing practices, voodoo, zombies and ancestor spirits, the museum is a unique look at some often misunderstood spiritual practices. Established in 2000 by photographer and ethnographer Henning Christoph, the five-room museum is filled with an eclectic mix of artifacts, tools, and artworks from West Africa vodun culture. The rooms are packed with sculptures and figures from different tribes and include an altar to Mami Wata, a water spirit, where you can bring sacrifices for the goddess. Also on view elaborate costumes used in ancestral worship rites.
In addition to the extensive collection of religious artifacts, there is a good portion of the site that is devoted to the atlantic slave trade, displaying historical artifacts from the dark period, including brutal and crude iron shackles. Christoph has worked and studied voodoo among different tribes for a long time and has documented these practices extensively. His collection, while not exactly what one might to expect to find in a German apartment building, is a unique chronicle of his work – as well as a hands-on glimpse into a fascinating world of religion and belief.

Abandoned places by Torsten Schmidt

Abandoned places by Torsten Schmidt
Abandoned Places ist eine Werkreihe, die sich mit dem Verlassen sein beschäftigt. Als Allegorie der sozialen Einsamkeit erzählt Schmidt in seiner Ausstellung „Abandoned Places“ von verlassenen Orten. Die heruntergekommenen Innenräume, die nutzlos gewordenen Gegenstände oder verrosteten Mobilitätswerkezeuge, die die Menschen an anderen Orten ersetzt haben, erzählen Geschichten über Heimat sowie das Verlassen derselben. Oder von sozialen Räumen, deren Nutzung nicht mehr möglich oder erwünscht ist. Schmidt agiert dabei als Beobachter, niemals wertet es die Dinge, die er sieht. An den Orten arrangiert er nichts, fotografiert aus unterschiedlichen Winkel bei Tageslicht. Auch wenn diese Orte dem unüber-sehbarem Verfall überlassen sind, portraitiert Schmidt diese Orte doch in ihrer Würde und Schönheit.

Abandoned Places
Abandoned Places is a series of works dealing with leaving. As an allegory of social loneliness, Schmidt tells of abandoned places in his exhibition “Abandoned Places”. The dilapidated interiors, the useless objects or rusted mobility tools that have replaced people in other places tell stories about home and leaving it. Or of social spaces, the use of which is no longer possible or desired. Schmidt acts as an observer, never evaluating the things he sees. He arranges nothing at the locations, photographs from different angles in daylight. Even if these places are left to the unmistakable decay, Schmidt portrays these places in their dignity and beauty.

Artist:
Torsten Schmidt

What started as a hobby became his passion. Every photoshoot means a new challenge. Creativity, naturalness and an expressive visual language distinguish pictures that differ from the crowd. Put him or her in the mood that fits the picture. Watch and trigger at the right moment. Conduct with clear information or follow instinctive movements. Generate feelings.

Olga Zelinska

Olga Zelinska
Olga Zelinskaya created her own unique pictorial authorial style, which is subject to figurative reflections of the complex philosophical universal questions. This style continues and develops the great traditions of European Art Nouveau, the Vienna Secession (Gustav Klimt, Egon Schille). The artist reinterprets the creative tools of the classics to implement modern concepts in understanding the relationship between personality and outer space, theories of esotericism and the latest discoveries in the field of the emergence of wildlife. In her paintings, Zelinskaya continues to develop the emblem of style, the composition of an object in canvas and uses a special planar spatial construction. However, the essence of Art Nouveau in the works of Zelinsky is traditionally preserved: the transformation of society through beauty. The author boldly undertakes to translate the metaphysical concepts of earthly elements into visible artistic images (“Air”, “Fire”, “Water”, “Ice”). Refined female silhouettes are located in different compositions in relation to the square of the canvas: horizontal, arms thrown behind the head, relaxed Water; a woman-woman sitting on the ground and looking up; Air diagonally taking off with Isis wings; frozen, half a turn from the back of a woman-Ice, symbolizing the duality of matter. The clothes of silhouettes, among other things, as in many paintings, are a form-forming fabric from small mosaic-fragmentary spaces inscribed in a contour drawing that have their own colorful pattern in the unity of linear and color rhythm. Forms are asymmetric, flexible and mobile, full of life energy. Many formations within closed circuits can be interpreted as separate works of decorative art, causing a deep emotional mood and at the same time, being part of a whole artistic image, unusually elevate the aesthetic impact and penetration into the idea of ​​a work.
Zelinsky’s appeal to the mythological images of India and Greece is logical. The artist gives a modern interpretation of the female images of the goddesses in the paintings: “Lakshmi”, “Persephone”, “Virgin-Undins”, “Heavenly-Virgin” and others. The unusual form-forming harmony of images is accompanied by a picturesque background decor of iconic unearthly calligraphy, sometimes with elements of rock prints of ancient nature or with emerging ornamentalism from the harmony of the whole. The images of the goddesses are monumental, imbued with ephemeral inexplicability and fabulous power. Female characters are given in philosophical melancholy expectation, in a state of meditation and sensual affectation. The author managed to create the reality of the audience waiting for a meeting with ancient cultures.

Artist:
Olga Zelinska

Olga Zelinska was born in Abkhazia. A graduate of the Sukhumi Art School named after Chachba-Shervashidze and the Abkhaz State University at the Department of Fine Arts, the artist Olga Zelinskaya owns all the modern tools of computer graphics and 3D constructions. Her professional biography could well be considered held as an architect and interior master. But, apparently, the main thing that determines her creative fate is much wider and deeper than searches in the field of three-dimensional compositional solutions.

Exhibitions

2015 July DC Zelenograd exhibition "Summer Patterns" organizer + participant 2015 May-June "Cultural Center Zelenograd" personal exhibition "Secrets" 2015 Competition "Stork on the Roof" State Darwin Museum May 14 - July 12 2015 Gallery-Showroom 2.2 "Fashion Season" Okhotny Ryad, 2, Moscow 2015 07 / 04-14 \ 05 "Legends and were" BUK of TsBS Chernyshevsky (participants: I. Golub; V. Kotikov; O. Zelinskaya) 2015 17.04-19.04 "ART.WHO.ART" Kalanchevsky dead end 3/5 2015 Project "She-who?" DomZhur project "Female image in the works of contemporary artists" organizer: "TETRA-ART" 2015 "Bohemian Rhapsody" Freelab 04 \ 04 -04 \ 05 exhibition as part of the Boho Festival 2015 March "Coffee cat (e) Art space " Assembly Point " metro China 2015 March "Women's Line" personal exhibition VDNH Pavilion No. 6 2015 February Winery. "Mystical quest" Diploma of the III degree (for an extraordinary color scheme), diploma from the art club GALLERIX February 2015, personal "Emotions" in the House of Slavic Writing. Moscow , Chernihiv Lane, 9/13 p. 2 February 2015 "Gostiny Dvor" Moscow Varvarka St. 2014 Central House of Artists exhibition "New Year" with galleries "New Era" 2014 "Soul Palette" Central House of Artists (Krymsky Val 10) 2014 "Chromosome XX" personal exhibition in the gallery "Princess Grad" 2014 "Dreams of something more (directing dreams 2) Library of Ukrainian literature 2014 Gallery "On Kashirka" Leonid Theodore's project "Inomer" 2014 Gallery Art-Dresden project of Leonid Theodore "Inomerie" 2014 Abkhazia Sukhum - chamber personal exhibition "Music in Color" 2014 Central House of Artists (Krymsky Val 10) "Opening of the season" 2014 Central House of Artists (Krymsky Val 10) "New Era Gallery" 2014 "Modern Living Line" Mansion of the Merchant Nosov 2013 "Autumn Impromptu" - Arden Gallery 2013 "Baraonda" contest in St. Petersburg - a special prize - an invitation to the watercolor contest from the Literary Park Carlo Levy 2012 Art Preview contest - the work "Begin

Christoph Eberle - Hyperreal Oilpaintings

Christoph Eberle - Hyperreal Oilpaintings
Christoph Eberle was born in 1969 in Zürich, Switzerland. He graduated in 1996 as an architect. As a self-taught hyperrealistic painter his influences include old masters such as Caravaggio, Vermeer van Delft, Jacques Louis David, Caspar David Friedrich and Segantini. Most of his inspirations are born from snapshots of everyday life – be it in the laundry room or on the way in to town: These moments, when for an instant the light and the situation are coherent, producing a brief moment of clarity and perfection – a type of film still from his personal movie – are what he searches to capture as precisely as possible. Painting with very fine and concise brushstrokes he is exploring the classic image concepts (landscape, still life and portrait). Although photos are used as a starting point in the painting process, the intention is not to fool the eye but to create images that are coherent and self-contained, allowing space for interpretation. So the goal is to achieve a strong and independent visual idea, not a slavish copy.

Artist:
Christoph Eberle

Christoph Eberle was born in 1969 in Zurich, Switzerland. He graduated in 1996 as an architect. As a self-taught hyperrealistic painter, his influences include old masters such as Caravaggio, Vermeer van Delft, Jacques Louis David, Caspar David Friedrich, and Segantini.

Exhibitions

2019: Algo más que realismo XIII Exposición de pintura realista contemporanea Zaragoza Nov. 7 - Dec. 5, 2019: Hyperrealism The refinement of accuracy University of Lucerne February 14, 2019: Solo show Thomas Dutoit Galerie Unterentfelden Vernissage March 16, 2019: Swiss Art Expo Zurich 15.-19.8.2019: streetart.limited, Ebikon Pop up in the Mall of Switzerland 2018: International Contemporary Art Show Basel June 13-18: Hyperrealism streetart.limited, Baden 2017: May 13– June 10: The hundredth Alex Schlesinger Gallery, Zurich 4 artists 2016: art fair ART 16 ZURICH Alex Schlesinger Gallery October 27-30: Reality2 - From Fantastic to Hyperrealism in Painting Museum Bickel, Walenstadt Group show (3 artists) September 18 - November 13 Opening Werthmüller Gallery 2013: Still life vs. Landscape Gallery R57, Zurich 2012: Bildwelten_6 Gallery R57, Zurich 2011: Zurich art scene Free warehouse, Zurich

Group show

November 18, 2018 - March 23, 2019: The Abstract Real The Royal Hall of La Madeleine, Paris October 16-21, 2018: That One Moment IG Halle in the Kunst (Stuff) House Rapperswil August 26 - November 4, 2018: Hyperrealism - Why not take a photo right away? Rotary Club miles September 12, 2018: Realism - Still alive and kickin ' Ulrich Gering Gallery, Frankfurt / Main April 22 - June 9: realism Mörfelden-Walldorf Municipal Gallery (D) March 11-25, 2018: art KARLSRUHE 2018 International Fair for Classical Modern and Contemporary Art 2017: Hyperrealism Galerie Wehrli November 4 - December 3 :2015 small in format - big in effect art333, Wädenswil 10 years Haldegalerie, Haldegalerie, Widen New Paintings Arte piccolo, Matthys Gallery, Wollerau 2011 New pictures Galerie 497, Zurich with Bernard (sculptures) Matthys Gallery, Wollerau

Publications

Publications Hyperrealism Magazine # 7 is the first and one magazine (digital & print version) fully dedicated to the Hyperrealism Art. Artist Portfolio Magazine - Issue 36 Independent specialty art magazine that promotes the portfolios of emerging and established artists from various parts of the world. ​Skull'n'Art An inspirational collection of great artists all over the world and a lot of skulls ​L'abstrait réel Publication accompanying the exhibition in the Royal Hall of La Madeleine, Paris Post-Modern Times: The Journal of Aesthetics and Art History, Vol.1 No.3 by Stephen Smith ___________________________________________________________________________ Press ​Mysterious interiors Article in the Aargauer Zeitung 14.03.2019 ​On the trail of sleep Article in the Tagesschau (SRF) to the exhibition “Sleep well”, December 1, 2018 The last moment in life as a work of art by Jérôme Stern / Southeastern Switzerland at the weekend (pdf) ​About life before and after death Zürichsee newspaper Obersee (pdf) ​These pictures say: Die to become - the resurrection of illusion through photography by Daniele Muscionico / NZZ ​Hyperreal in the museum bickel by Angela Adank / Sarganserländer ​«Reality» - colorful, imaginative and fascinatingly beautiful by Guido Baumgartner and Judith Annaheim / The Region (pdf) ​Exaggerated, distant, sometimes disturbing by Judith Hochstrasser / Sonntag Christoph Eberle / Hipersuiza - DLYC | De Letras y Colores - ENKAUSTICOS by OPin (Argentina) Hyper realistic meat show Cultural criticism - critical voices on cultural events by Rafaela Roth

Sheryl Luxenburg
Canadian Hyperreal Painter

Sheryl Luxenburg Canadian Hyperreal Painter
Evgenia Luxenburg’s drafting and painting methods are grounded in classical formulae. She works in dry brush style using a dappled technique of lying different colored marks of paint side by side and by glazing with thin translucent layers of single color one on top of the other. Through the decades, she has maintained allegiance to water-based media and has invented unusual methods of applying absorbent compound on top of gessoed layers and in mixing acrylic and water-color paint with a granulating medium. In all compositions, she strives for tight details and precision on the main subject elements and uses an airbrush when suggesting the background.

Theme
Luxenburg describes her figures interacting with water or condensation on glass as a symbolic expression, a metaphor for a fatigued emotional state, a sense of alienation and the process of cleansing disturbing emotions. She describes her models as the vessels who carry her projected emotions. Most of Luxenburg’s series’ portray her moods and the psychological phases relating to the challenging periods in her life.

Artist:
Sheryl Luxenburg

Sheryl Luxenburg is a Canadian hyperrealist painter and artist mentor based in Ottawa who uses watercolor on paper and acrylic on linen with airbrush and regular brush to capture ultra-realistic subject matter. The flattened depiction of space revealed in her paintings is so hard to distinguish from reality, especially when viewed online, that many scrolls over her hand-painted work thinking they are photographs. Although Luxenburg’s technical skills are impeccable, it is most important to her that the viewer identifies with her subject matter and finds the soul in her artwork.

Education

Her undergraduate art education was completed in studio painting at Concordia University and The School of Art & Design of The Montreal Museum of Fine Arts, Montreal, Quebec,.Then she attended graduate studies at McGill University , Montreal, Quebec. The Banff Centre For The Arts, Banff Alberta and at Keene State College, New Hampshire, U.S.

Photorealistic Watercolours, 
by González Bueno - Artist Statement

Photorealistic Watercolours, by González Bueno - Artist Statement
"For several terms, I attended an Art Academy where I learned the fundamentals of sketching and oil painting, but most of all, the theory of color and composition. I then became interested in the possibilities of Watercolour, mainly because of the endless tonal variations possible, and it suited my draughtsmanship abilities very well. I am totally self-taught, studying closely the technique of the British masters of the 19th century, primarily the Victorian period between 1850 and 1900. I have focused as well on Viennese watercolors of the same period, and Orientalists in general."

Artist:
José González Bueno

Jose was born in 1957 in Malaga, the birthplace of Picasso. He went to the local art academy where he learned the fundamentals of drawing and painting, applying special emphasis to color theory and composition. He then became fascinated with the medium of watercolor as he realized that not only did it suit his extraordinary skill as a draftsman but also the tonal variations were infinite. It was not long before he had exhausted all the academy could teach him and so he began to study the technique of British 19 century masters and also the Viennese watercolor painting of the same period. Bueno has also worked in the Jordanian Royal Household, and in private collections throughout the world. He is the founder Member and Vice-president of the Malaga Watercolour Association and represented in London by Mathaf Gallery and in Zurich-Montreux by Laurent Marthaler Contemporary.

Exhibitions

Since 1988, González Bueno has exhibited more than 30 individual exhibitions in Art Galleries in Madrid, Barcelona, Marbella, Almería, Granada, Seville, Málaga and London (Arthur Ackermann Gallery).In 1994 Jose was commissioned to paint several pictures of the Spanish Foreign Legion one of which was presented to the king of Spain, H.M. Don Juan Carlos 1. Since 1988 he has had over 25 “one-man “shows in Madrid, Barcelona, Marbella, Almeria, Granada, Seville, and Malaga. He has also participated in numerous Competitions and groups, amongst others the Top 100 of the Arts for the Parks Contest of the United States National Academy for the Arts, years 2003 and 2004. In 2010 Jose held an exhibition at Arthur Ackermann’s Gallery in London’s Belgravia. The show was a great success with five paintings being bought by the Royal house of Jordon and they are now hanging in the Palace in Amman. Three years ago he had an exhibition in Malaga during Samana Santa and five of his larger paintings were bought by Antonio Banderas. The following year he was given the honor of being commissioned to design the poster for Malaga’s Samana Santa.

Awards: ​

-First Medal in Watercolour in the 64th Salón de Otoño de la Asociación Española de Pintores y Escultores, y Premio Talens. Madrid, 1997. -Certamen de Dibujo Felipe Orlando. 2º Premio. Benalmádena, 1999. -3er Certamen de Pintura Ciudad de Málaga, de la Asociación Española de Pintores y Escultores, 1st Prize. Málaga, 2000. Amongst works done for the Spanish Foreign Legion, a painting presented to H.M. The King of Spain D. Juan Carlos I in June 1994.

Alluring Nudes, Lush Portraits, and Erotic Oysters - Paintings by Nadine Robbins

Alluring Nudes, Lush Portraits, and Erotic Oysters - Paintings by Nadine Robbins
American painter Nadine Robbins’ contemporary style is distinguished by a masterly command of academic painting techniques paired with an irreverence for rules, gender and beauty. Much of the painter’s practice focuses on themes of defiance, and a singular form of eroticism that is presented from a new and unexpected perspective. In particular, Robbins has earned great admiration for her iconoclastic nudes, as well as an ongoing series of portraits that oscillate between the mysterious and the candid. There is also a remarkable group of oyster still life paintings that in their lush precision seem to achingly intersect genres of eroticism and the still life. Overall, Robbin’s use of luscious jewel toned paint and high-fidelity realism ties the artist to the late twentieth century and contemporary traditions of hyper-realism, photo-realism, and super-realism. Like Chuck Close, the artist uses a similar photographic and painterly process to produce dynamic contemporary portraits. Robbins’ montage-like use of atelier technique and way of working adds to the oeuvre, a studied complexity that is enticing and refined. It can be said that Robbin’s work is decidedly at the intersection of identity politics presenting the feminine form in new and unexpected ways, allowing a dynamic to evolve between the viewer and the viewed, and as well upsetting the traditional roles of the male gaze and the feminine subject. This inversion of accepted norms and structures of power is related to a trend in contemporary art, seen in current practitioners such Kehinde Wiley wherein the artist’s painting of ordinary people is set within symbolic structures and emblematic themes. Robbins for her part uses the genre of portraiture and nudity to express a similar sense of irreverence for societally assigned roles, and as well uses her work to evoke a feminine perspective or sense of sexuality, eroticism and self.

Artist:
Nadine Robbins

January 10, 1966, American Born in New York City

Education, Exhibitions, Awards

Education Bachelor of Fine Arts in Graphic Design, Magna Cum Laude, USA, Fellowship, International Design Education Foundation Exchange Student at Middlesex Polytechnic, London Exhibitions SELECTED SOLO, GROUP AND UPCOMING EXHIBITIONS and FAIRS 2019 Food for Thought, Louis K. Meisel Gallery, February 28-March 30, New York, NY Painting Today, International Women’s Day, March 8 - May 5, Meam Museum, Barcelona, Spain Greenwich/Westchester International Art Fair, February 28- March 3, Purchase, NY Gallery Artelibre 1999-2019 - 20 years commemoration, Meam Museum, Barcelona, Spain ABFA 15 Year Anniversary Show, Anthony Brunelli Fine Arts, 7 December 2018 - 26 January 2019, Binghampton, NY 2018 Figurative Realism, Curated by Dirk Dzimirsky, Gallery at Zhou B Arts Center, Chicago 2nd Annual Juried Exhibition, Curated by Frank Bernarducci, Wausau Museum of Contemporary Art (WMOCA) WI 10th Annual Nude Exhibition, Manifest Gallery, Cincinnati, OH 13th Annual group show, International Guild of Realism, Sugarman Peterson Gallery, Sante Fe, NM Recipe, The Vendue in association with Robert Lange Gallery, Charleston, SC Fresh Start Collective, Hamptons Juried Art Show to benefit The Retreat, RJD Gallery, NY Perspectives of the American Experience, 2018 Annual National Juried Exhibition, American Women Artists, Rockwell Museum, Corning, NY 2017 Big Art Small Canvas, RJD Gallery, Sag Harbor, NY First Annual Juried Exhibition, Curated by Alyssa Monks, Wausau Museum of Contemporary Art (WMOCA) WI Poets and Artists, Arcadia Contemporary, Culver City, CA Women Painting Women, RJD Gallery, South Hampton, NY 12th Annual group show, International Guild of Realism, Winfied Gallery, Carmel, CA Dissent, Sparrow Gallery, Sacramento, CA Attention to Detail, Robert Lange Studios, Charleston, SC Formation, A Painting Survey in conjunction with Poets & Artists, Bernarducci.Meisel, New York, NY 2016 Chévere, Sirona Fine Arts, Hallandale Beach, FL Art, Oysters, and The Billion Oyster Project, Starr Library, Rhinebeck, NY Women Painting Women, RJD Gallery, Sag Harbor, NY TWELVE, Robert Lange Studios, Charleston, SC Reinventing Ourselves from a Different Point of View, Zhou B Art Center, Chicago, IL Nudes Beyond the Prado, Brill Gallery, North Adams, MA 40 years, 40 artists, The Mark Gruber Gallery, New Paltz, NY 2016 Mod Portrait, Sala Bantierra de Zaragoza, Zaragoza and Museo Meam de Barcelona, Spain Freak Out!, Zhou B Art Center, Chicago, IL 2015 Trio Exhibition, Oil Water Bronze, Sirona Fine Arts, Hallandale Beach, FL 7th Annual NUDES Exhibition, Manifest Gallery, Cincinnati, OH Immortality and Vulnerability, Zhou B Art Center, Chicago, IL The Artists gaze: Seeing women in the 21st Century, Sirona Fine Arts, Hallandale Beach, FL 2014 Art Undressed, International Nude Art Exhibition, Miami, FL Fixation, Zhou B Art Center, Chicago, IL 2013 In The Flesh 4, Target Gallery, Alexandria, VA Current Hues of the Hudson, Bethel Woods Center for the Arts, Bethel, NY 2012 Blue, Saugerties Performing Arts Factory, Saugerties, NY Disrobed, The Mark Gruber Gallery, New Paltz, NY 2011 In The Flesh 3, Target Gallery, Alexandria, VA The Royal Society of Portrait Painters Annual Show, London, United Kingdom Solo Exhibition, Eight Portrait Peaces, Brill Gallery, North Adams, MA 2010 The Royal Society of Portrait Painters Annual Show, London, United Kingdom Awards SELECTED HONORS, AWARDS, COLLECTIONS 2019 Winner for inclusion into the Greenwich/Westchester International ArtFair competition, Spring 2019 2018 The Top 100 Figurative Painters Working Now, Buzzfeed Finalist, 13th Annual group show, International Guild of Realism. Keep Calm and Eat Oysters Finalist, American Women Artist Spring Online Juried Show, Smoking Dragon Acquired by The Count Ibex Collection, I Will Survive and Davida Finalist, 13th Annual Art Renewal Salon, Twosome Finalists, 8th International Painting Annual, Manifest Gallery, Cincinnati, OH, Serafina, Sativa Sunrise 2017 The Top 100 Figurative Realists Working Now, BuzzFeed Finalist, American Women Artist National Juried Exhibition at the Rockwell Museum, Sativa Sunrise Finalist, 1st Annual Juried Exhibition, WMOCA, Curated by Alyssa Monks, I Will Survive Finalist, Artist Magazine Competition, Portraits/Figurative, Serafina Finalist, 12th Annual group show, International Guild of Realism. 2 Oysters and a Spoon Acceptance into The International Guild of Realism Associate Member with distinction American Women Artists The Puffin Foundation grant recipient for the project called "Oysters: The Art of Conserving a Species" 2016 Finalists, 12th Annual Art Renewal Salon, Sativa Sunrise and Oyster Selfie on Ice Finalist, 2016 Mod Portrait, Sala Bantierra de Zaragoza, Zaragoza AND Museo Meam de Barcelona, Spain, Sativa Sunrise Poets and Artists, 50 Memorable Painters of 2015, by GOSS183 Publishing Group 2015 Cover of Poets and Artists 62, Immortality and Vulnerability Issue, GOSS183 Publishing Group, She-Ra Finalist, The Artist's Magazine Annual Art Competition, Acquired by The Howard and Judith Tullman Art Collection, Double Gulp 2014 Creative Nude Art Erotic Signature’s Art Competition Finalists, Moxie, and Eggsistencial Finalist, The Artist’s Magazine 31st Annual Art Competition, Mrs. McDonald 2013 2013 Ten memorable paintings, The Huffington Post Arts Blog, Mrs. McDonald Acquired by The Howard and Judith Tullman Art Collection, Moxie Acopal Exhibition of Contemporary American Realism Finalist, Molly and Zoe, 48” x 72”, Oil on Linen 2011 The Royal Society of Portrait Painters 2011 Annual Show, Acacia and the Bowman, 48” x 72”, Oil on Linen 2010 The Royal Society of Portrait Painters 2010 Annual Show, The Rolling Buns, 48” x 72”, Oil on Linen

SELECT PRESS AND PUBLICATIONS

2018 The Top 100 Figurative Painters Working Now, Buzzfeed 2017 The Top 100 Figurative Painters Working Now, September Kloosterboer on Formation, January 2017 2016 Art in Good Taste, by Max Gillies, May/June Food Issue, Fine Art Connoisseur Neither Painting Nor Disco Is Dead, And Here’s The Art Show To Prove It, by Priscilla Frank Arts Writer, The Huffington Post Probing Portraits by Nadine Robbins, Ali Cavanaugh, and Gary Weisman at Sirona Fine Art, By Grace-Yvette Gemmell, Artsy Editorial 2015 Poets and Artists, 50 Memorable Painters of 2015, by GOSS183 Publishing Group The World's Greatest Erotic Art of Today, Volume 5, by Erotic Signature On the Cover: Nadine Robbins, Jessica Jones, Chronogram The Naked Truth, WAG Magazine, by Georgette Gouveia Howard Tullman's heavily caffeinated life, Shia Kapos, Crain's Business Chicago Cover of Poets and Artists 62, Immortality and Vulnerability Issue, by GOSS183 Publishing Group 2014 Unconventional Portraits and Oysters, Luxebeatmag.com Featured in The Painted Nude Collection Saatchiart.com 10 Rather Eccentric Essays on Art, John Seed, The Huffington Post Arts Blog 2013 An Alluring Woman With Fries and McDonaldization in Art, By John Seed 10 Memorable Paintings from 2013 by John Seed

Artist Statement

As our current cultural climate threatens to encroach on freedom of choice, expression, sexuality and equity, my work serves to echo the reality of the American experience, one that is diverse, fluid and multifaceted. My nude and portrait paintings tell the stories of ordinary people from all walks of life paired with a sense of defiance and irreverence for societal norms regarding gendered ideas of behavior, identity, and sexuality. The construction of a painterly image can take months and as such responds to the historic legacy of portraiture, while expressing a distinctly contemporary experience of the world. While my process is undeniably ensconced in the ways of academic painting, my subjects are by no means the traditional type; rather I search for people who have a certain emotional clarity and as well may be unconventional in their personal expression of sexuality. They might meet your glance head on, while still others just have a remarkable beauty that seems somehow unusual. Many of my subjects seem to reveal their inner lives in the portraits. For the full statement click here https://www.nadinerobbinsart.com/the-artist/

Biography

American painter Nadine Robbins’ contemporary style is distinguished by a masterly command of academic painting techniques paired with an irreverence for rules, gender and beauty. Much of the painter’s practice focuses on themes of defiance, and a singular form of eroticism that is presented from a new and unexpected perspective. In particular, Robbins has earned great admiration for her iconoclastic nudes, as well as an ongoing series of portraits that oscillate between the mysterious and the candid. There is also a remarkable group of oyster still life paintings that in their lush precision seem to achingly intersect genres of eroticism and the still life. Overall, Robbin’s use of luscious jewel toned paint and high-fidelity realism ties the artist to the late twentieth century and contemporary traditions of hyper-realism, photo-realism, and super-realism. Like Chuck Close, the artist uses a similar photographic and painterly process to produce dynamic contemporary portraits. Robbins’ montage-like use of atelier technique and way of working adds to the oeuvre, a studied complexity that is enticing and refined. It can be said that Robbin’s work is decidedly at the intersection of identity politics presenting the feminine form in new and unexpected ways, allowing a dynamic to evolve between the viewer and the viewed, and as well upsetting the traditional roles of the male gaze and the feminine subject. This inversion of accepted norms and structures of power is related to a trend in contemporary art, seen in current practitioners such Kehinde Wiley wherein the artist’s painting of ordinary people is set within symbolic structures and emblematic themes. Robbins for her part uses the genre of portraiture and nudity to express a similar sense of irreverence for societally assigned roles, and as well uses her work to evoke a feminine perspective or sense of sexuality, eroticism and self. For the full bio click here https://www.nadinerobbinsart.com/the-artist/

Esther Huser Oil paintings - Artist Statement

Esther Huser Oil paintings - Artist Statement
In my work, I reconsider the question of Mimesis, traditionally related closely to realism art. My picture language consists of the false pretense that my paintings copy nature. In fact, I start out with a subject matter entirely designed and drawn in a digital medium like photoshop. I first create my own idealized view solely on a computer screen. The basis for these steps is my thousands of pictures I took over the past years. After having assembled a composition in photoshop, I have to adjust matching light and shadows and the value conditions on all the different pictures, before I start to paint my creation in oil. My artistic goal is to virtually design my own view of nature and pretend with the technique of realism art, that the viewer sees an existing part of a cabbage field. I create a paradox by taking advantage of a false pretense lying in realism art: that it is copying nature.

Artist:
Esther Huser

Her work

Award-winning Swiss artist Esther Huser has mastered the style of contemporary realism to create astounding works of great beauty and intimate detail. Huser explores the intricacies of the natural world with close-up figurative renderings of plants and natural objects consisting only a minimal palette of five colors. Above all, Huser seeks to uncover the “unseen details,” that surround us in everyday life yet are still invisible. Rather than inviting the viewer to perceive, say, a plant as a general shape, she delves into the visual minutiae to introduce the viewer to something entirely new. Since 2019, Huser is making her own perfect images of nature. She composes her painting first virtually out of hundrets of her pictures. Each cabbage or flower is not a copy of a photography but a painted version of her invented plants.

BACKGROUND

2023 My painting ‘My vision of hope’ on its way to the moon! As part of the Art Renewal Competition my painting will be included in the Lunar Codex "The Polaris Collection". Here are the ▶ Details. Selected for the 16th International ARC Salon at Sotheby's in New York with the painting 'My vision of hope'. Exhibition ▶ Real'23: 'Realistic Painting in Switzerland', Rapperswil CH. 'Open Atelier', organized by the Weinfelden municipality. ​ 2022 Special Price 'Fashion Week San Diego' in the 16th International ARC Salon. International Guild of Realism (IGOR): Selected for the fall online exhibition with the patining 'My vision of hope'. ​ ​2021 Selected for the fundraising group exhibition 'birds for Sofia' at ▶ Sugarlift Gallery in New York. Art Show of the 'Swiss Art Project' in Zurich, Switzerland with the painting 'Brassica' and a final place in the judging. ​ 2020 Selected for the 14th International ARC Salon online exhibition (due to Corona Pandemic) at Sotheby's in New York with the painting 'In the field'. Selected by the ▶ Internet Art Review 'The Blue Review' for an article titled '20 most Important Female Artists of 2020'. ​ 2019 Selected for the ▶ 14th International ARC Salon Exhibition at the Eureopean Museum of Modern Art in Barcelona, Spain with the painting 'In the field'. Finalist in the ▶ International art competition 'Arte figurativas 2019' at the European Museum of Modern Art in Barcelona, Spain, with the painting 'Brassica'. 1st price at the 13th International fine art competition 'Premio Arte Laguna' in Venice, Italy: Prestige award Biafarin: 1st price category painting. February - September: Artist in residence 'Remise' Weinfelden, Switzerland. ​ 2018 October: Solo show in the gallery Vogtei in Herrliberg, Zurich Finalist for the prestigious 13th International ARC Salon Competition with five paintings at the ▶ Art Renewal Center. American 'Artist Magazine': Honorable mention in the category 'landscape'. Published march 2018 in the

2016: ▶ 11th International juried exhibition, Gallery 1261 August 24 - September 17, 2016, Denver Colorado with the painting 'Abu Markub' ▶ 31th Chelsea International Fine Art Competition : Selected to show at the collective exhibition, August 11-23, 2016, in New York with the paintings: 'Trachystemon', 'Gunnera I', and 'Gunnera II' Member of The International Guild of Realism (IGOR) Represented on 'artsy' by 'Gallery 1261', Denver Colorado 2015: Second place in the still life / interior category of The Artist's Magazine's 2015 Annual Competition with the painting 'Fridge' Finalist in the category 'animals' of The Artist's Magazine's Annual Competition with the painting 'Abu Markub' 2014/2017: Workshops for contemporary realism in Austin, TX and at the Grand Central Atelier, NY. 1998-2006 Master of Science and PhD in Psychotherapy, Universities of Friborg and Zurich, Switzerland 1991-2013 Abstract sculptures and decorative art with polymer clay 1982-1991 Navigator on offshore sailboa

Kimberly Dow

Kimberly Dow
"One works (paints) because I suppose it is the most interesting thing one knows how to do. The days one works (paints) are the best days. On the other days one is hurrying through the other things one imagines one has to do to keep one's life going. You get the garden planted. You get the roof fixed. You take the dog to the vet. You spend a day with a friend. You learn to make a new kind of bread. You hunt up photographs for someone who thinks he needs them. You certainly have to do the shopping. You may even enjoy doing such things. You think they have to be done. You even think you have to have some visitors or take a trip to keep from getting queer living alone...(). But always, you are hurrying through these things with a certain amount of aggravation so that you can get at the painting again because that is the high spot - in a way it is what you do all the other things for...The painting is like a thread that runs through all the reasons for all the other things that make one's life." -Georgia O'Keefe

Artist:
Kimberly Dow

Knowing she would make her living as an artist since she was a child, Kimberly Dow has been gallery-represented and selling her work since she was nineteen. With some college studies, self-study and workshops with artists she admires, she has crafted her figurative paintings to express narratives in a modern realism style. She has received many awards and been published internationally. Her voyeuristic obsession with people and their stories continues. The narrative figures, nudes and portrait commissions she paints from her mountain top studio in North Carolina hang in collections around the world.

Group & Individual Shows

2019 - July-October - 'Alluring' included in the Painting The Figure Now Exhibition at the Wausau Museum of Contemporary Art and then traveling to Zhou B Art Center (opening October 18, 2019) in Chicago. 2019 - March, April - MEAM - Painting Today, International Women's Day - The European Museum of Modern Art, Barcelona, Spain - Includes 'Soft On Soft' and 'Bewitched' 2019 - February - Show: Adorn Me - sponsored by Poets & Artists and the Gallery at Zhou B Art Center - shown on Artsy 2018 - December - Poets Artists Magazine - Figurative Realism - PA's 100th Issue, including 'Beguiled' - show through the GALLERY AT ZHOU B ART CENTER & Artsy 2018 - October - Poets & Artists Magazine - The New Nude - show through the GALLERY AT ZHOU B ART CENTER & Artsy 2016 - Oct 8 - 'Women Painting Women' show - www.rjdgallery.com, Sag Harbor, NY 2012 - September 15 through Oct 19, 2012 - 3rd Coast National/International juried exhibition - K Space - Corpus Christi 2012 - September - IGOR - International Guild of Realism 7th Annual Exhibition - Jones & Terwilliger Galleries, Carmel, CA 2011 - April 2-22 - Masters of Realism Salon International 2011 - Greenhouse Gallery, San Antonio, TX www.greenhousegallery.com 2011 - The Dirty Show, Detroit - Erotic Art Show, Feb 11-19, 2011 www.dirtyshow.org 2010 - The Jade Gate: Seattle, Washington. "Smokin'" 2010 - Providence, RI - through Lyman/Eyer Gallery - The Coming Out Show - Urban Arts & Culture Program, October 2010 2010 - April 2010 - Masters of Realism Salon International - Greenhouse Gallery, San Antonio, TX 2009 - Art Center of Corpus Christi, All Member Show 2009 - April 2009 - Masters of Realism Salon International 2009 - Greenhouse Gallery, San Antonio, TX www.greenhousegallery.com April 2008 - Masters of Realism Salon International 2008 - Greenhouse Gallery, San Antonio, TX www.greenhousegallery.com April 2008 - Art Center of Corpus Christi All Member Show - Corpus Christi, TX May 2007 - Masters of Realism Salon Int

Publications

2019 - MEAM Publication - Painting Today - International Women's Day - European Museum of Modern Art, Barcelona, Spain 2018 - Adorn Me - Poets Artists Magazine - 'Birds Of A Feather' is included. 2018 - The Figurative Realism Issue #100 - Poets Artists Magazine - 'Beguiled' is included. 2018 - Poets Artists Magazine - The New Nude 2017 - Finalist for Art Renewal Centers 2017 ('Unprotected') - published in catalog 2017 - January - 'Unprotected' is a finalist in the 13th annual Art Renewal Center's Salon competition. December 2017 - 'Unspoken' is a finalist in the Artist Magazine's Annual Competition. December 2009 issue of the Artist's Magazine will list Kimberly Dow's painting ''Soft on Soft" as a finalist in the 2009 International Competition, Portrait/Figure category. December 2008 issue of the Artist's Magazine will list Kimberly Dow's painting ''No Evil" as a finalist in the 2008 International Competition, Portrait/Figure category. December 2007 issue of the Artist's Magazine will list Kimberly Dow's painting 'Unruly' as a finalist in the 2007 International Competition, Portrait/Figure category. December 2006 issue of the Artist's Magazine will list Kimberly Dow's paintings 'Pensive', 'Charity' & 'Allison' as Finalists in the 2006 International Competition, Portrait/Figure category November 2006 issue of South West Art Magazine - article about Kim and her figurative art - as well as featuring one of her paintings on the cover. The painting "Rose Arbor" is featured in the book published by International Artist entitled "How Did You Paint That? 100 Ways to Paint Flowers & Gardens" - available from www.internationalartist.com Numerous newspaper articles in such papers as the Boston Globe, Manchester Union Leader, Uvalde Leader News and Laconia Citizen.

Awards

2018 Honorable Mention - Jerry's Artarama Self-Portrait Competition for 'Nevertheless' 2008 - Corpus Christi Art Center All Member Show - 'Fragile' awarded second place. 2007 - International Masters of Realism 2007 Salon - Honorable Mention for 'Allison' in the portrait category & Top 50 in show for 'Pensive'. 2007 - 'My Turn' awarded Best in Show and First Place for oils at the All Member Show, April 2007 - Art Center of Corpus Christi 2007 - Corpus Christi Art Center's All Member Show - - 'My Turn' wins First Place for Works on canvas and wins Best of Show. 2006 - ARC International Competition - Art Renewal Center - Staff Award for 'Allison' and 100 top finalist for 'Charity' 2006 - Dimensions Show - Art Center of Corpus Christi - November - 2nd Place for 'Unabashed' 2006 - Independent's Show - Art Center of Corpus Christi - July - Best of Show for 'Gypsy Wind' 2006 - Museum of the Southwest - Midland Arts Association Spring Exhibition - First Place for 'Intuition' and Honorable Mention for 'Alyssa' 2006 - Art Center of Corpus Christi All Member Show - First Place for 'Hear No Evil, See No Evil, Speak No Evil' 2005 - Museum of the Southwest - Midland Arts Association Spring Show - Best of Show - "Gentle Touch" 2004 - Salmagundi Club, New York, NY - The American Artists Professional League - 76th Grand National Exhibition - Director's Award - "Gentle Touch" 2004 - Art Center of Corpus Christi, Dimension Show - Honorable Mention - "Eve's Alternative" 2004 - Midland Arts Association - First Place oil - "Caleb" - at the Museum of the Southwest, Midland, TX 2004 - Art Center of Corpus Christi, Independent's Show - Honorable Mention for "Overachiever" 2004 - El Progreso Memorial Library Art Competition, "The American Experience" - 3rd Place for Works on Canvas, Uvalde, Texas for "In His service" 2000 - Corpus Christi Art Center, "Independent's Show" - for "Gerber Daisies & Mirror" - Honorable Mention 1996 - Laconia Artists Guild, "Best of Show" - for "F

Tanya Atanasova - Project YOU MY DEAR

Tanya Atanasova - Project YOU MY DEAR
I’m working on a large series of portraits of people I know very well or people that have played an important role in my life through the years. This two-and-a half-year project, in which I want to capture more than just the outer appearance of my models is called “You my dear” and is all about friendship. I have started this project one year ago doing everything on my own: traveling far to interview my models and get some pictures, working long days in my atelier, developing the website, buying materials, painting for months, crating, shipping, writing, publishing ... These paintings are not commissioned and there is no guarantee of sales. In fact it is quite unusual to sell existing portraits to customers/collectors who don’t really know the person on the canvas. But it still is a project of a great importance to me - this is my way of saying “thank you” to these people for being next to me all these years. I’m telling their stories, I’m painting/celebrating the link with them! In my artistic practice I use a lot of modern painting techniques to create the different “layers” of a personality, character, spirit, presence… I devote a lot of attention to the construction of my character’s personalities. Being interested in the psychology of my models, I want to become an intermediary between subject and viewer – building a connection that goes beyond painted realism. My gaze is directed deep into the story of every personage I create, his/her identity and unique complexity. Looking at the paintings should be like taking a glimpse into the character’s diary or reading a page out of his/her biography.

Artist:
Tanya Atanasova

Since her graduation from the National Academy of Art in Sofia, Tanya Atanasova has worked in several different media: painting, ceramics, sculptures and installations… She grew up in an environment where different artistic disciplines were in constant interaction. But although she has been drawing and painting all her life (her secondary and BAA educations were art related), she has only discovered her great passion for oil painting in 2016. Inspired, after visiting the studios/taking master classes by some of her most favorite contemporary artists - she decided to become a full time painter. Dedicated to big size non-traditional portraits, she started weaving her way through contemporary realism. She is now working from her own studio in Antwerp – one of Europe’s most important cities for art and culture. In 2018 she is preparing a solo exposition of portraits (to be completed in 2019) and she was pre-selected for some of world’s most remarkable competitions. In her artistic practice Tanya uses a lot of old and modern painting techniques to create the different “layers” of a personality, character, spirit, presence… Each of her paintings tells a story and she devotes a lot of attention to the construction of her character’s personalities. Being interested in the psychology of her models, the artist wants to become an intermediary between subject and viewer – building a connection that goes beyond painted realism. Her gaze is directed deep into the story of every personage she creates, his/her identity and unique complexity. Looking at the paintings should be like taking a glimpse into the character’s diary or reading a page out of his/her biography.

Xu Ming - Xu Ming

Xu Ming - Xu Ming
Today, real and fake realism paintings are mixed with each other, Xu Ming's works present a kind of attention worthy of attention. First of all, Xu Ming's oil paintings have a sense of permanence and tranquility. The communication and understanding of pictures is a mutual process, just like words and poetry. Many of Xu Ming's works are portraits, and the characters in the picture are static. "I think, for the state of painting, the painting mentality and life of the author plays an important role. In contrast, mindset is more important," says Xu ming. Xu Ming's paintings have a real illusion. What realism painting needs to be vigilant about is how to grasp the relationship between the reality of life and the illusion of art, which Ming's work reflects well. He has a solid basic skill, based on the use of gray tones, he has made great efforts in the exploration of the oil painting's ontological language. As he said himself: Oil painting, as a painting medium, carries the dream of every painter. Reality and illusory are its wings, which are indispensable. Only by combining the ontology of oil painting with artistic fantasy can we have the value of extraordinary.

Artist:
Xu Ming

Awards

Born in Kaili, Guizhou Province in March 1967, Han nationality, Xu Ming is a member of the Chinese Artists Association, president of Southern Painting Academy, currently living in Zhongshan, Guangdong, professional painter. His works have been published in special editions such as "Chinese Oil Painting", "Chinese Art Museum", "Collection and Appreciation", "Southern Oil Painting", "Chinese Contemporary Oil Painting" and "Chinese Oil Painter".

Exhibitions

1990: The oil painting "Be Waiting" participated in the Guizhou Oil Painting Exhibition; 2005: The print work "Yin Shan Yang Shan" participated in the 17th National Print Exhibition and was collected by the Guizhou Art Museum. In the same year, he was rated as an outstanding artist in Guizhou Province. The exhibition location: Guiyang Art Museum. 2006: The oil painting "Wind and Warm Spring Movement" participated in the 3rd Western Land and Land Art Exhibition in Guiyang Art Museum; 2007: Participated in the 2nd National Lacquer Painting Exhibition; oil painting "Warm Light at the Window" participated in the Lingnan Oil Painting and Sculpture Exhibition of China and won the excellent prize; oil painting "Breeze" participated in the Centennial Zhongshan Art Exhibition held by the China Art Museum 2008: The oil painting "Warm Light at the Window" participated in the 3rd Guangdong Oil Painting Art Exhibition; 2009: The oil painting "Warm Light in Front of the Window" participated in the first National Art Education Academic Exhibition and won an excellent prize. Exhibition location: China Art Museum; 2010: Painting "my school" to participate in the Guangdong Art Exhibition; oil painting "High Noon" to participate in Guizhou Art Exhibition and won a bronze medal; painting "Noon" the Eleventh National Art Exhibition; painting as a "nest" should Germany Official invitation to exhibit in Frankfurt; oil painting "Note" to participate in "Research and Transcend" the second national small oil painting exhibition, exhibition location: China Art Museum; oil painting "Noon 2" to participate in "oil painting art and contemporary society" Chinese oil painting exhibition Exhibition location: National Art Museum of China; eight paintings of the oil painting "Landscape" participated in the "Gao Yuanfeng" Guizhou Oil Painting Macao Exhibition, exhibition location: Lin Zexu Memorial Museum, Macau; was selected as an outstanding artist in Guizhou Province; 2011: The oil painting "I Love

Achievements

2012: The oil painting "Hanzi" participated in the Guangdong Youth Art Exhibition and won the silver prize; 2010: oil painting "Noon" participated in the Guizhou Art Exhibition and won the bronze prize;

Małgorzata Chodakowska

Małgorzata Chodakowska
In her graceful sculptures, Malgorzata Chodakowska addresses the longing for inner peace, the search for inner balance - an ideal state that we consciously or unconsciously pursue all more or less. And so one is inevitably enthralled by their creations, which appear to us as soulful, individual beings. The human being - the measure of all things, from the ideal of the Greek high-class to the Renaissance to the present day, this theme has been devoted to whole generations of sculptors. Again and again, stimulating is the choice of motif for the dance as an expression of emotional feelings that communicate about the body language. Chodakowska confronts us with sculptures that appear extremely differentiated in their postures and physiognomies and thus symbolize very different characters. Some appear open and self-confident, while others are fragile and withdrawn, almost melancholy. The faces change as the figures move around, inner states of mind appear even more clearly.

Theme
Her recurring theme is the so-called "Stammfrau" (loosely, "archetypal woman"), usually carved from wood to give a life-sized or slightly larger than life-sized form. She told an interviewer in 2008, "Working with the human form enables me to feel as close as possible to the figure I am working on, and so I have the feeling that this is the form I can best compose sculpturally".

Artist:
Małgorzata Chodakowska

Małgorzata Chodakowska was born and grew up in the heart of Poland, at Łódź, where between 1980 and 1985 she attended the Liceum Sztuk Plastycznyc ("Fine Arts Secondary School"). In 1985 she enrolled at the Fine Arts Academy in Warsaw where she studied sculpture with Jan Kucz. Three years later, in 1988, she moved on again, this time to the Academy of Visual Arts in Vienna, in order to progress her studies further. Her prize-winning dissertation, which she submitted in 1991, was supervised by Bruno Gironcoli.

Education

since 1991 Freelance sculptor in Dresden / Germany 1988 Studies of sculpting at the Academy of Fine Arts Vienna 1980 Secondary School of Arts in Łódź

Exhibitions

Wien, Graz (Österreich), Tokio (Japan), Dresden, Berlin, Radebeul, Zittau, Kisslegg, St.Petersburg (Russland), Stuttgart, Bad Schandau, Pirna, Wernigerode, Ulm, Leipzig, Chemnitz, Winningen, Wroclaw, Lodz (Polen), Großsedlitz, Glauchau, Veksolund (Dänemark), Rottach-Egern

Achievements

2015 First prize and realization of the fountain »Liebespaar« at civil registry office Radebeul / Germany 2011 Award Sculpture »I know it« for the most family-friendly corporation of Dresden 2010 First prize and realization of the memorial »tear sea« at Heide-Cemetery Dresden / Germany in remembrance of the victims of February 13th 1945 2005 Award-Sculpture »The Dreaming« for the Saxon Entrepreneur of the Year 1999 First prize and realization of the sculpture "Sunny Boy" in Radeberg / Germany, Humboldt Secondary School 1996 First prize and realization of the bronze "King and Queen" at Waldheim / Germany, AOK Education center

Andrés Castellanos

Andrés Castellanos
Today Castellanos is best known for his urban landscape paintings although he does not like being referred to as a thematic painter. Castellanos says his main source of inspiration are the cities and the people with whom he lives, he aims to capture the day to day life as he sees it. Castellanos tends not to plan ahead when it comes to his next painting, he prefers to wander the streets of the cities he visits until he is struck by the perfect composition, he describes his works are windows into what he sees.

Artist:
Andrés Castellanos

Andres Castellanos was born and raised in Madrid, Spain, in 1956. In this city, he could visit and learn from the great masters present in the world-famous Prado Museum, where he was an official copyist for 4 years, and also gave him the opportunity to study painters like Velazquez, Goya, and Rubens at natural. At 20 he performed a portrait commissioned by the Army Ministry of King Juan Carlos I, which would be followed by others of Ministers and important dignitaries. Although it is in his creative and personal painting where he has achieved major accomplishments. Popular success came to him only in 1985 with "Bus stop", painting awarded and published in the main art circles in his country. That painting's promise was confirmed by succeeding awards, such as National Award Antonio Rincon, purchase C.O.I, and especially the Penagos Drawing Award, the highest distinction of drawing in Spain, being David Hokney the next one to be awarded. He has worked with the best galleries of realism in Spain. In 2007 he made a trip to the US where he met Frank Bernarducci, doing some collaborations with his gallery, as well as in Tulsa, Oklahoma, with M.A.Doran gallery. In 2013 he was invited by the art center of Endicott College, Massachusetts, to perform some improvement studies. Currently, he works with the Gallery Santiago Echevarria (Madrid) and Persterer Art Gallery in Zurich, and he is also involved in acts of Arcilla Foundation. He is represented in major collections in Spain (Museum MEAM), United States, Greece and other countries of Europe.

Academic history:

- Doctor of Fine Arts Faculty of Madrid - Professor of Artistic Anatomy Faculty of BBAA Madrid - IES Drawing Professor Gabriel García Márquez. - Teacher of ratrato, summer courses of the Complutense - Scholarship at the ENDICOTT COLLEGE · Beverly, Massachusetts.

Awards and Exhibitions:

- First Prize in the National Drawing Competition "Antonio Rincón". - Dictionary of Painters and Sculptors of the 20th century. - V Santander Art Fair. - Portrait SM Rey Juan Carlos I - Portraits of Ministers, Eguiagaray, Lerma, Jesus Posada. - Purchase of the IOC for the Lausane museum. - Collective exhibition "Miradas Urbana", Castelló 120 Gallery (Madrid) - First Prize XXV Call Penagos Award. - Painted Faces. Bernarducci Meisel Gallery. New York (USA) - Contemporary Realism 2008 MADoran Gallery. Tulsa (Oklahoma) - Persterer Gallery Contemporary Fine Art (Zürich) - 19th International Contemporary Art Fair. Kunst 13 - Fine Art Zürich 2014 - MEAM Museum (Barcelona) - Contemporary Realist Painting GOSS183. September 2015 - Complete Guide To Painting in Acrylics A QUARTO BOOK 2015 - Winner BBVA Painting Prize 2017 - NEW REALITY · Alicante- Elche - Murcia. Caja Mediterraneo FOUNDATION - PA · Idiosyncratic Monochromes, curated by Lorena Kloosterboer - The Encyclopedia of ACRYLIC Techniques by Hazel Harrison 2018 - "HYPERREALISM". MUSEUM of TABAC (Andorra); Juny to Setembre - 50 Years of Realism- at Centro Cultural Banco do Brasil in Sao Paulo - 現代 ス ペ イ ン 語 の リ ア リ ズ ム "Contemporary Spanish Reaismo" HOKI MUSEUM (JAPAN)

Group Exhibitions

2019: 50 Years of Realism - Photorealism to Virtual Reality at the Centro Cultural Banco do Brasil, Brasilia, Plus One Gallery 2018: Hiperrealisme, Plus One Gallery Summer Show, Plus One Gallery 2017: Autumn Show, Plus One Gallery Winter Show, Plus One Gallery 2016: Official Opening Show, Plus One Gallery

Anne-Christine Roda

Anne-Christine Roda
I define a highly original interpretation of the portrait: in my work the painting is entirely subjugated to the portrayal of man’s fragility. My paintings, in terms of the choice of pose for my models and the neutral treatment of their backgrounds are as rooted in tradition, as my subjects are sourced unequivocally from our contemporary era. My choice of subject speaks directly to our everyday lives. My ‘sitters’ – very diverse in age and social status are striking in their individuality. Yet going beyond the individual, their very diversity represents disparate fragments of a mosaic combining to reveal an image of humanity pulsating with life. Through this shared humanity each portrait has the power to evoke in an instant for the viewer, the most personal of memories. Thanks to my training as a picture restorer, I, with each meticulously applied layer of paint gradually reveals my sitters face in all its naked intimacy. The features emerge with precision and realism. The gentle hollow of a fine wrinkle, the texture of a strand of hair or even the moisture of a glistening eye: it’s in this quest for exactitude and fidelity to my subject that the individual is revealed in all its sensitivity. It was the dawn of photography amongst other things that heralded the decline of the painted portrait and yet it is from a photograph that I work, ultimate proof that while digging deep into the traditions of my art form I distance myself from this very tradition in seeking a naked rawness in my representations. Since 2013, I have exhibited in Galleries (France, Geneva, Munich), Art Centres (in France), Art Fairs (Paris, Strasbourg, Monaco) and Museums (National Portrait Gallery in London and Edinburgh, Ulster Museum in Belfast, Meam in Barcelona, Wausau Museum in Wmoca). In 2015, I participated to the BP Portrait Award. My paintings are part of collections in France, Switzerland, Germany, UK, United States, Hong Kong...

Artist:
Anne-Christine RODA

I define a highly original interpretation of the portrait: in my work the painting is entirely subjugated to the portrayal of man’s fragility. My paintings, in terms of the choice of pose for my models and the neutral treatment of their backgrounds are as rooted in tradition, as my subjects are sourced unequivocally from our contemporary era. My choice of subject speaks directly to our everyday lives. My ‘sitters’ – very diverse in age and social status are striking in their individuality. Yet going beyond the individual, their very diversity represents disparate fragments of a mosaic combining to reveal an image of humanity pulsating with life. Through this shared humanity each portrait has the power to evoke in an instant for the viewer, the most personal of memories. Thanks to my training as a picture restorer, I, with each meticulously applied layer of paint gradually reveals my sitters face in all its naked intimacy. The features emerge with precision and realism. The gentle hollow of a fine wrinkle, the texture of a strand of hair or even the moisture of a glistening eye: it’s in this quest for exactitude and fidelity to my subject that the individual is revealed in all its sensitivity. It was the dawn of photography amongst other things that heralded the decline of the painted portrait and yet it is from a photograph that I work, ultimate proof that while digging deep into the traditions of my art form I distance myself from this very tradition in seeking a naked rawness in my representations. Since 2013, I have exhibited in Galleries (France, Geneva, Munich), Art Centres (in France), Art Fairs (Paris, Strasbourg, Monaco) and Museums (National Portrait Gallery in London and Edinburgh, Ulster Museum in Belfast, Meam in Barcelona, Wausau Museum in Wmoca). In 2015, I participated to the BP Portrait Award. My paintings are part of collections in France, Switzerland, Germany, UK, United States, Hong Kong...

José Manuel Castro López - Esculturas

José Manuel Castro López - Esculturas
A sculptor based in Coruña, Galicia, Spain seems to be defying the laws of nature with his amazing malleable stone sculptures. His works are made out of natural materials like granite and iron oxide, from which he crafts his rock-like formations with folds, wrinkles and flaps as if they were made of clay or skin. Providing some of the stones’ fleshy appearance, one could say they almost appear to be alive. López achieves a magical effort. He doesn’t see rocks in the same way that other people do. Inspired by the mythology of his native Galician culture, he believes that stones are spirits of the land and, as an artist, it is his role to to conjure them. This is carved out of the solid material. He never uses glue. It is a miracle how José Manuel Castro López brings so much life to a stone. “Mi relación con la piedra no es física, sino mágica. Toda mi capacidad creativa va dirigida a establecer con el material una relación vital. Nos respetamos, nos entendemos, me obedece... somos amigos; no es un material inerte, vive, se manifiesta. (My relationship with the stone is not physical, but magical. My entire creative capability is directed to establish a living relation with the material. We respect each other, we understand each other, it obeys me… we are friends; it is not a lifeless material, it lives, it becomes manifest in itself)”. José Manuel Castro López

Artist:
José Manuel Castro López

A sculptor based in Coruña, Galicia, Spain seems to be defying the laws of nature with his amazing malleable stone sculptures. His works are made out of natural materials like granite and iron oxide, from which he crafts his rock-like formations with folds, wrinkles and flaps as if they were made of clay or skin, as if smiling and grimacing human faces are carved out of the solid material. Providing some of the stones’ fleshy appearance, one could say they almost appear to be alive. López achieves a magical effort. He doesn’t see rocks in the same way that other people do. Inspired by the mythology of his native Galician culture, he believes that stones are spirits of the land and, as an artist, it is his role to to conjure them. This is carved. He never uses glue. “Mi relación con la piedra no es física, sino mágica. Toda mi capacidad creativa va dirigida a establecer con el material una relación vital. Nos respetamos, nos entendemos, me obedece... somos amigos; no es un material inerte, vive, se manifiesta. (My relationship with the stone is not physical, but magical. My entire creative capability is directed to establish a living relation with the material. We respect each other, we understand each other, it obeys me… we are friends; it is not a lifeless material, it lives, it becomes manifest in itself)”. José Manuel Castro López

RICHARD T SCOTT - Post Contemporary Figurative Painting

RICHARD T SCOTT - Post Contemporary Figurative Painting
Working between New York and Paris, Richard T Scott is known for his post-contemporary figurative paintings and his writing on aesthetic theory. His work has exhibited at Le Grand Palais in Paris, Palazzo Cini in Venice, Museu Europeu d'Art Modern in Barcelona, the Museum of New Art in Detroit, and is part of collections worldwide such as the The New Britain Museum of American Art, the Georgia Museum of Art, MEAM, MACS, former British Arts Minister Alan Howarth of Newport, Prince Morad El Hattab, and Robert C. Kennedy PhD. Richard designs coins and medals for the United States Mint under the Artistic Infusion Program. Scott was honored as an Associate Living Master by the Art Renewal Center.
Scott is known for his classically influenced paintings. Scott's figurative work involves a synthesis of narrative and iconic symbolism and draws upon memories, dreams, and reality. "Whether it is in his portraits, his compositions, or either still in his interiors, Richard T. Scott always tries to produce, on his spectators, a certain effect of strangeness, or at least, something like a feeling of longing. That's why, maybe, his compositions are populated for the greater part with mirrors in which appear, not simply beings just like those who face us - but of real spectres having the function to destabilize our glance while giving the fourth dimension for us to see” - by Frédéric Charles Baitinger, Critic, Artension

Artist:
RICHARD T SCOTT

Richard T Scott is a Contemporary History Painter working in New York. A Georgia native, his work pairs the complex influences of his southern heritage with the conceptual sophistication of the New York art world. Known for his mastery of light and color, his portraits, interiors, and large scale compositions have exhibited across North America and Europe: Le Grand Palais in Paris, Palazzo Cini in Venice, Museu Europeu d'Art Modern in Barcelona, the Museum of New Art in Detroit, and are preserved in permanent collections worldwide such as the The New Britain Museum of American Art, the Georgia Museum of Art, MEAM, MACS, former British Arts Minister Alan Howarth of Newport, and Robert C. Kennedy PhD. Among many honors he has recieved, Richard has designed coins and medals for the United States Mint, including the Fort Moultrie quarter, presently in circulation, and was honored as an Associate Living Master by the Art Renewal Center. Richard has given lectures and workshops at some of the most prestigious institutions, including the Tyler School of Art, The Florence Academy of Art, The University of Georgia, The Lyme Academy, Laguna College of Art and Design, and the Wethersfield Academy for the Arts. His interviews, writing, and art have been feature on NPR, PRI, and countless national and international publications.

Education

Education 2005-2007 New York Academy of Art, New York,Master of Fine Art - Painting 2002-2005 University of Georgia, Athens, Bachelor of Fine Art - Painting Professional Experience 2014 United States Mint, Washington D.C., Coin and medal design 2009-2010 Odd Nerdrum, Stavern, Norway & Paris, France, Studio Assistant 2007-2009 Jeff Koons Studio, New York, NY, Painter

Exhibitions

2016 Fourth Wall, Paul Booth Gallery, New York, NY 2016 Americana, Galerie L'Oeil du Prince, Paris, France 2015 The Nerdrum School, Museu Europeu d'Art Modern, Barcelona, Spain 2015 Syzygy, Hotchkiss Tremaine Gallery, Lakeville, CT 2015 The Artist's Gaze, Sirona Fine Art, Miami, FL 2014 Into that Darkness Peering, Poe Museum, Richmond, VA 2013 Strange Symmetry, Galerie L'Oeil du Prince, Paris, France 2013 Effigies and Idols, Last Rites Gallery, New York, NY 2013 Nocturnes, National Arts Club, New York, NY 2012 Converge, 25CPW Gallery, New York, NY 2012 Art Takes Time's Square, New York, NY 2011 CHIC Art Fair, Paris, France 2011 "O Miroir," Galerie Maubert, Paris, France 2011 L'esthetique, Galerie L'Oeil du Prince, Paris, France 2011 ArtParis, Saatchi Gallery, Le Grand Palais, Paris, France 2010 The Facebook Show, Museum of New Art, Detroit, MI 2010 Kitsch Biennale, Palazzo Cini, Venice, Italy 2010 Corpus Hermeticum, New York, NY 2010 Galerie Francis Barlier, Paris, France 2010 Erotik Galleri PAN, Oslo, Norway 2009 Knut Hamsun, Galleri PAN, Oslo, Norway 2009 Mer Enn Kunst, TelemarksGalleriet, Norway 2009 Carnival, Gitana Rosa Gallery, Brooklyn, NY 2009 Take Home a Nude, Sotheby's, New York, NY 2009 Fall Kitsch, Galleri PAN, Oslo, Norway 2009 Master Copies, Galleri PAN, Oslo, Norway 2009 Tribeca Ball, New York, NY 2009 The Metamorphosis Project, Richmond, VA 2008 Kitsch Biennale Pasinger Fabrik, Munich, Germany 2008 Take Home a Nude Phillips de Pury & Company, NY 2007 Art on the Block Oct., Benefit auction, nAscent Art Gallery NY

Selected Collections

The Georgia Museum of Art The New Britain Museum of American Art MEAM (Museu Europeu d'Art Modern) MACS (Museo d'Arte Contemporanea Sicilia) The Austrian Embassy in Oslo, Norway Robert C. Kennedy PhD Alan Howarth Gary and Margaret Motley Morad El Hattab Dr. Richard Eppes Odd Nerdrum

Erik Johansson - Surreal Photography

Erik Johansson - Surreal Photography
Johansson’s work springs from a simple thought: a basic idea he’d like to explore or an element of a picture he’d like to create. He starts with a quick sketch, develops a clear idea of what he wants to do, and carefully plans the execution of the image. He shoots every image that goes into a final composition and credits pre-planning before moving to photography for saving time in post-production. However, once he’s on location, he's open to incorporating anything interesting or better than what he’d imagined. While post-production in Adobe Photoshop CC is an intrinsic part of his process, Johansson has been trying to capture more in-camera and then use Photoshop in a more subtle way. This shift bolsters the realism of his surreal images.

Artist:
Erik Johansson

Erik Johansson (born 1985) is a photographer and visual artist from Sweden based in Prague, Czech Republic. His work can be described as a surreal world created by combining different photographs. Erik works on both personal and commissioned projects with clients all around the world. In contrast to traditional photography he doesn't capture moments, he captures ideas with the help of his camera and imagination. The goal is to make it look as realistic as possible even if the scene itself contains impossible elements. In the end, it all comes down to problem-solving, finding a way to capture the impossible.

Education:

Despite a lack of formal training in photography or studio art—or even classroom instruction in Adobe Photoshop—Erik Johansson has become a master at the art of photo retouching in only a few years. His impossible landscapes seem alternately humorous and menacing, trapping their inhabitants in vexing circumstances beyond their control as if they’re witnessing a break in the space-time continuum.

Astrid Stöppel - Serie Colorful acrylics

Astrid Stöppel - Serie Colorful acrylics
Astrid Dtöppel is a contemporary artist born and based in Germany with a passion for bright pure colors and geometric shapes. Astrid's works are a part of many public and private collections in New York, Washington, Chicago, Miami, California, Colorado, Arizona, Texas, the UK, France, Spain, Austria, and Germany.

Artist:
Astrid Stöppel

Astrid Dtöppel is a contemporary artist born and based in Germany with a passion for bright pure colors and geometric shapes. Astrid's works are a part of many public and private collections in New York, Washington, Chicago, Miami, California, Colorado, Arizona, Texas, the UK, France, Spain, Austria, and Germany.

Education, Exhibitions, Awards

Education FAU Universität Erlangen und LMU München Exhibitions: CLIO Art Fair NEW YORK March 2020 ART BASEL MIAMI 2019 with Alessandro Berni Gallery New York - Aqua Art Show 2019 Germany: Show "Viva i colori" overpainted photographs June 2019 CLIO Art Fair NEW YORK March 7-10th, 2019 ART BASEL MIAMI 2018 with Alessandro Berni Gallery New York - Aqua Art Show 2018 Germany: Solo show "Blacklights" - Light Art Festival Weilheim October 2018 Germany/Landsberg "Planet earth and Colorful acrylics" solo exhibition 2th March - 30th June 2018 The Other Art Fair Brooklyn - New York November 2017 Antwerp Belgium "For optimists only" May-Aug 2017 and "Summer show" Jul-Sept 2017 Nassau42 Fine Arts Gallery Paris France "Woman's Essence" April 2017 Germany: Solo exhibition "Colorful acrylics" Aug-Sept 2016 Riccione Italy "EstatArte" August 2016 Bergamo Italy "Heart" May 2016 Cesenatico Italy "Vivere a colori" April-June 2016 Milan Italy "Woman's Essence" April 2016 Rome Italy - Flyer Art Gallery "Joyful colors 4 Christmas" December 2015 Rome Italy - Flyer Art Gallery "International Art Expo Rome" October 2015 London - The Brick Lane Gallery "Contemporary Art" May 2015 Florence Italy - Galleria Merlino Bottega d'Arte "Experiments" November 2014 Weilheim/Germany: Several Solo-Exhibitions 2012-2017

Publication and awards

Publication: 2016 Artbook "Women's Essence" 2016 Internationale Kunst heute 2017 Who's who in Visual Art Awards 2015 Palm Art Award, Happy Art History Prize, Artavita Art Contest 2016 The Artbox Project, Artavita Art Contest Link: http://astridstoeppel.com/ueber-mich/art-awards-2015/

Shop

Saatchi Art: https://www.saatchiart.com/endkreativ

Serena Potter

Serena Potter
Artist Statement My early school report cards all said the same thing; “Serena day dreams too much”. They were such vivid imaginings that they scored onto my long-term memory. As I have matured I have become more conscious of my two selves, the one on the inside and the one on the outside. My art acts as a bridge between the two. Inside Out is an apt description of my work, reaching deep within to find that portion of my self thatdesires exposure and revelation. This show is comprised of pieces from several series, both oil paintings on canvas or birch panel, and charcoal drawings on cotton rag paper. Though they differ in medium and aesthetic, they are united in that they all tell a story. Certain imagery has begun to emerge and re-cycle through the work, eggs being one example. They represent those things that women nurture and protect; they are fragile but also embody a certain strength. The drawings employ themes of reflection, duality, private self versus public self and the pressure we feel to present a certain imposed standard of youth and perfection to the world. These drawings represent moments of self-appraisal where the viewer often takes on the roll of the mirror, creating a sense of voyeurism as if they have stepped into a private space. They, and the more tenebristic paintings included in the show, are notable for their use of chiaroscuro inspired by the dramatic cinematic lighting and compositional elements used in film noir. The paintings reflect the still, luminous light and close space of masters such as George De La Tour and Caravaggio. Then we have a series of paintings that contrast the vibrant hues and higher key palette reminiscent of the golden age American Illustrators (such as Norman Rockwell and J.C. Lyendecker), with a sardonic narrative, which places adults in childlike situations. 

Artist:
SERENA POTTER

Serena Potter’s work focuses on themes of sense of self, perceived change or imperfection, private pain vs. public persona, and interpersonal connections. She creates drawings with mixed media charcoal and pastel, on cotton rag paper, as well as paintings in oil on birch panel or canvas. Her drawings and paintings are notable for their use of chiaroscuro inspired by the dramatic cinematic lighting and compositional elements used in film noir. In her paintings you will find elements color and light from the golden age illustrators such as Norman Rockwell and J.C. Lyendecker in one series and the still luminous light of masters George De La Tour and Caravaggio in another. Potter received her BFA from the University of Utah and her MFA in painting from Laguna College of Art and Design, where she is currently a mentor in their MFA program. She teaches at National University, Mt. San Antonio Community College. Her paintings are included in private collections throughout the United States, Europe and Mexico, as well as in the permanent collection of the Hilbert Museum of California Art.

EXHIBITIONS

SOLO SHOWS 2019 Lois Lambert Gallery, Santa Monica, CA 2016 Long Beach Museum of Art, Artist in Residence, Long Beach, CA 2014 Warehome, Orange, CA 2013 “Featured Artist”, Blood Orange Info. Shop, Riverside, CA 2011 Arena I Gallery, Graduate Show, Santa Monica, CA EXHIBITIONS 2018 Golden West College Art Gallery, group show, curator: Evan Senn, Huntington Beach, CA 2018 Coastline Art Gallery, group show, curator: David Lee, Newport Beach, CA 2018 California Center for the Arts Museum, Group Show, Escondido, CA 2018 Sp{a}ce Gallery, Group Show, Curator: Scott Hess, Pasadena, CA 1017 Arcadia Contemporary, Group Show, Curator: John Seed, Culver City, CA 2017 Neutra Institute Museum, Group Show, Curator: Dulce Stein, Lost Angeles, CA 2017 Abend Gallery, Group Show, Curator: Aliah Chapin, Denver, CO 2017 Mt. San Antonio College Art Gallery, Faculty show, Walnut, CA 2017 Studio C Gallery, Group show, Curator: Fatemah Burns, Los Angeles, CA 2016-18 Coastline Art Gallery, Group Shows, Curator: David Lee, Newport Beach, CA 2016 Q Art Salon, Group Show, Curator: Santa Ana, CA 2015 Q Art Salon, Group Show, Curator: Evan Senn, Santa Ana, CA 2015 Paul Williams Gallery, Group Show, Curator: Jean Carvelis, Ontario, CA 2015 Jamie Brooks Gallery, Group Show, Curator: Eric Swenson, Costa Mesa, CA 2015 Studio C Gallery, Group show, Los Angeles, CA 2015 LCAD Fine Art Faculty Show, Ocean and Forest Gallery, Laguna Beach, CA 2015 Red Pipe Gallery, Group Show, Curator: Mat Gleason, Los Angeles, CA 2014 “First Place Award”, Juror: Peter Frank, Lark Gallery, Yes! Competition, Los Angeles, CA 2014 Torrance Art Museum, Mas Attack, Juror: Lisa DeSmidt, Torrance, CA 2014 Studio C Gallery, Annual Women’s show, Juror: Ada Brown, Los Angeles, CA 2014 “Honorable Mention Award”, Contemporary Art Center, 25th AJS, Juror: John Seed, Las Vegas, NV 2014 University North Carolina Ashville, 5th Annual Drawing Discourse, Juror: Tim Lowly, Group Show, Ashville, NC

AFFILIATIONS

2008- Plein Air Artists of Riverside, Riverside, CA 2008- Riverside Art Museum, Riverside, CA 2005-2007 Westlake Village Art Guild, West Lake, CA 2004- New Hampshire Plein Air Painters, NH 2001-2002 Chairman, Norwich Artists, Norwich, Norfolk, UK 2000-2002 Norfolk Festival, Artists Open Studios, Executive Committee, UK

PUBLICATIONS

2016 Poets and Artists, 100 Great Drawings of 2016, issue 78 2015 Poets and Artists, 50 Memorable Artists of 2015, Issue 65 2012 BlueCanvas magazine, Featured Artist, 12th edition, April 2011 BlueCanvas magazine, Featured Artist, online edition, July 2010 Calendar Art, Coldwell Banker International, Laguna Beach, CA November 2010 BlueCanvas Magazine, online edition video interview, Octoberhttp g5n7EuVm 2004 Cover Art, ForeWord Reviews Magazine, Traverse City, MI August

Juan Cossio

Juan Cossio
Cossio’s principal tool for painting is an airbrush, which sprays the paint onto the canvas and allows for the seamless blending of pigments. This blending allows Cossio to achieve high detail and precision found in his elaborate works. By using an airbrush instead of a standard paintbrush, Cossio changes the function of a tool originally designed to retouch photographs into the primary means of creating a photorealistic image. In each of his compositions, Cossio experiments with the human form and its ability to convey emotion in functional, minimalistic interiors. Many of his works echo those of the New Realism movement, conjuring an atmosphere in which the figure is derived from reality but the other elements are fabricated, obscure, utilitarian yet unexpected. Cossio pares down the environment in which the figure is placed so as to direct all concentration on the figure. Though Cossio works in a hyperrealist style, his scenes are set apart from the reality of day-to-day living. Cossio states, “I create images starting from a contradiction. I am a painter who does not want to paint reality. I want to interpret it with all the means that are at my reach.” His interpretation of reality is one of appreciation for the beauty, the emotion, and the paradoxes of everyday life.

Artist Statement
" For me making art is something inherited, natural. I was always a good draftsman, it´s like breathing. It´s a necessity to express my ideas through painting and to see the world around me with an artistic point of view. Beside is the real aspect: I´m an artist; it´s my job and I have to make a living from this; that´s why I make art. "

Artist:
Juan Cossio

Juan Manuel Cossio was born in Madrid, Spain in 1960. He received academic training in Art and History at the Complutense University of Madrid. From 1980, Cossio worked as a Copyist at the Museo del Prado, where he studied from close observation and reinterpreted classical works of art; studied under Spanish realist Antonio López García; and became a student of Manuel Franquelo, one of Spain’s leading hyperrealist painters from the New Realism movement of the 1960s. Actively involved in the explosive Spanish art scene of the Eighties, Cossío's tireless research and experimentation into pushing the boundaries of pictorial techniques led him to what is now more commonly known as 'New Realism'. Relying on photography as his main means of support and using the timeless airbrush as his preferred tool, Cossío's work continues to evolve through an openness to approach and his continual curiosity in employing whatever new techniques are at hand in order to achieve his unique contemporary aesthetic which look to the female figure as its main subject. Cossio currently lives and works in Madrid and his work has been exhibited internationally in countries such as Spain, Italy, the UK, South Africa, Venezuela, and the US. Habiendo mostrado una temprana vocación para el dibujo así como una gran sensibilidad para la
pintura y la fotografía,Juan Cossío realizó estudios de Bellas Artes en la Universidad Complutense de Madrid.Activamente envuelto en el fértil panorama cultural que supuso la década de los 80 en España, Cossío desarrolla una búsqueda incesante de experimentación que le lleva a los límites de lastécnicas pictóricas,introduciéndole en lo que que se ha venido llamando como "Nuevo Realismo".Apoyándose en la fotografía como herramienta de registro de la realidad y en el aerógrafo como herramienta de trabajo más adecuada para sus fines.El trabajo de Cossío evoluciona en su contínua curiosidad en utilizar cualquier medio que le ayude a expresar su estética contemporánea que tiene cómo protagonista la figura femenina

Exhibitions

2019.Solo show.La Factoría de Papel.Madrid 2019. Art Revolution Taipei.Galería Art-Bcn.Taiwán 2018.ARCO .Clorofila Digital.Madrid 2018.GABINETE ART FAIR.Clorofila Digital.Madrid. 2018.Collective photography exhibition."The same in rights" organized by Abogacía Española.Madrid 2018.Solo show.R.Alexander Fine Art."Life in abstraction".Atlanta.U.S 2017.Group show.Thornwood gallery.Houston.Texas. 2017.Group show.Galeria K.Palma de Mallorca. 2017."Reality Check".Everard Read Gallery.Cape Town. 2017.Galeria K.LUXEMBOURG ART FAIR 2016.Works at Count Ibex Collection. 2016.Winter collective.Albemarle gallery.London 2016.Group show.S.R.Brennen Galleries.Santa Fe.New Mexico.USA. 2016.Group show.Mary Martin gallery.Florida.USA 2016.Group show.Spanish Art Exhibition.Hangzhou.China 2016.Group show.R. Alexander Art Gallery.Atlanta.USA 2015.Realism 2015.Albemarle Gallery.London 2015.S R.Brennen galleries.USA. 2015.R Alexander Fine Art.USA 2014.Solo show."Debajo de tu piel vive la luna".El Quatre gallery.Barcelona. 2014.Winter collective.Albemarle gallery.London 2013.Participates in Art Palm Beach 2013.Waterhouse&Dodd gallery.London.New York. 2013.Participates in "Salon 2".collective exhibition.Anthony Brunelli Fine Arts.Binghamton,NY. 2013.Participates in Art Wynwood 2013-Miami.Waterhouse&Dodd gallery.London.New York. 2013.Participates in Scope New York 2013.Waterhouse&Dodd gallery.London.New York. 2013.Group show."The naked truth".Plus one gallery.London. 2013."Hyperrealism today"-Museu del Tabac.Andorra. 2013."Lapada".Art&Antiques Fair.Plus One gallery.London. 2013.Group show"The naked truth".Plus One Gallery.Londres. 2013.Group show"Hyperrealism today".Sant Juliá de Lória.Andorra. 2013.Group show."Celebration of 100 years of Everard Read".Cape Town. 2012.Participates in Art Greenwich.Anthony Brunelly Fine Arts.Binghamton,NY. 2012.Participates in Waterfall Mansion Art of New York.Anthony Brunelli Fine Arts.Binghamton,NY.

2011.Collective exhibition.Galerie Archange.Paris 2011.Collective exhibition. Plus One Gallery. London 2011.Collective exhibition."15th Anniversary Exhibition".Everard Read Gallery.Cape Town. 2011.Collective exhibition ."Corpi esposti".Barbara Frigerio Contemporary Art Gallery.Milano. 2010.Collective exhibition "Winter Show" .Plus One Gallery.London. 2009.Collective exhibition "Realism Redefined".Cuadro Fine Art Gallery.Dubai. 2009.Collective exhibition. Plus One Gallery. London 2008.Solo exhibition Albermale Gallery. 2008.Participates in the Fair Art Nocturne Knocke.Belgium 2007.Participates in the Fair "Luxury Please". Vienna 2007.Collective exhibition "Realism". Sammer Gallery 2006.Collective exhibition "The Female Poser" . Sammer Gallery 2006.Works in the "Fundació de les Arts i els Artistes".MEAM of Barcelona 2005.Solo exhibition Sammer Gallery . Marbella. 2005.Participates in the Palm Beach Art Fair. Miami. Sammer Gallery 2005.exhibition Vazquez Kunst Gallery.Holland. 2005.exhibition collective "What is realism?".Albermale Gallery.London 2004.The Spanish Post Office chooses the painting "Nativity" for its reproduction on stamp. 2003.Participates in the Feria DeArte of Madrid .Gema Lazcano Gallery 2003.Collective exhibition "Arcanes Contemporaries" . Clave Gallery 2003.Collective exhibition "Small Format" . Gema Lazcano Gallery 2003.Participates in the Commemorative Exhibition "XXV Anniversary of the Spanish Constitution". Museo Casa de la Moneda 2002.Participates in the International Contemporary Art Fair of Seville .Puchol Gallery . Valencia. 2001.Exhibition Clave Gallery . Murcia 2000. Collective exhibition " Forms and Volumes".Heller Gallery 1999.Participates in the Latin American Art Fair of Caracas .Heller Gallery 1997 .Collective exhibition "Classic and Modern of the reality". Heller Gallery.Madrid. 1997.Works in the Confederación de Cajas de Ahorro de Madrid

WORKS IN PRIVATE COLLECTIONS:

-Dubi Shiff Art Collection.Tel Aviv -MEAM:Museo Europeo de Arte Moderno.Barcelona -IBEX Collection.Germany -Sambricio de Guiu.Colección privada.Toledo -Fundación Tejerina.Madrid -Chapter One Restaurant.Dublin

Michele Del Campo

Michele Del Campo
In his ongoing series of paintings “Daydreamers”, he generally depicts an idle and melancholic youth, beautiful and kissed by the bright Mediterranean sun, but they appear aloof and immersed in an unfulfilled inner world. In his other ongoing series “Life on the edge” he expresses, in a more dramatic form, the isolation, the loneliness and the sense of loss of the individual. He paints both from life and from photos, according to the complexity of the composition. His works from photos are careful combinations of a number of different reference photographs that he has taken to models, objects and spaces in different times and places. He paints often on large formats with the freshness and sensuality of a very personal wet on wet technique.

Artist:
Michele Del Campo

Michele Del Campo was raised in San Nicandro Garganico, a small town in rural South Italy. When he was 18 he moved to Milan (Italy), where he started his Fine Art studies, then he went to study in Falmouth (UK), Dundee (UK) and Madrid (Spain). In 2008 he moved to London and in 2016 to Glasgow (UK), and in 2018 to Milan, where he now lives and works. He has a degree in Fine Arts from the Universidad Complutense of Madrid (Spain, 2007), and a degree in Illustration and Printmaking from the University of Dundee (UK, 2001). Del Campo has had solo exhibitions in Italy, Spain, UK, Switzerland and Peru, and group exhibitions around Europe, US and Asia, and has won many art prizes, among which the Premio BMW in 2006, given by Queen Sofía of Spain.

Solo exhibitions

2018 Galería Ansorena, Madrid 2017 "Mentes errantes" Galería Enlace Arte Contemporáneo, Lima, Peru "Way out and back", Palazzetto dell'Arte, Foggia, Italy 2015 "The Fall", Westminster Reference Library, London 2013 Stranded and Adrift, Alpha Gallery, London 2012 Il Muto Rumore dell'Acqua, Imago Art Gallery, Lugano, Switzerland 2011 Viaje de no retorno, Galería Enlace Arte Contemporáneo, Lima, Peru 2010 Close Strangers, Mark Jason Gallery, London 2008 Urban Chic, Mark Jason Gallery, London 2007 Galería Jorge Alcolea, Madrid 2006 Gente di mare, Galería Fernando Alcolea, Barcelona 2005 Galería Jorge Alcolea, Madrid Galería Fernando Alcolea, Barcelona 2004 Galería Jorge Alcolea, Madrid Galería American Prints, Valencia 1998 Villa Zoya, Concorezzo, Milan

Awards

2016 "Oil Painters of America Award" in ARC International Salon Competition, US Finalist The Artist's Magazine Art Prize 2015 Grand Prize "All Media" Art Competition, The Artist's magazine, US Third Prize at "Pintar Rápido", London Chroma Prize, Patchings Open Art Competition, Calverton, UK Longlisted at Aesthetica Art Prize, Aesthetica magazine, York (UK) Finalist in the International 2014/15 Art Renewal Centre (ARC) Salon, Figurative Category Finalist The Artist's Magazine Art Prize 2014 Royal Talens Prize, Patchings Open Competition, Calverton, Nottinghamshire, UK Finalist at International 2013/14 Art Renewal Centre (ARC) Salon in Figurative and Still Life categories, US The Artist's Exhibition Prize, Patchings Open Competition, Calverton, Nottinghamshire, UK Third prize in the Art Event Evening, Annual Exhibition of the Royal Institute of Oil Painters, Mall Galleries, London 2013 Joint Second prize in the Art Event Evening, Annual Exhibition of the Royal Institute of Oil Painters, Mall Galleries, London Honourable Mention in the II Curso de Pintura Realista, course taught by Antonio López García and Andrés García Ibañez, Olula del Río 2012 Winner of Winsor and Newton Oil Prize, Royal Society of Marine Artists annual exhibition, Mall Galleries, London First prize Premios Luces to the Best Solo Exhibition of the Year in Peru, Lima 2009 Selected in the Threadneedle Art Prize, Mall Galleries, London 2008 Third Price Best of the Best, Art in Action, Oxford 2006 First Price XXI Premio BMW de Pintura 2005 First price X Certamen Unipublic de Pintura Deportiva, Madrid First Printmaking Prize Espina y Capo, 72º Salón de Otoño, Madrid 2003 First prize XIV Premio de Pintura Rápida Fiestas del Pilar, Madrid Second prize Premio Nacional de pintur

Troy  Brooks

Troy Brooks
Troy Brooks looks at the contradictions of artificiality through portraits of androgynous women captured at the height of their own private dramas. Presenting them spot-lit, Troy makes them appear almost like film stars, enhancing the suggestion of potent hidden narratives. In this way his women seem somehow prisoners of their own exuberance, beholden to their decadent impulses whilst also lucid enough to perceive their own folly.
“Brooks’s female subjects are not what we might call beautiful in the traditional sense. But these oddly elongated, crystal eyed ladies are none the less compelling to look at. Each one seems to be a piece of a story that writes itself different for every viewer. One can’t help but wonder what lies beneath these contemplative faces... what have they seen?” — SHE WALKS SOFTLY “His surreal portraits of women with elongated anatomies have become signature icons of the new contemporary art scene. Clearly influenced by the dramatic glamour of the femme Fatales of 30’s and 40’s film noir, Brooks’ women stare down the viewer as if taking their measure from within the world behind the frame. They are aloof, yet burning with interior dialogue and seductively demanding the attention of anyone who catches their gaze.” — COREY HELFORD GALLERY

Artist:
Troy Brooks

"Born 1972 in Southern Ontario, Canada. I had no formal training. The only teachers I had were the photographers and lighting technicians of the old Hollywood studio system. I learned how to draw and paint from vintage movie stills. I learned the art of visual story telling from watching those stills come to life in late night movies. I live and make my art in a converted 19th century bank in the historic town of Wallaceburg, Ontario Canada."

Troy Brooks is a contemporary surrealist painter. His work presents elaborate pageantry of female characters observed in allegorical settings. These women play out intimate scenes, usually caught in moments where something transformative has or is about to happen. The ‘women of Troy’ have become distinctive images on the contemporary pop surrealism scene.

Exhibitions

2019: Lucky 13 Anniversary Show, Pt. 2: Pop Surrealism & New Figurative, Corey Helford Gallery, Los Angeles Corey Helford Gallery at LA Art Show 2019, Corey Helford Gallery 2018: Troy Brooks "Skinwalker", Corey Helford Gallery, Los Angeles Ephemeral, Modern Eden, San Francisco Corey Helford Gallery at Art New York 2018, Corey Helford Gallery 2016 : Dec – Corey Helford Gallery Show (Solo) Aug – Corey Helford Gallery 10th Anniversary Show (Group) July – James Freeman Gallery, London UK (Group) May – 19 Karen Gallery, Australia (Group) April 16 – May 7 Troy Brooks “Veiled Hearts”(Solo) May – Annual Exhibition, 19 Karen Contemporary Artspace (Group) Sept 17 – Oct 8 Femme To Femme Fatale, The Feminine in Contemporary Art Beautiful Bizzarre & Modern Eden Gallery (Group) 2015 : “Smashing Suggestions” Pink Zeppelin Gallery – Berlin, Germany (Group) “Five and Under Show” Arcadia Contemporary – New York USA (Group) “Parabolic” – Red Head Gallery – Toronto, Canada (Group) “Lost Mitten Society” – Jonathan LeVine Gallery – New York USA (Group) 2014: “Scratch” – Double Solo Show w/R.Kelly Clipperton – TAC Gallery – Toronto, Canada(Solo) “Dragonseed” – Pentimento Gallery – Toronto, Canada (Solo) “Candy Land” Super Wonder Gallery – Toronto, Canada (Group) Art Attack- Buddies in Bad Times – Toronto, Canada (Auction) 2013: Pentimento Gallery – Toronto, Canada(Group) “March of the Velvets” – Pentimento Gallery – Toronto, Canada (Solo) “Summer Salon” – Pentimento Gallery – Toronto, Canada (Group) 2012: Galarie D’Avignon – Montreal, Canada(Group) “The Fates & The Furies” – Pentimento Gallery – Toronto, Canada (Solo) “Summer Salon” – Pentimento Gallery – Toronto, Canada (Group) 2011: “Colossus” Pentimento Gallery – Toronto, Canada(Solo) FCP Gallery – Toronto, Canada (Group) Pentimento Gallery – Toronto, Canada (Group) 2010: “Virago” Pentimento Gallery – Toronto, Canada(Solo) FCP Gallery – Toronto, Canada (Group) “Climax” – PWA Royal Theater – Toronto, Canada (Auction)

Joseph Lorusso

Joseph Lorusso
Inspired by the expressive power of his medium and its history, Joseph Lorusso produces emotionally evocative oil on canvas paintings. His childhood trips to Italy, where he was exposed to the Old Masters and the country’s rich artistic heritage, sparked his interest in art. He initially studied watercolor painting and later switched to oils, teaching himself how to work with the latter material. He concentrates on urban and natural landscapes and the human figure, rendering his subjects in a naturalistic, impressionistic style. Lorusso is especially interested in painting ordinary people in everyday settings, which he invests with a sense of pathos and mystery. Through his work, he aims to connect to others by conveying universal human experiences. “I believe truly great art serves as a trigger into something deeper within all of us,” he says.
Joseph Lorusso creates landscapes and figurative works. In painting these subjects, He has concentrated on honing his powers of observation, especially as it concerns to color, texture, form and composition. Lorusso’s paintings have been described as warm and dreamlike, places of restful escape with a sense of spirituality, and share timelessness with the works of other eras. The mood and emotion conveyed in Lorusso’s paintings evokes a deep sense of beauty found in the quiet times of daily living. His people are mysterious, lonely, romantic and yet familiar, placed in settings we often see ourselves. Lorusso’s paintings have gained notoriety by their ability to connect with the viewer, resonating in a way that is intimate and personal.

Artist:
Joseph Lorusso

Joseph Lorusso was born in Chicago, Illinois, in 1966 and received his formal training at the American Academy of Art. He went on to receive his B.F.A. degree from the Kansas City Art Institute. Born of Italian descent, Lorusso was exposed to art at an early age. Through several early trips to Italy, his parents introduced him to the works of the Italian Masters. Lorusso would look to these influences throughout his early artistic development and they are still evident in his work today. While in school, Lorusso majored in watercolor and considers himself self-taught as an oil painter. He learned to paint by studying the works of master painters, often losing himself in the halls of the Chicago Art Institute during lunch hours, which frequently turned into afternoons of self-study.

Lorusso’s work has been shown internationally and has won numerous awards and honors. He has been featured in American Artist magazine, Southwest Art, U.S. Art, Art & Antiques, The Artists Magazine, Art News, American Art Collector, International Artist and Art Talk magazines. Lorusso’s work is part of many private collections; his work is in the permanent collections of the Albrecht-Kemper Museum, St.Joseph, Missouri and the Wichita Museum of Art, Wichita, Kansas. Joseph Lorusso is currently represented by McLarry Fine Art, Santa Fe, NM, Bonner-David Gallery, Scottsdale, AZ, Newbury Fine Art, Boston, MA, Principle Gallery, Charleston, SC, and Alexandria,VA, Jones and Terwilliger Galleries, Carmel, CA, Broadmoor Galleries, Colorado Springs, CO and Saks Gallery, Denver, CO.

Exhibitions

2019: Wine & Art Soirée, Kelly D Kennedy Fine Art LLC, Midland Wine & Art Soriee, Kelly D Kennedy Fine Art LLC, Midland# 2018: Summer Small Works, Maxwell Alexander Gallery, Los Angeles Within the City, Bonner David Galleries, Scottsdale 2016: Chévere, Sirona Fine Art, Hallandale Beach New Work, Saks Galleries, Denver 2015: The Great Holiday Exhibition, Saks Galleries, Denver Spring Exhibition 2015, Saks Galleries, Denver 2014: American Art Invitational 2014, Saks Galleries, Denver Solo Exhibitions: 2019 Artist's Demonstration: Joseph Lorusso, Bonner David Galleries, Scottsdale 2014 Joseph Lorusso August Artist of the Month, Saks Galleries, Denver

Discovering the works of the Impressionists, he gravitated towards the works of Manet and Vuillard. Lorusso searched for similar work of such emotion and soon became an avid student of painting, seeking out and immersing himself in the works of various artists. This path would ultimately lead him to the works of Sargent, Sorolla, Whistler and a whole army of lesser-known yet equally capable painters. Within this group of artists, Lorusso would find a sense of identity. In these masterful works, he saw the power to harness emotion and convey it with power and confidence, yet with delicacy and tasteful restraint. He also saw in these artists the ability to express the "essence” of an object with just a few carefully chosen brushstrokes, creating a visceral and intuitive state of painting.

BABATUNDE OGUNLADE

BABATUNDE OGUNLADE
BABATUNDE OGUNLADE OLUWAGBEMINIYI WAS BORN IN SEPTEMBER 23RD 1972, IN LAGOS STATE, HAIL FROM OGUN STATE, GRADUATED FROM FEDERAL POLYTECHNIC AUCHI EDO STATE, WITH UPPER CREDIT WHERE IN MAJOR IN PANITING, IN 2002. AFTER HIS NY.S.C IN KANO, HE RETURNED TO FULL TIME PROFESSIONAL STUDIO, HE HAS PARTICIPATED IN SO MANY GROUPS EXHIBITIONS. "MOST OF STYLES OF PAINTING ARE MOST IN ABSTRACT( A COMBINATION OF BASIC DESIGN AND MURAL.) MERGE TOGETHER WITH AFRICA CONCEPT, WHICH I DEVELOPED BY MYSELF OVER FOURTEEN YEARS AGO, SINCE THE YEAR OF GRADUATION FROM ART SCHOOL( AUCHI POLYTECHNIC AUCHI EDO STATE.), WITH WHAT I SEE IN MY ENVIRONMENT , WITH USE OF GEOMETRICAL SHAPES, WHICH CAN ACHIEVE WITH COLOURS , WITH THE USE OF KNIFE TO CREATE EFFECT ON MY CANVASS , AND HAS BEEN DOING THIS FOR OVER FOURTEEN YEARS IN THE PRACTISE , WITH SO MANY INTERNATIONAL SHOW FOR MY CREDIT. BOTH IN HOME AND ABOARD."

Artist:
BABATUNDE OGUNLADE

BORN IN SEPTEMBER 23RD 1972, IN LAGOS STATE, HAIL FROM OGUN STATE

Education, Exhibitions

Education GRADUATED FROM FEDERAL POLYTECHNIC AUCHI EDO STATE, WITH UPPER CREDIT WHERE IN MAJOR IN PANITING, IN 2002. AFTER HIS NY.S.C IN KANO, HE RETURNED TO FULL TIME PROFESSIONAL STUDIO, HE HAS PARTICIPATED IN SO MANY GROUPS EXHIBITIONS Exhibitions SOLO ART EXHIBITION. 2016 '" MADE IN NIGERIA" AT MOORHOUSE ,HOTEL, LAGOS NIGERIA, 2013 " THE ROAD 1 " @ Owiwi Galleria de Arte Afrikakna , Belo Horizonte , Brazil 20013 " THE ROAD 2 " @ AC Minas Associao Commercial E Empersariel de Minas - Belo Horizonte Brazil. SELECTED GROUP EXHIBITIONS 2002 H.N.D FINAL YEAR EXHIBITION AT AUCHI POLYTECHNIC [NAFASS]. 2003 [SAY YES TO EDUCATION] AT HISTORY AND CULTURAL BUREAU KANO STATE. 2004 S.P.A.N SOCIETY FOR PERFORMING ARTISTS IN NIGERIA AT EKO HOTEL,V.I,LAGOS STATE. 2004 AUCHI HERITAGE [GROUPS OF ARTIST FROM AUCHI]. 2005 2ND[S.N.A]ART CAFE AT NATIONAL THEATRE LAGOS. 2005 ROYCO COOKING COMPETITION [SALON] AT TAFAWA BALEWA SQUARE LAGOS. 2006 CORA BOOKS AND ART FESTIVAL NATIONAL THEATRE IGANMU. 2007 [KONCORDANCE] GROUP OF ARTIST,AT NATIONAL MUSEUM LAGOS. 2008 [A.A.R.C]ART COMPETITION ON DEMOCRACY AT DIDI MUSEUM LAGOS. 2008 ART ON THE MAINLAND AT NATIONAL COUNCIL FOR ART AND CULTURE,NATIONAL THEATRE LAGOS. 2008 50 ARTISTS,50 WORKS,50 YEARS ANNIVERSARY OF [THINGS FALL APART] AT NATIONAL THEATRE LAGOS. 2009 ART N THE MAINLAND EXHIBITIONS AT NATIONAL COUNCIL FOR ART AND CULTURE.LAGOS. 2010 ART CLIQUE GROUPS EXHIBITION [MOMENT IN TIME]AT NIKE GALLERY LEKKI LAGOS , 2010 AFRICAN ART AUCTION 1,AT NIKE GALLERY AND CULTURE LEKKI LAGOS. 2011 AIDA EXHIBITIONAT MARWA GARDEN LAGOS, 2009 ART BAZAR BY ARTZERO GROUP, 2010 ART FOR HEART, EXHIBITION AT MAGODO ENCOUNTER HOUSE,MAGODO PHASE 2 GRA LAGOS. 2010 ART FOR HEART EXHIBITION AT ENCOUNTER HOUSE,MAGODO PHASE 2 GRA LAGOS. 2011 AIDA ART EXHIBITIONS OF GROUPS OF ARTISTS@ RADISSON HOTEL ONIRU ,LEKKI ROAD LAGOS. 2012 NIGERIA BRAZIL CENTRE FOR BUSINESS AND CO- OPERATIVE,EXHIBITION OF YOUNGS NIGERIA ARTISTS @ BRAZIL . 2012 BATSADO ART GALLERY,MAGODO G.R.A,PHASE 2,BY ENCOUNTRE HOUSE. 2013 BATSADO ART GALLERY, MAGODO, G. R. A, PHASES 2, BY ENCOUNTER HOUSE, 2014 THOUGHT IN LINE, EXHIBITIONS OF PENCIL AND INK DRAWING, AT ALLIANCE DE FRANCIAS. ONIKE YABA LAGOS, 2014 VISUAL ARTS SOCIETY OF NIGERIA, ( VASON.) ART EXHIBITION AT MUSON CENTRE, 2014 BATSADO ART EXHIBITION, MAGODO G. R. A, PHASES 2,BY ENCOUNTER HOUSE, 2014 COMING OF AGE, GROUPS ART EXHIBITION, BY VASON, ( VISUAL ARTIST SOCIETY OF NIGERIAN.) 2014 OREZE 2, A ANNUAL GROUPS ART EXHIBITION OF PAINTINGS AND SCULPTURES, CERAMICS, IN HONOUR OF HIS, MAJESTY. ( NNAEMEKA ALFRED UGOCHUKWU ACHEBE, CFR, MNI, ) OBI OF ONITSHA, ( AGBOGIDI.), 2015 OREZE 3 ,A ANNUAL GROUPS ART EXHIBITION OF PAINTINGS AND SCULPTURES, CERAMICS, IN HONOUR OF HIS, MAJESTY. ( NNAEMEKA ALFRED UGOCHUKWU ACHEBE, CFR, MNI, ) OBI OF ONITSHA, ( AGBOGIDI.), 2016 FACE AND PHASES 4 ,AT TERRACULTURE ,TIAMIYU SAVAGE ,VICTORIAL ISLAND, LAGOS

MY PAINTING AS BEEN USED FOR COVERED BOOK AND MAGAZINE FOR UNIVERSITY JOURNAL FOR DEPARTMENT OF AFRICAN STUDIES ( UNIVERSIDADE FEDERAL DE MINAS - GREAIS ,BELO - HORIZONTE BRAZIL 2013 ). AND SO MANY COMMISSION WORKS OF ART TO HIS CREDIT,AND HIS WORKS CAN BE FOUND BOTH PRIVATE AND PUBLIC PLACES. PRESENTLY HE BASE IN LAGOS, RUINING A STUDIO FULL TIME PROFESSIONAL ARTISTS. MOST OF STYLES OF PAINTING ARE MOST IN ABSTRACT (A COMBINATION OF BASIC DESIGN AND MURAL.) MERGE TOGETHER WITH AFRICA CONCEPT , WHICH I DEVELOPED BY MYSELF OVER FOURTEEN YEARS AGO, SINCE THE YEAR OF GRADUATION FROM ART SCHOOL ( AUCHI POLYTECHNIC AUCHI EDO STATE.), WITH WHAT I SEE IN MY ENVIRONMENT, WITH USE OF GEOMETRICAL SHAPES, WHICH CAN ACHIEVE WITH COLOURS, WITH THE USE OF KNIFE TO CREATE EFFECT ON MY CANVASS , AND HAS BEEN DOING THIS FOR OVER FOURTEEN YEARS IN THE PRACTISE , WITH SO MANY INTERNATIONAL SHOW FOR MY CREDIT. BOTH IN HOME AND ABOARD.

COMMISSION OF WORKS

1, COLLECTIONS OF PAINTINGS BY ( PACIFIC HOLDINGS NIGERIA LIMITED.) 2004. 2, COLLECTIONS OF PAINTINGS FOR PRIVATE HOME BY. ( DR ADEDEJI ADELEKE.) CHAIRMAN PACIFIC HOLDINGS NIGERIA LIMITED, 2005. 3, MARKET SCENE PAINTING. BY ( VICTOR MBA A) U. S. A, 2000. 4, MURAL DECORATION, FOR ( ALAFIA. RETREAT CENTRE.) IFO OGUN - - STATE 5, COLLECTIONS OF ABSTARCT PAINTINGS BY ( MR KEVIN.) ATLANTA, U. S. A, 2007. 6, COLLECTIONS OF PAINTINGS BY. ( ALANI OGUNLADE.) STATE FARM INSURANCE AGENT, ATLANTA, GEROGIA U. S. A 2008 7, COLLECTIONS OF PAINTING. BY ( DR ADEDEJI ADELEKE.) OF PACIFIC HOLDINGS NIGERIA LIMITED PRIVATE COLLECTIONS, 2010 8, COLLECTIONS OF PAINTINGS, BY NIKE GALLERY 2010. 9, COLLECTIONS OF PAINTINGS BY ART COLLECTOR AND GALLERY OWNER, ( KAKAFONI ART GALLERY. ) 2015. 10, Collections of Paintings BY ( BATSADO ART GALLERY) TO AKWA - IBOM GOVERNMENT HOUSE. 2011.

PROFESSIONAL MEMBERSHIP

( 1) SOCIETY OF NIGERIAN ARTIST. ( SNA.) ( 2) VISUAL ARTIST SOCIETY OF NIGERIA ( VASON.) ( 3.) ARTZERO GROUPS OF NIGERIAN ARTIST

Paintings by Bore Ivanoff. - A pure palette for discerning eyes...

Paintings by Bore Ivanoff. - A pure palette for discerning eyes...
Bore Ivanoff's art is a demonstration that shows how the overall quality of a resolutely contemporary composition and the pictorial solutions associated with an intentional abstraction can be used to represent a non-conventional subject. A pure palette for discerning eyes, where each of the "flavors" is a mixture, composed of ingredients whose exact proportions are known only to the author. A work that represents neither a physical entity nor a metaphysical entity outside of it and resists any attempt to fit it into existing categories, or to explain it as an exercise deliberately insincere in a formal anachronism and pictorial.
For Boré Paris it’s the kind of place that offers the right combination of inspiration and pain and suffering to keep him stimulated and painting. Independent and self-confident, with a remarkable ability to surprise and intrigue the viewer ... he prefers the enigmatic, the unconventional, and the unexpected. His work is precise, yet it teeters on the threshold of delirium and chaos. He brings outrageous levels, of pictorial realization to his work. His compositions are a sophisticated exercise in the manipulation of form, keyed-up color, density, illusionism, brushwork, and compression. The interior and the exterior merge to produce a single image whose complexities are almost impossible to untangle. The result is which the abstract nearly trumps the real.

Artist:
Bore Ivanoff

Bore Ivanoff. Contemporary, protean artist, based in Paris since 2001. Originally from Eastern Europe. Boré Ivanoff essentially paints views of Paris since 2012. Subtle blend of glory, pain and suffering, the city of light is his greatest source of inspiration. Trying to intrigue and surprise his audience, he focuses on transcribing an unconventional Paris, unexpected, enigmatic, "never seen before". Between the abstract and the real... Sophisticated and complex, Boré Ivanoff's works oscillate between abstraction and realism. The artist manipulates shapes and colors and reinvents reality to make it subtly abstract but always recognizable. In his compositions where interiors and exteriors intermingle and seem inseparable, Boré experiments and explores the boundaries of reality.

Exhibitions

2019. 12 Oct. Selected to participate the ArtLab show, organized by Benjamin Eck art Gallery, Munich. 2018, -4 Oct - 4 Dec. Join me in the City, Group Exhibit in the Eclectic Gallery in London, UK. - 16-21 October, a group show, "The Abstract Real" in the Royal Hall de la Madeleine, Paris 8ème. -July, participation in a group exhibition "Hyperrealism", Gallery Atelier-Saint-Honoré", Paris 8ème. 2017: Novembre, a group show titled "The Abstract Nature of Reality" in the Royal Hall in La Madeleine, Paris 8ème Mai, A Solo show "Les Miroirs de Paris",in "Paris Country Club". Rueil-Malmaison 2016. Juin. Exposition dans la Salle Royale de la Madeleine, Paris 8ème. Mar. Exposition au Institut Culturel Bulgare de Prague, République Tchèque. 2015. -Nov. Exposition au Cercle France-Ameriques, Paris 8ème. 2014. - Dec. Exposition, One day show, « Paris 13, entre Histoire et Modernité », École Bulgare de Paris, à Paris 8ème. - Jul. Exposition « Paris 13, entre Histoire et Modernité », l’Institut Culturel Bulgare à Paris 8ème. 2013: - Oct. Exposition, « Paris 13, entre Histoire et Modernité », L’Âge d’Or, Paris 13ème. - Sept. Exposition « Paris 13 entre Histoire et Modernité », Centre Culturel des Finances, Ministère des Finances, Paris 12ème. 2010: - Mar. « La Maison d’Occitanie », Toulouse. -Aout. « Maison Gadal », Ussat-les-Bains, Ariége. - Dec. Théâtre Musical de Pibrac, région de Toulouse. 2009. - Jun. Mairie du Lichtenau, Westphalie, Allemagne. - Sept. Galerie« Arte », Sofia, Bulgarie. 2008. - Mai. Galerie Municipale, Kazanlak, Bulgarie. 2007. - Residence Adoma « Annam », Paris 20ème, - Sept. Circulo Mercantil y Cultural, Vigo, Galicia, Espagne. - Oct. Salones « Bahia » Vigo, Galicia, Espagne. - Nov. Kunst et Heimathaus, Sande, Paderborn, Westphalie, Allemagne. 2006: - Galerie « Herga », Estella-Lizarra, Navarre, Espagne. 2005: - Maison Basque de Paris, Saint Ouen, France. 2004: - Espace Culturel Bulgare, Rue Stendhal, Paris 20ème, France. 2003: - Galerie « Ex

2002. - Galerie « Compagnie des Arts », Paris 2ème, France, 1999. - Galerie « Ruvell », Kazanlak, Bulgarie. - « Café Galerie » avec présentation de son roman autobiographique « Mes rêves africains », Kazanlak, Bulgarie. 1997. - Salle « Sredetz », Ministère de la Culture, Sofia, Bulgarie. - «Maison de Balabanov», Plovdiv, Bulgarie. 1996. - Galerie Municipale, Kazanlak, Bulgarie. 1995. - Galerie « Emile Vincent », Paris 5ème, France. 1988. - Club des Artistes Indépendants, Kazanlak, Bulgarie

PARTICIPATIONS

2003: - « Portes Ouvertes » des Artistes de Ménilmontant, Paris 20ème. Expo partage avec Max Coté, un peintre du Benin. 2002: - « Festival de Montmartre », Salle des Fêtes, Mairie du 18ème, Paris. 2001: - Exposition de peintres et sculptures bulgares « La Palette Bulgare » à l’Hôtel de Ville d’Aix-en-Provence. - Exposition des Résidents de l’Armée du Salut, La Cité de Refuge-Centre Espoir, Paris13ème 2000: - Salon International des Arts et Culture en « Gare Maritime » à Cannes, France. 1999: – Exposition collective pour la « Fête de la Rose », Galerie « Ruvel », Kazanlak, Bulgarie. Exposition pour la « Semaine de l’Afrique du Sud »-Galerie Ruvel–Kazanlak, Bulgarie. 1990: - Exposition collective des Artistes Indépendants, Salle « Iskra », Kazanlak, Bulgarie. 1989: - Manifestation des Artistes Indépendants, Kazanlak, Bulgarie.

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