Richard Thorn - Richard Thorn SWAc – Artist & Tutor

Richard Thorn - Richard Thorn SWAc – Artist & Tutor
Richard Thorn spent his early years drawing which led naturally into painting in watercolor. After pursuing a career in music (after leaving art college) he returned to painting in my chosen medium. Since that time his watercolours have gone through many changes. Appreciation of colour, tone, and composition have been my principal concerns. Light, texture and (spatial) distance are Thorn's chief interests, and these elements predominate his compositions and subject matter. For him, painting is a continuum – an exploration. But with watercolor, it is the medium that seems to be forever ahead of time.

Artist Statement
"I like to paint the soul of the scene I’m working on, depicting the essence of that which is before me. Watercolour is the master, I am the student."

Artist:
Richard Thorn

Born in Torquay, England 1952, Richard’s art began with drawing. His love of the countryside and the sea drew him to sketch and paint nature in an around his close environment. Since those early days, his paintings have been exhibited around England, Europe, and America. The Artist is principally self-taught apart from his schooling and a spell at art college after leaving school.

Biography

Thorn began painting professionally In the early 1980s. Since then he has produced many fine paintings of the commanding Devon and Cornish landscapes and coastline specializing in watercolour. Having lived for most of his life in and around Torbay he has committed the area's most picturesque coastline to paper in sublime fashion making the sun dance across the water like no other. The South West has a “quality of light” that attracts many British artists and Richard Thorn is no exception. He is drawn to the intensely bright and suffuses light, together with the many variations in the coastal and inland landscape of the area. In addition, he has enjoyed sojourn's in Spain and Venice from which he created equally emotive compositions in hot Mediterranean tones to great effect. Richard has had many exhibitions and one-man shows. His strong distinctive style and his penchant for light has made his work sought after by Galleries and Collectors throughout the country. In 1998 Richard exhibited his "Images of Portugal" at the Anglo-Portuguese Society in Belgrave Square, London. He is currently preparing a book for publication of his drawings and sketches. He has won two awards at the Royal Institute (for painters in watercolour) at the Mall Galleries in London - 2016/17 and his book - Down an English lane - was published in 2016.

CHRIS KLEIN

CHRIS KLEIN
These quiet yet visually captivating paintings combine the exquisite color with contrasting textures and a convincing sense of depth through meticulous use of light and shadow, reminiscent of Dutch masters.

Artist’s Statement:
I find inspiration from all of my surroundings. This is reflected in my last two series of paintings: my “Costumes” series inspired by my work in the theatre, looking at all the clothes as they hang in the vast costume warehouse in Stratford, and my “Second Hand” series, which was originally inspired by passing a local salvage yard and admiring the colour and texture of the crumpled and rusting metal. I see mundane or everyday objects in a way that others might miss. It isn’t simply the objects themselves that I wish to reproduce, it is their forms, many of which create abstraction with light and shade, colour and texture. It is the composition that is of initial importance to me, not the subject. But when complete, the objects themselves add a whole new life to my paintings. They create their own stories, they can tap into people’s subconscious minds, sparking memories or creating stories that may or may not have existed.

Artist:
Chris Klein

Chris is a British artist, currently living in Canada. Exhibiting his own work in the UK, Europe and North America. In 1983 Chris had his work accepted by the Royal Academy of Arts in London, UK for their prestigious Summer Exhibition. Before coming to Canada he was also an associate member of the Guild of Motoring Artists. As well as producing his own work, he is also a scenic artist for film and theatre. For 10 years he has served as the head of scenic art at both the Stratford Festival and the National Arts Centre in Ottawa. Chris has worked on many sets, creating backdrops and related artwork and has contributed to major productions in London's West End and Broadway. In Canada, he has painted for many major Hollywood films and many shows for the Cirque du Soleil.

Exhibition

Solo shows 2019: Christopher Klein; Dystopian Utopia, Gallery Victor Armendariz, Chicago Group shows 2019: New Arrivals Group Exhibition, Gallery Victor Armendariz, Chicago Fair booths 2018: Gallery Victor Armendariz at SOFA CHICAGO 2018, Gallery Victor Armendariz

Diana Rosa

Diana Rosa

Artist:
Diana Rosa

Dream of compelling magic

I am always fascinated with the human story that all of us are living- often untold, sometimes unrecognized, but always significant. My paintings reflect the natural beauty of human emotions. They are a bridge from my imagination to theirs, and although the story I mean to tell may differ from what the viewer ultimately takes away, what is most important is that we have shared the tale. Elegance and sensuality are combined with spirituality in a contemplative surreal environment. I explore the human dimension: themes of the real and virtual world, a nostalgic state of adaptation. Adapting to survive like succulent plants in unfavorable environment and conditions, expecting a change to occur. I strive to draw honest and intriguing lines, to investigate the beautiful, as well as the odd, and to illuminate the common in an environment of graphic symbols and layered patterns. I create a visual dialogue where everything is possible and magic is the queen. Humans, animals, and plants are some of the themes that I use in my drawings, a subtle injection of ambiguity that blurs the gap between the ordinary and the fantastic. The background of this sub-world appears to be transformed into an innocent children’s fantasy that almost looks like a dream. When creating a piece, I take what is most personal and assume it is universal. I use my own experiences and emotional responses, and turns them into a narrative work that suggests to the viewer a peek into their own life. The stories I tell are about inner worlds revealed - the things that we are supposed to talk and feel, about our bodies, our families, and our life’s choices All elements drive my creativity along with a light touch of the paintbrush, feeling of peace and sense of a place. I strive to re-create the peaceful, contemporary landscape in my art to expand upon the beautiful palette that nature provides us. I appreciate the human form and the emotions within, so I explore acrylic mediums to convey the limitless individuality the human form embodies. I think of my drawings as portraits of a soul, not an actual person–pulling from the universal level instead of our clouded worldly view. They are more than their surface, much like us. They are my perspective and appreciation of who I am and what I know: a woman who embraces adaptation in a virtual world.

Hero Johnson

Hero Johnson
Hero Johnson loves the versatility of Oils. They lend themselves to everything from fine translucent washes to thick impasto. She finds peoples endlessly fascinating which is ultimately her ideal subject matter. Unless she is working on a commission, she emerges herself painting people she knows; friends, neighbors, and colleagues. Hero finds inspiration in everyday life. She does not prefer to stick to a particular style but she uses limited palettes that gives her work a sense of unity.

Artist:
Hero Johnson

Hero Johnson is a London-based visual artist, originally from Cornwall. Her Exhibitions include The BP Portrait Award, The Royal Society of Portrait Painters, The Trinity Buoy Wharf Drawing Prize, The Lynn Painter-Stainers Prize, The Ruth Borchard Self-Portrait Competition, The New English Art Club, The Discerning Eye, Hogarth’s House ‘Small Self’ and The Royal Institute of Oil Painters. Shortlisted for both the Bulldog Bursary and the RSPP Self Prize in 2013. A regular contributor to Artists & Illustrators magazine 2010-2014. Winner of the Royal Society of Portrait Painters Changing Faces Commission Prize 2015. Awarded the New English Art Club Drawing Scholarship 2016-17. Awarded the Elizabeth Greenshields Foundation Grant 2018. Made a member of the Contemporary British Portrait Painters 2019.

Selected Group Exhibitions and Competitions

2019 The Trinity Buoy Wharf Drawing Prize. Trinity Buoy Wharf. The Lynn Painter Stainers Prize. The Mall Galleries, London The Society of Women Artists. The Mall Galleries, London The Heatherley Staff Show. Bankside Gallery, London 2018 The Royal Society of Portrait Painters. The Mall Galleries, London ‘Empowered by Art’. The University Women’s Club, Mayfair The Jackson’s Painting Prize Open The Heatherley Staff Show. Bankside Gallery, London ‘Connected’. Waterstones Gallery, Gower St, London 2017 The BP Portrait Award. National Portrait Gallery, London The Royal Society of Portrait Painters. The Mall Galleries, London The New English Art Club. The Mall Galleries, London ‘Face to Face’; BP Portrait Award Artists’ Work. Cass Art Space, Islington ‘The Art of Reading’. Cambridge Literary Festival, Cambridge The Jackson’s Painting Prize Open The Heatherley Staff Show. Bankside Gallery, London 2016 The Royal Society of Portrait Painters. The Mall Galleries, London ‘The Art of Reading’. Waterstones Gallery, Gower St, London The Jackson’s Painting Prize Open. Finalist. The Heatherley Staff Show. Bankside Gallery, London. 2015 The Royal Society of Portrait Painters. The Mall Galleries, London The Heatherley Staff Show. Bankside Gallery, London ‘Portrayed’. Chelsea Old Town Hall, London 2014 The Royal Society of Portrait Painters. The Mall Galleries, London ‘The Small Self’. Hogarth’s House, Chiswick, London The Heatherley Staff Show. Bankside Gallery, London 2013 The Royal Society of Portrait Painters. ‘Self’ Prize Finalist. The Mall Galleries, London The Ruth Borchard Self Portrait Competition. Kings Place, London The New English Art Club. The Mall Galleries, London ‘Patrick George, a Likeness’. Browse & Darby, London The Reed Short Film Competition. Long-listed 2012 ‘Jumping Frog’. Daggett Gallery, London 2011 The Discerning Eye. The Mall Galleries, London 2010 The Lynn Painter Stainers Prize. Painter’s Hall, London 2009-10 Bust of Colin Powell for ‘The Nature o

Awards and Bursaries

2018 – The Elizabeth Greenshields Foundation Grant 2016 – The New English Art Club Drawing Scholarship 2015 – The Royal Society of Portrait Painters Changing Faces Commission Prize 2013 – The Royal Society of Portrait Painters Bulldog Bursary Runner-up 2007 – The Worshipful Company of Painter Stainers Bursary 2004 – Cypriot Ministry of Culture Bursary

Fidel Molina

Fidel Molina
With a realistic style, the works of Fidel Molina enclose a personal reference, because they come from their immediate environment. His artistic goal is to show the reality around him, to look at life and the issues of our time and draw attention to certain facets to invite the viewer to investigate and go beyond representation itself. From the beginning of his already long career exhibition, his painting has been exhibited in some of the most important galleries.

Artist:
Fidel Molina

Fidel Molina was born in Madrid on July 3, 1971. As the son of a painter, he grows among brushes, oils and useful of his father, Luis Molina. His interest in painting and creativity led him to study Fine Arts at the Complutense University of Madrid, where he graduated in the specialty of Design. After graduating he devoted for many years to graphic design in a professional manner, the result of which his creations have been seen in film and TV and Internet advertising campaigns, but without ceasing aside his pictorial work, what has led him to starring a personal and intimate journey with his works. With a realistic style, the works of Fidel Molina enclose a personal reference, because they come from their immediate environment. His artistic goal is to show the reality around him, to look at life and the issues of our time and draw attention to certain facets to invite the viewer to investigate and go beyond representation itself. From the beginning of his already long career exhibition, his painting has been exhibited in some of the most important galleries.

SOLO EXHIBITIONS

2018. FROM COMMON PLACES AND INTIMATE SCENARIOS. Exhibition Hall of the Cajamurcia Foundation. Madrid (Spain). 2014. BULL! - Club Taurino de Murcia (Spain). 2013. ENVIRONMENTS - Gigarpe Gallery. Cartagena, Murcia (Spain). 2011. FIGURES AND SPACES – Sala Alta Exhibitions. Blanca, Murcia (Spain). 2009. NATURE, SKIN AND URBE - Classroom of Culture of Cajamurcia. Cehegín, Murcia (Spain). 2007. FRAGMENTS OF REALITY - Villa de Blanca Exhibition Hall. Blanca, Murcia (Spain). 2006. Cultural Center Valdebernardo. Madrid (Spain). 2006. Exhibition Hall Latina-Antonio Mingote. Madrid (Spain).

COLLECTIVE EXHIBITIONS

2018. 13 LOOKS AT REALISM II - GRECO Group - Santa Cruz Museum. Toledo (España). 2018. 13 LOOKS AT REALISM - GRECO Group - Casa de Vacas Cultural Center. Madrid (Spain). 2018. XVII INTERNATIONAL TAURINE PAINTING CONTEST. Selected - IBERCAJA Exhibition Hall. Logroño (Spain). 2018. CONCÉNTRICA - Jorge Alcolea Gallery. Madrid (Spain). 2017. 30 YEARS MUEKLES – Muekles. San Javier, Murcia (España). 2017. SUMMERS ART - Trazos Gallery. Ciudad Real (Spain). 2017. EXTRAORDINARY SUMMER EXHIBITION 2017 - Galería Jorge Alcolea. Madrid (Spain). 2017. BLANCA, ARTISTS VILLA - MUCAB (Museum and Art Center of Blanca). Blanca, Murcia (Spain). 2016. 28 "MIGUEL GONZÁLEZ SANDOVAL" NATIONAL PLASTIC ARTISTS CONTEST 2016 - "El Bailío" Exhibition Hall. Lora del Río, Seville (Spain). 2016. SUMMER EXTRAORDINARY '16 - Jorge Alcolea Gallery. Madrid (Spain). 2016. COLLECTIVE END OF SEASON - Art Terraferma Gallery. Lleida (Spain). 2016. END OF SEASON COLLECTIVE - Art Gallery Mar. Barcelona (Spain). 2016. SHARED SPACES - Sala d'Art E. Arimany. Tarragona (Spain). 2016. NEW VALUES VII - Exhibition Hall of the Aragonese Artistic Association of Zaragoza. Zaragoza (Spain). 2016. SELECTION OF ARTISTS III - Terraferma Art Gallery. Lleida (Spain). 2016. SMALL FORMAT COLLECTIVE - Art Terraferma Gallery. Lleida (Spain). 2016. XX BULLFIGHTING DRAWING CONTEST "VILLA DE LA TORRE". - Cultural Bullfighting Club "Domingo Ortega". La Torre de Esteban Hambrán. Toledo (Spain). 2016. SELECTION OF ARTISTS III - Art Gallery Mar. Barcelona (Spain). 2015. 50 × 50 CHRISTMAS 2015 - Jorge Alcolea Gallery. Madrid (Spain). 2015. GREAT EXHIBITION IN A SMALL FORMAT - Sala d'Art E. Arimany. Tarragona (Spain). 2015. SELECTION OF ARTISTS III - Sala d'Art E. Arimany. Tarragona (Spain). 2015. COLLECTIVE PRESENTATION YEARBOOK - Terraferma Art Gallery. Lleida (Spain). 2015. COLLECTIVE PRESENTATION YEARBOOK - Sala d'Art E. Arimany. Tarragona (Spain). 2015. FIESTA DEL TORO - Conde de Rodezno Art Gallery. Pamplona (Spain). 2015. END OF S

AWARDS

2018. Selected in the XVII Peña Taurina Bullfighting International Competition "El Quite". Logroño (Spain) 2017. Preselected for the Annual Exhibition of the Royal Society of Portrait Painters of the Mall Galleries of London (United Kingdom). 2016. Selected in the 28th National Plastic Arts Contest "Miguel González Sandoval" of Lora del Río, Seville (Spain). 2004. Finalist in the 2nd Sports Painting Contest of Diario Marca. Spain.

Vanitas / Autodafés / Les vies parallèles / In Memoriam

Vanitas / Autodafés / Les vies parallèles / In Memoriam
Paul Béliveau’s precisely rendered hyper realistic paintings bring together literary and historical subjects and figures. His series “Vanitas” builds facades of book spines that house interconnected titles. Béliveau’s work creates a conversation between the visible and invisible. In the series “Autodafés” broken spines and burnt pages create paintings that feel like relics of the past.
"By openly integrating into the compositions an iconography from the past and proceeding through citation and retrospection, he reveals the phenomenon of metamorphosis upon which imagination itself is based. In this way he brings to light the very principles of the mechanics of creation. Imagination, which consists as it were in the transfer of a perceptible representation onto an image belonging to another reality, thus sees itself in the presented. Consequently it is not the images themselves but the unique process of creative development which accords Paul Bliveau's works their originality." (Dany Quine, L'oeuvre du temps)

Artist:
Paul Béliveau

Known for his meticulous nature and aesthetic accuracy, Béliveau’s approach to painting is an extension of “pictorial archeology,” in that his work references a database of thousands of personal and historical photographs, mementos and vestiges. One focus that the artist steadily returns to is his depiction of books - book spines especially – some from his own book collection, but mostly from his own extensive library of imagination. Born in 1954, Paul Béliveau attained his Bachelor’s degree in Visual Arts from Laval University in 1977. Recognized for his expertise in drawing, engraving and painting he has since then had more than a hundred solo exhibitions across Canada, the United States and Europe. The recipient of numerous prizes in visual arts and of multiple grants from the Canada Council has taken part in several commitees and juries as specialist in the visual arts. His works can be found in many public and private collections throughout the country and has to his name some fifteen works of art integrated into architectural sites.

Exhibitions

Solo Exhibitions: 2019 Paul Béliveau ~ Les Autodafés, Gilman Contemporary, Ketchum Paul Beliveau : VANITAS, Duran Mashaal, Montreal 2017 PAUL BÉLIVEAU : PANORAMA, Duran Mashaal 2015 PAUL BELIVEAU SOLO SHOW, Plus One Gallery Paul Béliveau: Vanitas, Winsor Gallery, Vancouver Group Exhibitions: 2019 Paul Béliveau and Francine Simonin, Thompson Landry Gallery, Toronto Le vrai visage : figuration photoréaliste contemporaine, Duran Mashaal, Montreal Summer 2019 Group Show, Thompson Landry Gallery, Toronto January Modern & Contemporary Auction, RoGallery, Long Island City January Fine Art Auction, RoGallery 2018 Summer!, Duran Mashaal, Montreal Hiperrealisme, Plus One Gallery Winter Group Exhibition, Thompson Landry Gallery, Toronto 2017 Autumn Show, Plus One Gallery Affordable Art Fair NYC, Duran Mashaal Summer Show, Plus One Gallery Winter Show, Plus One Gallery 2016 Made in Canada, Stricoff Fine Art, New York Made in Canada, Stricoff Fine Art, New York Official Opening Show, Plus One Gallery 2015 Paul Beliveau, Kevin Kearns, Micheal Madigan, and Magi Puig, Stricoff Fine Art, New York The Edition 2015, Winsor Gallery, Vancouver

Commission works

2002 Ville de Québec Ville de Lévis 1998 Pavillon Technique, Québec Centre hospitalier de Baie-Comeau 1997 Édifice Ex Machina, Québec 1996 Hôpital de l’Enfant-Jésus, Québec Foyer Bellerive, La Malbaie 1995 Centre hospitalier de l’Amiante, Thetford Mines 1994 Conseil des arts et des lettres du Québec 1993 Salle de spectacles, Sept-Îles Centre hospitalier de Portneuf, Saint-Raymond École La Grande Marée, Saint-Augustin-de-Desmaures 1988 Maison des Jésuites, Sillery Centre administratif d’Hydro-Québec, Thetford Mines 1987 Palais de justice, Sherbrooke 1986 Centre hospitalier de Charny Bibliothèque de Saint-Basile, Portneuf 1985 Bibliothèque centrale de prêts de Québec, Charny 1984 Hôpital Laval, Sainte-Foy

Achievements

2006 - Quebec winner 2005 - National honor, ACPA excellence award, avenue Honoré-Mercier rehabilitation project 1999 - Member of the Royal Canadian Academy of Arts. Videre Recognition Award Finalist 1998 - Videre Distinction Award 1993 - Visual Arts Prize, Videre. Creation Prize, Quebec City Culture Council 1987 - 39th American Print Exhibition, Boston, Mention 1986 - Kelowna Art Competition, 3 e purchase price. 4 th Quebec Film Festival, work selected for the poster 1985 - Bicentennial Molson Competition, purchase price 1983 - Biennial of Quebec drawings and prints, purchase price 1981 - Graphex 8, The Art Gallery of Brant, purchase price

Paintings by Bore Ivanoff. - A pure palette for discerning eyes...

Paintings by Bore Ivanoff. - A pure palette for discerning eyes...
Bore Ivanoff's art is a demonstration that shows how the overall quality of a resolutely contemporary composition and the pictorial solutions associated with an intentional abstraction can be used to represent a non-conventional subject. A pure palette for discerning eyes, where each of the "flavors" is a mixture, composed of ingredients whose exact proportions are known only to the author. A work that represents neither a physical entity nor a metaphysical entity outside of it and resists any attempt to fit it into existing categories, or to explain it as an exercise deliberately insincere in a formal anachronism and pictorial.
For Boré Paris it’s the kind of place that offers the right combination of inspiration and pain and suffering to keep him stimulated and painting. Independent and self-confident, with a remarkable ability to surprise and intrigue the viewer ... he prefers the enigmatic, the unconventional, and the unexpected. His work is precise, yet it teeters on the threshold of delirium and chaos. He brings outrageous levels, of pictorial realization to his work. His compositions are a sophisticated exercise in the manipulation of form, keyed-up color, density, illusionism, brushwork, and compression. The interior and the exterior merge to produce a single image whose complexities are almost impossible to untangle. The result is which the abstract nearly trumps the real.

Artist:
Bore Ivanoff

Bore Ivanoff. Contemporary, protean artist, based in Paris since 2001. Originally from Eastern Europe. Boré Ivanoff essentially paints views of Paris since 2012. Subtle blend of glory, pain and suffering, the city of light is his greatest source of inspiration. Trying to intrigue and surprise his audience, he focuses on transcribing an unconventional Paris, unexpected, enigmatic, "never seen before". Between the abstract and the real... Sophisticated and complex, Boré Ivanoff's works oscillate between abstraction and realism. The artist manipulates shapes and colors and reinvents reality to make it subtly abstract but always recognizable. In his compositions where interiors and exteriors intermingle and seem inseparable, Boré experiments and explores the boundaries of reality.

Exhibitions

2019. 12 Oct. Selected to participate the ArtLab show, organized by Benjamin Eck art Gallery, Munich. 2018, -4 Oct - 4 Dec. Join me in the City, Group Exhibit in the Eclectic Gallery in London, UK. - 16-21 October, a group show, "The Abstract Real" in the Royal Hall de la Madeleine, Paris 8ème. -July, participation in a group exhibition "Hyperrealism", Gallery Atelier-Saint-Honoré", Paris 8ème. 2017: Novembre, a group show titled "The Abstract Nature of Reality" in the Royal Hall in La Madeleine, Paris 8ème Mai, A Solo show "Les Miroirs de Paris",in "Paris Country Club". Rueil-Malmaison 2016. Juin. Exposition dans la Salle Royale de la Madeleine, Paris 8ème. Mar. Exposition au Institut Culturel Bulgare de Prague, République Tchèque. 2015. -Nov. Exposition au Cercle France-Ameriques, Paris 8ème. 2014. - Dec. Exposition, One day show, « Paris 13, entre Histoire et Modernité », École Bulgare de Paris, à Paris 8ème. - Jul. Exposition « Paris 13, entre Histoire et Modernité », l’Institut Culturel Bulgare à Paris 8ème. 2013: - Oct. Exposition, « Paris 13, entre Histoire et Modernité », L’Âge d’Or, Paris 13ème. - Sept. Exposition « Paris 13 entre Histoire et Modernité », Centre Culturel des Finances, Ministère des Finances, Paris 12ème. 2010: - Mar. « La Maison d’Occitanie », Toulouse. -Aout. « Maison Gadal », Ussat-les-Bains, Ariége. - Dec. Théâtre Musical de Pibrac, région de Toulouse. 2009. - Jun. Mairie du Lichtenau, Westphalie, Allemagne. - Sept. Galerie« Arte », Sofia, Bulgarie. 2008. - Mai. Galerie Municipale, Kazanlak, Bulgarie. 2007. - Residence Adoma « Annam », Paris 20ème, - Sept. Circulo Mercantil y Cultural, Vigo, Galicia, Espagne. - Oct. Salones « Bahia » Vigo, Galicia, Espagne. - Nov. Kunst et Heimathaus, Sande, Paderborn, Westphalie, Allemagne. 2006: - Galerie « Herga », Estella-Lizarra, Navarre, Espagne. 2005: - Maison Basque de Paris, Saint Ouen, France. 2004: - Espace Culturel Bulgare, Rue Stendhal, Paris 20ème, France. 2003: - Galerie « Ex

2002. - Galerie « Compagnie des Arts », Paris 2ème, France, 1999. - Galerie « Ruvell », Kazanlak, Bulgarie. - « Café Galerie » avec présentation de son roman autobiographique « Mes rêves africains », Kazanlak, Bulgarie. 1997. - Salle « Sredetz », Ministère de la Culture, Sofia, Bulgarie. - «Maison de Balabanov», Plovdiv, Bulgarie. 1996. - Galerie Municipale, Kazanlak, Bulgarie. 1995. - Galerie « Emile Vincent », Paris 5ème, France. 1988. - Club des Artistes Indépendants, Kazanlak, Bulgarie

PARTICIPATIONS

2003: - « Portes Ouvertes » des Artistes de Ménilmontant, Paris 20ème. Expo partage avec Max Coté, un peintre du Benin. 2002: - « Festival de Montmartre », Salle des Fêtes, Mairie du 18ème, Paris. 2001: - Exposition de peintres et sculptures bulgares « La Palette Bulgare » à l’Hôtel de Ville d’Aix-en-Provence. - Exposition des Résidents de l’Armée du Salut, La Cité de Refuge-Centre Espoir, Paris13ème 2000: - Salon International des Arts et Culture en « Gare Maritime » à Cannes, France. 1999: – Exposition collective pour la « Fête de la Rose », Galerie « Ruvel », Kazanlak, Bulgarie. Exposition pour la « Semaine de l’Afrique du Sud »-Galerie Ruvel–Kazanlak, Bulgarie. 1990: - Exposition collective des Artistes Indépendants, Salle « Iskra », Kazanlak, Bulgarie. 1989: - Manifestation des Artistes Indépendants, Kazanlak, Bulgarie.

Hubert de Lartigue

Hubert de Lartigue
The female body is the major inspiration and subject in Hubert de Lartigue's work. Influenced by fashion photography and the glossy idealization of the female nude, the artist portrays the beauty and imperfections of his live models in sensual and alluring poses. Hubert explains his work by saying, “The portrait is a classic theme in the world of painting. However, I try to create elements of surprise in each of my portraits, the way I crop them, the expression or the attitude of the models. But the power of the portrait lies above all in the look of the model, which is unique each time. All I have to do is underline the strength and the intensity,”

Artist:
Hubert de Lartigue

Hubert de Lartigue is a French painter and illustrator. After graduating with graphic arts, he began his career in the field of packaging, as well as a freelance illustrator. His works were more related to science fiction, book covers, and pin-ups. Since the 2000s, he turned increasingly to photo-realism and hyper-realism, including anatomical details in portraits or large canvases.

SELECTED SOLO EXHIBITIONS

2012 Muses, Bernarducci Meisel Gallery, New York 2001 "Figure it Out", Louis K. Meisel Gallery, New York, NY, 27 January - 24 February 2004 "Great American Pin-up- Vintage and Contemporary Works", Louis K. Meisel Gallery, New York, 11 September – 2 October. 2006 "Femmes artistes (peintures recente)", Galerie Frederic Bosser, Paris, France, 20 February – 10 March. 2007 Bernarducci Meisel Gallery, New York, NY, 4- 27 October 2006 Femmes Artistes (peintures récentes), Galerie Frederic Bosser, Paris, France Exhibition of pin-ups at the Christophe Agency in Paris Solo exhibition of SF illustrations at the Imaginales in Épinal (France) Exhibition and sales at the Monde de Jeu, Porte de Versailles Paris 2004 French Pin-ups, Galerie Frederic Bosser, Paris, France Exhibition “Great American Pin-up- Vintage and Contemporary Works”, Louis K. Meisel Gallery, New York, September 11 – October 2 2003 Exhibition 2012 Muses, Bernarducci Meisel Gallery, New York 2001 "Figure it Out", Louis K. Meisel Gallery, New York, NY, 27 January - 24 February 2004 "Great American Pin-up- Vintage and Contemporary Works", Louis K. Meisel Gallery, New York, 11 September – 2 October. 2006 "Femmes artistes (peintures recente)", Galerie Frederic Bosser, Paris, France, 20 February – 10 March. 2007 Bernarducci Meisel Gallery, New York, NY, 4- 27 October 2006 Femmes Artistes (peintures récentes), Galerie Frederic Bosser, Paris, France Exhibition of pin-ups at the Christophe Agency in Paris Solo exhibition of SF illustrations at the Imaginales in Épinal (France) Exhibition and sales at the Monde de Jeu, Porte de Versailles Paris 2004 French Pin-ups, Galerie Frederic Bosser, Paris, France Exhibition “Great American Pin-up- Vintage and Contemporary Works”, Louis K. Meisel Gallery, New York, September 11 – October 2 2003 Exhibition of pin-ups Frédéric Bosser Gallery, Paris, France 2001 Exhibition Figure it out, Louis K. Meisel Gallery, New York 1999 Exhibition Galaxiales in Nancypin-ups Frédéric Bosser Galler

SELECTED GROUP EXHIBITIONS

2017 The Europeans, Louis K. Meisel Gallery, New York, NY 2016 Collective exhibition pour the coming out of the book Tall Trees of paris at the Art Factory Gallery, Paris. Collective exhibition The Portrait Show at the Bernarducci Gallery, New York. 2015 Summer Group Exhibition, Bernarducci Meisel Gallery, New York, NY Context Art Miami, Bernarducci Meisel Gallery, Miami, FL Art Silicon Valley/San Francisco, Bernarducci Meisel Gallery, San Francisco, CA 2014 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, Indiana Austin Art Projects, Palm Desert, CA Collective exhibition, Winter White at the Bernarducci Meisel Gallery, Catalogue, New York. Collective exhibition, Derivare at the Nouveaux Frigos, Paris. 2013 Photorealism Revisited, Oklahoma City Museum of Art, OK; The Butler Institute of American Art, Youngstown, OH; MANA Contemporary, Jersey City, NJ Photorealism in the Digital Age, Bernarducci Meisel Gallery, New York Sneak Peek: Photorealism in the Digital Age, Bernarducci Meisel Gallery, New York Collective exhibition, The Naked Truth, Plus One Gallery, London 2011/2 Stand Still, Bernarducci.Meisel.Gallery, New York 2012 Collective exhibition, Bernarducci Meisel Gallery, New York Collective exhibition at the Imago Gallery, Desert Palm, USA Collective exhibition at the Rarity Gallery, Mykonos, Greece Collective exhibition, Galerie de Bellefeuille, Photoréalisme, Montreal Collective exhibition at the Marie Ricco Gallery, Calvi, Corsica 2011 National Juried Biennial, Amarillo Art Museum, Amarillo, TX Art Hamptons, Bridgehampton, NY Watermill Art Center, Watermill, NY Galerie Marie Ricco, Calvi, Corsica, France 2010 Expansion, Bernarducci.Meisel.Gallery, New York Permanent exhibition Alexis Lartigue Gallery, Paris, France 2009 Heros Collective, Zone Franche, Bagneux, France. Louis K. Meisel Gallery: 40 Years of Photorealism, Bernarducci Meisel Gallery, New York Figure 8, Bernarducci Meisel Gallery, New York

Amanda Greive

Amanda Greive
Amanda Greive's hyper-realistic compositions reference both classical and contemporary symbolism and iconography. While the primary motivation behind her work is to tease out the nuanced emotions embedded within the human condition and to confront isolation and anxiety born of gender-based stereotypes, She also looks to comment on the contradiction between creating realistic imagery and portraying emotional rawness, as well as the uncompromised truth in the imagery portrayed versus its symbolic ambiguity.

Artist:
Amanda Greive

​Amanda Greive graduated with a bachelor’s degree in visual arts from the University of Illinois at Springfield in 2008 and has exhibited her work both locally and nationally. She has exhibited her work at the St. Louis Artist’s Guild, Woman Made Gallery in Chicago, and the Louisville, KY, Visual Arts Association. Most recently, she had solo shows at the Contemporary Art Center of Peoria and the Springfield Art Association. She was also a juried member of the Chicago Artist’s Coalition’s HATCH project for 2011-12. One of her pieces, “The Last Judgment”, was also published in Manifest Gallery’s fourth edition of the International Painting Annual.

Education

2008: University of Illinois at Springfield Bachelors of Arts in Visual Arts 2003: University of Illinois at Springfield Masters of Public Health with an emphasis in epidemiology 2001: University of Illinois at Springfield Bachelors of Science in Biology, graduated cum laude

Exhibitions

2019: Market Art + Design, RJD Gallery, Bridgehampton, NY Towards New Ways, invitational group show hosted by Hyperrealism Magazine, Copro Gallery, Santa Monica, CA Painting the Figure Now 2019, traveling exhibit, Wausau Museum of Contemporary Art, Wausau, WI, Zhou B Art Center, Chicago, IL LA Art Show, in association with Rehs Contemporary Gallery, New York, NY 2018: SCOPE New York, Amelchenko Art Advisory, New York, NY Market Art + Design, RJD Gallery, Bridgehampton, NY Modern Muse, ARC Salon Group Exhibit, Rehs Contemporary Art Gallery, New York BIG ART. small canvas, RJD Gallery, Bridgehampton, NY 2017: Drowning in the Delicate, solo exhibition, The Victorian House Art Gallery, Olivet Nazarene University, Bourbonnais, IL Figurativas 2017, finalist, Fundacio de las Artes y los Artistas, Barcelona, Spain ARC Visions, group exhibit, Arcadia Contemporary, Los Angeles, CA LA Art Show, in association with Arcadia Contemporary Gallery, Los Angeles, CA A Place Kinder Than Home, group exhibit, Strawn Art Gallery, Jacksonville, IL (upcoming) Big Art. Small Canvas, group exhibit, RJD Gallery, Bridgehampton, NY 2016: 2016 Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Mirror | Mirror, Two-Person Exhibit, University of Illinois-Springfield Visual Arts Gallery, Springfield, IL Invitational Art and Artisan Festival, Lubeznik Center for the Arts, Michigan City, IN Art Renewal Center 12th ARC International Salon, finalist 2015: Amanda Greive: Symbolic Realism, Quincy Art Center, Quincy, IL BIO-fied, Group Exhibition, University of Illinois-Springfield, Springfield, IL BIO-fied, Group Exhibition, State Street Gallery, Chicago, IL St. Louis Art Guild’s Ann Metzger Memorial National All Media Exhibition, St. Louis, MO

Awards

2017 Rehs Contemporary Award, 13th ARC International Salon 2016 Arcadia Contemporary Award, 12th ARC International Salon 2015 Ann Metzger Award, St. Louis Art Guild’s Ann Metzger Memorial National All Media Exhibition 2014 Best of Show, Liturgical Art Juried Exhibit 2013 Painting Award, Illinois State Fair Professional Art Exhibit 2010 Realism Award, Watertower Regional Juried Exhibit Realism Award, Traditions in 2-D juried Exhibit 1st place, painting, Illinois State Fair Professional Artist Exhibition 2009 OSF Hospital Painting Award, 64 Arts National Juried Exhibit 2008 Cover art, Lincoln Land Community College Harvester Chancellor’s Award, III Space, UIS Senior Exhibition 2007 Merit award, Illinois Community College Juried Art Exhibition Cover art, Lincoln Land Community College Harvester Painting award, Lincoln Land Community College Student Art Exhibit 2006 Best of Show, Lincoln Land Community College Student Art Exhibit

Reflections of the World - Worlds of Reflections

Reflections of the World - Worlds of Reflections
Gerd Lieder, an artist and, among other things, an art historian, spans the broad spectrum from basic topics of the art science to philosophy to a contemporary exploration of human perception. With the highest technical and content precision, he brings seemingly unstructured shapes and colors into overarching, perfectly harmonious harmony. Through his individual, well-defined imagery he manages to convey the essential nature of art: art is a reflection, a reflection of reality, or rather, what we perceive as reality. It is our perception that shapes reality, so the reality is always subjective and cannot be determined according to generally applicable standards. Lieder reminds us of this by dissolving, reflecting and flowing into one another the forms we are talking about. The point of this game with perception is that there is no solution and everything is possible at the same time. The answer is not provided by the artist, but the viewer has to find it for himself. So life is.

Theme
Since 2000 his theme is about the visual experienceable world by means of reflection in different media like foils, water, glass, mirrors, and reality.

Artist Statement
The first “picture” in human history was a reflection - in a puddle, a still lake or a water hole. And the reflection of a bowed-over early face may have contributed significantly to the realization of man: The self-performed movements and grimaces are also the mirror image again - so I have to be what it looks at me. The key phrase is not “Cogito, ergo sum”, but “Video, ergo sum” - I see (me), therefore I am. - Gerd Lieder (https://gerdlieder.com/de/rezensionen/)

Artist:
Gerd Lieder

Reflections of the World - Worlds of Reflections

Gerd Lieder was born in Germany in 1955. He currently lives and works in Bremen. His contemporary oil paintings are depictions of the world as seen through the lens of reflection. Since 2000, the artist has carried different mirrors with him throughout the world to arrange as conspirators to his unique observations of compositions, situations, objects, and environments. Strategically placed for viewing his subjects through, they create the opportunity for a freeze-framing filter, representing the way our individual experiences inform unique renditions of our common existence. Overall, his paintings remark on the transient qualities of reality affected by place, circumstance, time and the ever-changing and impermanent perceptions of the viewer. Lieder attended the Ludwig-Maximillian University in Munich where he studied theatre science, history of art, German language and literature. His work has been included in many solo and group exhibitions in Germany and the United States.

EXHIBITIONS

2019: HOHMANN at Art Palm Springs 2019, HOHMANN 2018: HOHMANN at CONTEXT Art Miami 2018, HOHMANN 2016: HOHMANN at Palm Springs Fine Art Fair 2016, HOHMANN 2016: HOHMANN Celebrates 40th Anniversary, HOHMANN, Palm Desert 2016: GERD LIEDER - REFLECTED, HOHMANN, Palm Desert 2007: The Hart Gallery, Palm Desert, California 2007: Reflections and Reflections, Galerie Lonnes, Bremen, Germany (solo) 2007: What you see is what you get, VONDERBANK Art galleries, Hamburg, Germany (solo) 2006: Reality Revisted, gallery scale, Cologne, Germany 2006: Al caro Giorgio Gaber ”Circolo Artistico Politecnic, Naples 2006: Mirroring, mirroring on the wall…, Galerie Kunsthaus Oberkassel, Dusseldorf, Germany (solo) 2006: New location, ART - isotope, Galerie Schober, Dortmund, Germany (solo) 2006: Spiegelglatt, Gallery Eigen-art, Lauenburg, Sandesneben / Duchy, Germany (solo) 2005: Reflections 1995-2005, Galerie L'ART Lonnes, Worpswede, Germany (solo) 2005: Reichstag and Roland, Kontorhaus Bremen, Germany (solo) 2004: Welt - Spiegel, Galerie Loy, Rastede, Germany (solo) 2004: Reflections II, gallery scale, Cologne (solo) 2004: State Museum Buca, Tivat / Montenegro, Serbia (catalog) 2004: Querblick 3 ", Kolnisches Stadtmuseum, Cologne 2003: Ducal residence Rastede, Galerie Loy, Rastede, Germany 2003: Mirror of the Worlds - Worlds of Reflections II, Village Gallery, L'ART Lonnes, Worpswede (catalog) (solo) 2003: Reflections, gallery scale, Cologne (solo) 2002: Kontorhaus Bremen (solo) 2001: Mirror of the Worlds - Worlds of Reflections I, Village Gallery, L'ART Lonnes, Worpswede (catalog) (solo)

Johann Pickl - Aquarelle - Acryl Mixed Media - Zeichnungen

Johann Pickl - Aquarelle - Acryl Mixed Media - Zeichnungen
Johann Pickl Geboren 1957 in St. Johann im Pongau, Österreich Der Künstler lebt und arbeitet seit 1995 in Zell am See, Schwerpunkt seiner Malerei ist seit 1997 das zeitgenössische Aquarell. Er erarbeitete sich in den 20 Jahren die er jetzt malt eine ganz persönlich unverkennbare Handschrift. Motivgebung sind Stadtansichten, im besonderen Dachlandschaften, sowie Naturlandschaften und auch Blumen. Den ersten Kontakt mit dem zeitgenössischen Aquarell hatte er bei einem Aquarellseminar in der Kunstakademie Schloß Goldegg, bei Prof. Fritz Itzinger. Er entwickelte sich Autodidakt mittels intensiven Studium kontinuierlich immer weiter. Seit 2001 widmet sich der Künstler auch der Collage, in Acryl-Mischtechnik. Das Spiel mit Farben und Materialien ist eine zusätzliche Bereicherung in seinem Schaffen, wobei er versucht sich vom Gegenständlichen etwas zu lösen und Eigendynamik, Intuition und Freiheit in den Vordergrund zu stellen. Das fertige Bild ist ein Zusammenspiel all dieser Komponenten, oft zufällig, meistens aber gewollt. Preise / Auszeichnungen Votingsieger Mai 2014 der Galerie SUISSE ARTE in Basel, Schweiz 1. Preis der Jury für 2014 der Galerie SUISSE ARTE in Basel, Schweiz 2. Preis im Voting November der Galerie SUISSE ARTE Schweiz

Artist with a focus contemporary watercolor painting
Johann Pickl Born 1957 in St. Johann im Pongau, Austria The artist lives and works since 1995 in Zell am See, main emphasis of his art since 1997 being contemporary watercolor paintings. In the last 20 years of painting he developed an unmistakable art style. Motif references are cityscapes, especially roof landscapes, as well as landscapes and flowers. His beginnings with the contemporary watercolor started at a watercolor seminar at the art academy at Goldegg Castle, with Prof. Fritz Itzinger. He continued developing his art style by intensive study. Since 2001 the artist also devotes himself to the collage, in acrylic mixed media. The game with colors and materials is an additional enrichment in his work, in which he tries to break away from figurative painting and place special emphasis on his own momentum, intuition and freedom. The finished painting is a combination of all these components, often random, but mostly wanted. Prices / Awards Voting winner May 2014 of Gallery SUISSE ARTE at Basel, Switzerland 1st Price of the Jury for 2014 of Gallery SUISSE ARTE at Basel, Switzerland 2nd Price in Voting November of Gallery SUISSE ARTE Switzerland

Artist:
Johann Pickl

Künstler mit Schwerpunkt zeitgenössisches Aquarell

Johann Pickl Geboren 1957 in St. Johann im Pongau, Österreich Der Künstler lebt und arbeitet seit 1995 in Zell am See, Schwerpunkt seiner Malerei ist seit 1997 das zeitgenössische Aquarell. Er erarbeitete sich in den 20 Jahren die er jetzt malt eine ganz persönlich unverkennbare Handschrift. Motivgebung sind Stadtansichten, im besonderen Dachlandschaften, sowie Naturlandschaften und auch Blumen. Den ersten Kontakt mit dem zeitgenössischen Aquarell hatte er bei einem Aquarellseminar in der Kunstakademie Schloß Goldegg, bei Prof. Fritz Itzinger. Er entwickelte sich Autodidakt mittels intensiven Studium kontinuierlich immer weiter. Seit 2001 widmet sich der Künstler auch der Collage, in Acryl-Mischtechnik. Das Spiel mit Farben und Materialien ist eine zusätzliche Bereicherung in seinem Schaffen, wobei er versucht sich vom Gegenständlichen etwas zu lösen und Eigendynamik, Intuition und Freiheit in den Vordergrund zu stellen. Das fertige Bild ist ein Zusammenspiel all dieser Komponenten, oft zufällig, meistens aber gewollt. Preise / Auszeichnungen Votingsieger Mai 2014 der Galerie SUISSE ARTE in Basel, Schweiz 1. Preis der Jury für 2014 der Galerie SUISSE ARTE in Basel, Schweiz 2. Preis im Voting November der Galerie SUISSE ARTE Schweiz

Artist with a focus contemporary watercolor painting

Johann Pickl Born 1957 in St. Johann im Pongau, Austria The artist lives and works since 1995 in Zell am See, main emphasis of his art since 1997 being contemporary watercolor paintings. In the last 20 years of painting he developed an unmistakable art style. Motif references are cityscapes, especially roof landscapes, as well as landscapes and flowers. His beginnings with the contemporary watercolor started at a watercolor seminar at the art academy at Goldegg Castle, with Prof. Fritz Itzinger. He continued developing his art style by intensive study. Since 2001 the artist also devotes himself to the collage, in acrylic mixed media. The game with colors and materials is an additional enrichment in his work, in which he tries to break away from figurative painting and place special emphasis on his own momentum, intuition and freedom. The finished painting is a combination of all these components, often random, but mostly wanted. Prices / Awards Voting winner May 2014 of Gallery SUISSE ARTE at Basel, Switzerland 1st Price of the Jury for 2014 of Gallery SUISSE ARTE at Basel, Switzerland 2nd Price in Voting November of Gallery SUISSE ARTE Switzerland

Vladimir Daibov - Once Upon a Time in Russia

Vladimir Daibov - Once Upon a Time in Russia
Vladimir Daibov was born in the Urals region. His creativity evolved in the artistic environment of the late 1970s Leningrad, absorbing the influences of the Russian avant-garde, the German expressionism, and the Leningrad underground culture. While studying at the Serov Art School with fellow artists and future rock stars Georgy Guryanov and Viktor Tsoi, Daibov witnessed the inception of the Leningrad Rock Club and countercultural movement. For him, however, the time of great change was not a period of all-out theatricality, but a chance to concentrate and find his own distinctive style. Like a Buddhist, he escaped the turning wheel of big city life, jumped off the merry-go-round of vanity, stepped off the train in the quiet town of Kursk to get a true feeling of self and the unhurried surroundings. For some, the time in provincial towns seems to have come to a halt, but for Daibov it has distilled and purged itself of any anxiety, emerging as a pure figurative formula. His unpeopled landscapes are filled with the dense substance of contemplation, expressing not the transience, but the permanence of being. Deep significance, plasticity, and generalization are generic to his works. The artist favours thick and pastose strokes, sharply defined shapes, contrasting colour schemes. At the same time, Vladimir Daibov's paintings are not simply visual facts and lucky finds of striking colour combinations manifesting a tried and tested craftsmanship. Rather, they can be seen as metaphysical landscapes, at times equally capable of instilling in the viewers a kind of existential yearning and astonishing them with the unexpected beauty of the everyday.

Artist:
Vladimir Daibov

Once Upon a Time in Russia

Vladimir Daibov was born in the Urals region. His creativity evolved in the artistic environment of the late 1970s Leningrad, absorbing the influences of the Russian avant-garde, the German expressionism, and the Leningrad underground culture. While studying at the Serov Art School with fellow artists and future rock stars Georgy Guryanov and Viktor Tsoi, Daibov witnessed the inception of the Leningrad Rock Club and countercultural movement. For him, however, the time of great change was not a period of all-out theatricality, but a chance to concentrate and find his own distinctive style. Like a Buddhist, he escaped the turning wheel of big city life, jumped off the merry-go-round of vanity, stepped off the train in the quiet town of Kursk to get a true feeling of self and the unhurried surroundings. For some, the time in provincial towns seems to have come to a halt, but for Daibov it has distilled and purged itself of any anxiety, emerging as a pure figurative formula. His unpeopled landscapes are filled with the dense substance of contemplation, expressing not the transience, but the permanence of being. Deep significance, plasticity, and generalization are generic to his works. The artist favours thick and pastose strokes, sharply defined shapes, contrasting colour schemes. At the same time, Vladimir Daibov's paintings are not simply visual facts and lucky finds of striking colour combinations manifesting a tried and tested craftsmanship. Rather, they can be seen as metaphysical landscapes, at times equally capable of instilling in the viewers a kind of existential yearning and astonishing them with the unexpected beauty of the everyday.

Mohamed nouiri
by Gallery Luxury Artwork

Mohamed nouiri by Gallery Luxury Artwork

Artist:
Nouiri Mohamed

Nouiri was born in an urban suburb of Rabat capital city of Morocco, during the beginnings of the 1970. His natural leaning towards creating art materialized having been stimulated by comics and the cinema as a child. The mix of peoples in morocco also provided a variety of cultural a visual inspiration. The environment propelled him to be absorbed into the creative mindset. It was when he visited an exhibition by a Brazilian painter that was the final push which gave him the ambition to become a painter that was the final push whish gave him the ambition to become a painter. Between 1988and 1992 Nouiri enrolled at the Tetouan fin artschool, here he focused his talent on expressing himself within a framework of expanding the classical compositions he was introduced to as a part of his “art- training” He also becomes very interested in sculpture, which was to haveasignificance in this artistic development. Nouiri become known in the academic art word in Tetouan by the various awards and participated in number of exhibitions . He then attended the (French institute of art) in Tanager where he further expanded his knowledge as an assistant in the engraving workshop. It was here that he helped established an accomplished seniors artists to translate their work into engravings. Tow artist advised Nouiri about directions that could be pursed in paintings. International artists Claude Viallat and Gerard Titus-Carmel were two of the artists who Nouiri had opportunity to discuss art creation with. Stimulated for knowledge Nouiri examined the work of Antonio Tàpies, Carlos Garcia Muela and Josep Niebla, which deepened his artistic aesthetic. The artist stumbled across a book on Henri Matisse and totally digested Matisse‘s writing on art creation which had an enormous effect on his own work. By 1998 Nouiri gained the opportunity to participate in the Dakar biennial (in 1993 the structure of the biennial transformed and DAK’ART1996 become an exhibition specifically devoted to contemporary African art. The following biennial this structure was consolidated and enlarged). It was at the biennial that Nouiri met the known sculptor Ousman Sow. This chance meeting and the discussions he had with the sculptor had significant influence since that meeting. In 1999 Nouiri spent time in Paris.it was here that the identity grew and as a consequence Nouirispent time in meditation and self-examination. “Between figuration and disfigurement according to the terms of myself, I become torn by a perpetual questioning of the act of painting, as if to affirm my multiple affiliations, Urban, Sub-Saharan, and Mediterranean and it’s spiritual connections”.

André Lundquist
The Poetry of Silence

André Lundquist The Poetry of Silence
For those who decide to enter the world of his paintings, Lundquist promises a great deal of emotions. His figurative painting is sensual and timeless. Grace, lightness, peace … are other words to describe the painting of André Lundquist. There is in his works a silent poetry that allows the viewer to enter each of them calmly, without fear. This is a real tour de force, because for the most of them, the women portraited and sketched, which he gives life to on the canvas, are presented and revealed in their intimacy. They are sitting, standing, lying, kneeling … And yet, the painter’s gesture never exudes any kind of voyeurism. These women are like stills who let under their skin pigments, behind the iris of their eyes, break a more complex story … As visual metaphors, they sometimes are the mirror of our own experiences sometimes a door open, behind which the viewer can give free rein to his / her imagination. In each of these women there are a thousand stories, a thousand situations to appropriate for one self or not.

Artist:
André Lundquist

André Lundquist was born in 1972 in Copenhagen, where he received his initial training with the painter Therese Dragshøj (1909-1998). His graphic studies under the tutelage of Peter Martensen (represented by the “Galerie Danoise” in Paris) have clearly left their mark on his technique and explain his penchant for creating tensions between the characters which he paints and the surface of the canvas on which they are painted. In 1999, he was the recipient of a scholarship from the Beckett Foundation. As part of the prize he had a residency in Southern Spain at the Valparaiso Fondación. He used that stay to seek new sources of inspiration. From this trip as well as many stays in the South of France, he withhold some feelings and sensations, which he later released and translated into light and colors. For those who decide to enter the world of his paintings, Lundquist promises a great deal of emotions. His figurative painting is sensual and timeless. Grace, lightness, peace … are other words to describe the painting of André Lundquist. There is in his works a silent poetry that allows the viewer to enter each of them calmly, without fear. This is a real tour de force, because for the most of them, the women portraited and sketched, which he gives life to on the canvas, are presented and revealed in their intimacy. They are sitting, standing, lying, kneeling … And yet, the painter’s gesture never exudes any kind of voyeurism. These women are like stills who let under their skin pigments, behind the iris of their eyes, break a more complex story … As visual metaphors, they sometimes are the mirror of our own experiences sometimes a door open, behind which the viewer can give free rein to his / her imagination. In each of these women there are a thousand stories, a thousand situations to appropriate for one self or not. Lundquist mixes oil, ink, charcoal, crayon, wallpaper. Many overlays which give all its originality to his body of work. These palimpsests sometimes born out of a subtle pastel color palette sometimes full of vivid, bright colors, are the creations of fine colorist whose lineage goes back to the late nineteenth / early twentieth century.

Exhibitions

2020 Galleri Kant, THE ISLAND SHOW – EASTER EDITION. Kunstfagligt kurateret af Kerry Harm Nielsen og Anna Gram Sørensen. Galerie L´oil du Prince, Paris, Frankrig. ” A fleur de toile” v / Yann et Laetitia Deshoulières. 2019 Forside til bogen ” La Chambre des époux “, forfatter Èric Reinhardt, Forlag : Gallimard. Paris, Frankrig. Galerie L´oil du Prince, v / Laetitia & Yann Deshoulières, Biarritz, Frankrig. Gallerie AU-DELÀ DES APPARENCES, v / Christian Geux, Annecy, Frankrig. Galleri Nobel, ” Som en del af labyrinten ll “, v / Henning Johannesen, Oslo, Norge. Bærum Kunsthal, ” Som en del af labyrinten ” Sandvika, Norge. 2018 Luxembourg Art Fair, v / Christian Geux. Gallerie AU-DELÀ DES APPARENCES. Carlsberg Centre for Comtemporary Art, København. Fælles udstilling. Kurateret af Rasmus Højfeldt og Simon Ganshorn. Galerie Albane, Nantes, Frankrig. Fælles udstilling med galleriets kunstnere. Gallery Down To Art, ” Naos ” ,Gent, Belgien, v / Marc De Corte. 2017 Galleri Nobel, ” Som blandt mennesker ”, Oslo, Norge, Kurateret af Henning Johannesen. Art Up, Lille, Frankrig v / Galerie L´oil du Prince, v / Yann et Laetitia Deshoulières. Gallery Down To Art, ” Among lines of poetry “, Gent, Belgien, Kurateret af Marc De Corte. Gallerie AU-DELÀ DES APPARENCES, ” A fleur de peau “, Annecy, Frankrig v / Christian Geux, . Galerie L´oil du Prince, ” Féminin Pluriel ” , Paris, Frankrig. v / Yann Deshoulières.

2016 Galeria Art Catto, Algave, Portugal. Separat, v/ António Lourencco. Gallery Down to Art, Gent, Belgien, v / Marc De Corte. Book Launch & Udstilling v/ Tomorrow Management, København. Udgivelsen af kunstbogen Før, Before, Avant – Efter, After, Après, er en bog der beskriver mit virke fra forskellige faglige vinkler. Der er i bogen bla. bidrag fra Kunsthistoriker Trine Ross, Dramatikker, Billedkunstner og forfatter Tomas Lagermann Lundme, Journalist på Kids News i Berlinske Hus Thorkil Jacobsen, Forfatter Gerd Laugesen, Journalist Lisbeth Rindholt og Arkitekt Lawrence Ebelle. Karin P. Madsen har udarbejdet alt det grafiske. Bogen er på Dansk, Engelsk og Fransk. Galerie L´oil du Prince, Paris, Frankrig. Fælles udstilling af galleriets kunstnere, v / Yann et Laetitia Deshoulières. 2015 Elle Magasin, Foto / maleri, i samarbejde med modefotograf Signe Vilstrup m.fl, København. Illum, Udsmykningsopgave, i samarbejde med modefotograf Signe Vilstrup, reklamebureauet DDB, Chef for marketing i IIlum Majbritt Tornhøj og Tomorrow Management m.fl, København. Gallery European Makers, Amsterdam, Holland. Galeria Art Catto, Algave, Portugal. Kurateret v / António Lourenco. Frederiksborg Slot, ” Portræt Nu ” Prinsessefløjen, gruppe. Kunstfagligt kurateret og censoreret. v/ Direktør Mette Skougaard m.fl. Galleri Nobel ,” Quiétude ” Oslo, Norge. v / Henning Johannesen. 2014 Galerie L´Oeil Du Prince, ” Féminin pluriel ” Paris, Frankrig. Kunstfagligt kurateret af Yann Deshoulières. Separat udstilling. Mellem linjer, Århus. Tema; Forfatterinden Gerd Laugesens dagbog ´På lysserødt papir ´. Ambasciata di Danimarca, Separat, Torino, Italien. The White Wall Project, Papirøen i København. Kurateret af Rikke Sengelsø. Nordic Artwork Gallery, San Francisco, U.S.A. Kurateret gruppe udstilling. Galleri Nobel, Oslo, Norge. v/ Henning Johannesen. 2013 Galleri Nobel ,Norge, Oslo. v/ Henning Johannesen. Gallery European Makers, Amsterdam, Holland. Gallerie Brigitte Capy, Hossegor, Frankrig.

Christiane Vleugels

Christiane Vleugels
Christiane Vleugels work can be characterized as realism, but if you look closer you realize there is much more. Not only a lot of love for the subject, but also the feel of an ethereal atmosphere that exudes dramatic beauty and glamour. Each of her paintings unveils a certain aspect of life and inspires to dream. Christiane paints her philosophy of life in every painting she does, and it’s instantly visible. Her zest for life and her unshakable belief that the universe provides are palpable in her paintings, never failing to lift a smile from the viewer. Originally painting in a romantic style to gain the recognition she craved as an awkward teenager, she soon developed a mature mastery of the styles of the old masters through commissioned paintings, “which paid my bills and honed my skills,” Christiane recalls with a smidge of melancholy and a handful of gratitude. These days Christiane paints what’s alive and calling in her, whether it’s a sense of wonder about this world or compassion for her models, especially those that lack an articulate voice, such as women who’ve suffered trauma, her widowed father, or sometimes animals. Christiane paints in oil on board or aluminum panels, preferably of large formats, drawing, according to the mood or theme that may be stirring in her, on her large archive of photographs of models who have posed for her over the years.
"To paint what is in the heart always has been the biggest challenge. Sheer beauty, clears the mind and lets you open up for world’s beyond the dream. Of course it hasn’t always been like that, it took many years of reproducing old Masters and working on commission before I realized that the time has come to create from the heart. When I look back at those tiresome years, during which I often felt under incredible pressure and even, at times, uninspired, I realize they were a necessary part of my artistic journey. I really do believe I owe my various skills to that endless list of commissions. But now the time has come to take new directions in life. With each original work I create today, I realize more and more that the true learning process has only just begun for me!" Christiane Vleugels

Artist:
Christiane Vleugels

At the age of 12, Christiane went to the Academy of Art in Schoten (Belgium). At the age of 17 she went in Antwerpen to the Municipal Institute of Decorative Arts and Crafts where she focused on decor, publicity and nature drwaings. After that, it was time for the Royal Academy in Antwerp. There she studied figure drawing, oil painting and restoration techniques. Christiane Vleugels work can be characterized as realism, but if you look closer you realize there is much more. Not only a lot of love for the subject, but also the feel of an ethereal atmosphere that exudes dramatic beauty and glamour. Each of her paintings unveils a certain aspect of life and inspires to dream. Christiane paints her philosophy of life in every painting she does, and it’s instantly visible. Her zest for life and her unshakable belief that the universe provides are palpable in her paintings, never failing to lift a smile from the viewer. Originally painting in a romantic style to gain the recognition she craved as an awkward teenager, she soon developed a mature mastery of the styles of the old masters through commissioned paintings, “which paid my bills and honed my skills,” Christiane recalls with a smidge of melancholy and a handful of gratitude. These days Christiane paints what’s alive and calling in her, whether it’s a sense of wonder about this world or compassion for her models, especially those that lack an articulate voice, such as women who’ve suffered trauma, her widowed father, or sometimes animals. Christiane paints in oil on board or aluminum panels, preferably of large formats, drawing, according to the mood or theme that may be stirring in her, on her large archive of photographs of models who have posed for her over the years.

"To paint what is in the heart always has been the biggest challenge. Sheer beauty, clears the mind and lets you open up for world’s beyond the dream. Of course it hasn’t always been like that, it took many years of reproducing old Masters and working on commission before I realized that the time has come to create from the heart. When I look back at those tiresome years, during which I often felt under incredible pressure and even, at times, uninspired, I realize they were a necessary part of my artistic journey. I really do believe I owe my various skills to that endless list of commissions. But now the time has come to take new directions in life. With each original work I create today, I realize more and more that the true learning process has only just begun for me!" Christiane Vleugels

Thuan Le Cu - My oil paintings depict ethnic minorities in northern Vietnam.

Thuan Le Cu - My oil paintings depict ethnic minorities in northern Vietnam.

Artist:
Lê Cù Thuần

LE CU THUAN. Born in 1981 in Tuyen Quang Graduated from Vietnam Viet Bac School of Culture and Arts in 2001 Graduated from Vietnam University of Fine Arts in 2006 Member of Vietnam Association of Arts and Sciences, Member of Association of Vietnamese Ethnic Minorities, Member of Vietnam Fine Arts Association. Reality Team Membership. Writing point of view: Drawing is telling stories. Technique: Draw many classes according to classical master. Exhibition: Regional art exhibition from 2000 to present. 2001 Vietnam Students Exhibition in Hanoi. Exhibition About Tuyen 2010 in Hanoi. Exhibition of works in the collection of Vietnam Fine Arts Association 2011 in Hanoi. Exhibition of Vietnam Fine Arts Association 2011, 2012 in Hanoi. The 2012 Imperial Energy Exhibition in Hue. 2014 National Youth Festival Exhibition in Hanoi. 2014 Back to Top Exhibition at Thanh Trung Gallerry. Exhibition of armed forces and revolutionary war 2014 in Hanoi. Exhibition of works in the collection of Vietnam Fine Arts Association 2014 in Hanoi. Exhibition of Photographic Art on the theme HTVLTTGĐHCM by the Ministry of Culture and Tourism 2015 in Nghe An, 2015 National Exhibition in Hanoi, Contemporary TET Painting Market-TET ART 2015 in Hanoi, TODAY Exhibition in Hanoi 2016, Domino Art Fair in Hanoi 2017, Exhibition of silk paintings and silk products in America 2017, Real Group Exhibition 2015, 2017 at Vietnam Fine Arts Museum. The Reality Group Exhibition at Ho Chi Minh City Museum of Fine Arts 2018. Award: Young author award of the National Committee of the Union of Vietnam Fine Arts Associations 2001. The same prize of Vietnam Fine Arts Association in 2011, 2012. Prize of Vietnam Fine Arts Association 2013. Awards C of the Vietnam Ethnic Minority Association in 2014, C Prize of Photography Fine Arts Exhibition on the topic of Culture, Sports and Tourism of the Ministry of Culture and Tourism in 2015, Consolation Prize of the Association of Ethnic Minorities in the region year: 2015, 2016, 2019 Prize B of the Vietnam Association for Ethnic Minority Studies: 2016, 2019. Contact address: village 4, Trung Mon commune, Yen Son, Tuyen Quang, Viet Nam. Tel: (+84)766300991. Email: lecuthuan81@gmail.com. https://www.instagram.com/lecuthuan81. https://www.facebook.com/lecuthuan81

Anne-Françoise Ben-Or

Anne-Françoise Ben-Or
My intention is that my painting Will be a source of inspiration for people. It is a process of observation Through which we discover Anew and see beyond What we already know. I wish that my painting Will create a direct connection to The essence of reality on a State of being and sensing. Anne Ben-Or

Artist:
Anne-Françoise Ben-Or

Born in Belgium (1965) Studies 1997-2000 Painting and sculpture - Israel Museum, Jerusalem 2001-2004 "Jerusalem Studio School", Israel Hershberg Additional 1997-2002: "The Israel Stage Orchestra" Stage designer

Solo Exhibitions

2020 „Prey To Prayer" Rothschild Fine Art Gallery, Tel Aviv 2018 „State of Mind" Rothschild Fine Art Gallery, Tel Aviv, Curator: Varda Steinlauf 2017 „Secret games" Rothschild Fine Art Gallery, Tel Aviv 2016 „Anne Ben Or Paintings" Artists' House, Jerusalem, Curator: Ron Bartos „New members" Artists' House, Jerusalem, Curator: Oscar Abush 2015 „Defiance" Rothschild Fine Art Gallery Tel Aviv, Curator: Irena Gordon, accompanied by catalog. 2012 „Intimate Room" Zemack Gallery, Tel Aviv, Curator: Ktzia Alon. 2011 „Tender" The Obsession of Art, Holland 2010 „Transparent Flowers" Giv'at Ha'im Ihud Gallery, Curator: Hanush Morag 2008 „Becoming" Bernard Gallery Tel-Aviv, Curator: Maya Moor, accompanied by catalog 2007 Wohl Centre, Bar- Ilan University, Curator: Guy Olami 2006 „Christine Decuyper" Gallery, Brussels 2005 „Echo" Bernard Gallery, Tel-Aviv, Curator: Maya Moor

Group Exhibitions

2020 „Corona Time" Art Gallery Gan Shmuel, Curator:Adi Yekutieli 2019 „Fresh Paint 2019" 2018 „I to eye" The Israel Museum, Jerusalem. Curator: Shir Meller-Yamaguchi. 2017 „BP portrait award 2017" National Portrait Gallery, London „Summer arrivels" The Obsession of Art Gallery, Holland. „Summer Exhibition" Zemack Gallery, Curator : Anat Bar-Noi. 2016 „Art 16" London, by Rothschild Gallery „Arti" Tiroche Auction House, by Rothschild Gallery „Art on Craft" Tel-Aviv. Curator: Esti Drori, Doron Polak. „Papers of value", Curator: Liza Gershuni, Liza Gershuni gallery 2015 „Women Of the Book" The first station, Jerusalem, Curator: Shoshana Gugenheim , Dr Ronit Steinberg, Judith Margolis 2015 „Salon Hacubia" Hacubia Jerusalem, Curator: Ela Cohen, Dan Orimian 2014 „They paint flowers" Art salon Jaffa , Curator: Amit kabesa 2013 „Fresh paint 6" Art Festival, Tel-Aviv, Zemach Gallery „Joy of life" The obsession of art gallery, Holland. 2012 „2012" Zemack gallery, Tel-Aviv, Curator : Ktzia Alon „La Prabola leri oggi domani" The museum of Israely art Ramat-Gan, Curator : Carmine Siniscalo „Summer exhibition" Zemack Gallery, Tel-Aviv „Fresh paint 5" Art festival, Tel-Aviv, Zemack gallery. 2011 „Two Hopes away", Museum Lehi, Tel-Aviv, Curator: Revital Silverman Grun „A Season in Heaven" Florentin Gallery, Tel-Aviv, Curator: Irena Gordon & Gilat Nadivi „Ee Mahut" Gerstein gallery Tel-Aviv. Curator Nurit TaL-Tenne. 2010 Salon d'art contemporain business art 2010 a' l'espace du Pierre Cardin

2009: "Childhood Stories”,. WhiteBox gallery, Munich.Germany Curator Yael Katz Ben Shalom "Manofim project" Jerusalem "Close Watch" Curator Irena Gordon & Boaz Noy "Tableau Vivant" Artist House Tel Aviv Curator Nir Haramat "Stories" Ein hod. Curator Naomi Hoss "Whispers of nature" The Obsession of Art Gallery, Holland "Self Examination" Hi-touch Gallery, Israel. Curator Dafna Naor "Primavera" Art Fair, Rotterdam, Holland 2008: "New passions" The Obsession of Art Gallery, Holland. 2007: "The Obsession of Art Gallery", Holland "Art Laren" Fair, Holland "Art fair" Maastricht, Holland "Primavera" Art fair, Rotterdam, Holland "Open Air" Art fair, Holland 2005: "Saint Augustine", Germany Sponsored by the "Kunstler" Gallery 2004: "Work in progress" Art space Gallery Jerusalem. "Abstraction", French cultural center, Romain Gary, Jerusalem 2003: "Mabat Meshulash" ,Jerusalem Theater 2001: "Omanut Yozert" Cultural center, Jerusalem

Johnson Tsang - Ceramic Art

Johnson Tsang - Ceramic Art
Born in Hong Kong in 1960, artist Johnson Tsang employs realist sculptural techniques accompanied by his incredible surrealist imagination. Tsang pushes the boundaries of the viewer’s imagination. In Tsang’s magical realism, he is able to see each object with a new soul and function and does not rest until he has finally extracted it. After being familiar with the world as it is seen through Tsang’s eyes, we step into a new creative hemisphere, he adds a sort of beauty and an unforgettable meaning to everyday objects, constantly reinvented in his anthropomorphic sculptures. He takes them to a whole new existential level in a surreal, fantastic and magical manner, one that invites us to dream. Tsang’s porcelains are provocative, they challenge us and they have an irreverent stance. His sculptures convey this sensation in which they seem to be able to shape themselves and the metamorphic and anthropomorphic character is yet again displayed with full intensity in which the energy and movement are almost always present. They make us step into their inner and sensorial world, takes us to their passiveness and inner silence. A frequent feeling of pain, oppression or being crushed is also evident. In the series of babies Tsang depicts a playful world that is intensively fun and cartoonish, in which the babies’ big faces underline their traits and emotions. The babies show an evident disbelief towards the world and the beings around them, as if they aren’t able to see themselves abiding by this world’s laws. Creativity never ends, Tsang has a surrealist imagination which never becomes complacent, developing instead new techniques which give us innovative and unexpected approaches at all times.

Artist:
Johnson Tsang

Ceramic Art

Born in Hong Kong in 1960, artist Johnson Tsang employs realist sculptural techniques accompanied by his incredible surrealist imagination. Tsang pushes the boundaries of the viewer’s imagination. In Tsang’s magical realism, he is able to see each object with a new soul and function and does not rest until he has finally extracted it. After being familiar with the world as it is seen through Tsang’s eyes, we step into a new creative hemisphere, he adds a sort of beauty and an unforgettable meaning to everyday objects, constantly reinvented in his anthropomorphic sculptures. He takes them to a whole new existential level in a surreal, fantastic and magical manner, one that invites us to dream. Tsang’s porcelains are provocative, they challenge us and they have an irreverent stance. His sculptures convey this sensation in which they seem to be able to shape themselves and the metamorphic and anthropomorphic character is yet again displayed with full intensity in which the energy and movement are almost always present. They make us step into their inner and sensorial world, takes us to their passiveness and inner silence. A frequent feeling of pain, oppression or being crushed is also evident. In the series of babies Tsang depicts a playful world that is intensively fun and cartoonish, in which the babies’ big faces underline their traits and emotions. The babies show an evident disbelief towards the world and the beings around them, as if they aren’t able to see themselves abiding by this world’s laws. Creativity never ends, Tsang has a surrealist imagination which never becomes complacent, developing instead new techniques which give us innovative and unexpected approaches at all times.

Philippe Bluzot - Appearances

Philippe Bluzot - Appearances
His paintings are unsettling due to its reality, they flirt around with photographic illusion, without actually being hyper-realist. Especially since the painter offers a mirror of our life or a life that one is determined to conceal (death, life in the street...). Ordinary or even banal scenes are gilded in a sensitive manner. The artist says "It's about re-constructing a sensitive space, where the hand's role, usage of pigments, composition, values, quest for materials are all important questions, just like investigating appearances of the world in which we are immersed. I rub against this reality and try to reveal or trigger a presence due to visual power, in order to titillate the look".

Artist:
Philippe Bluzot

Philippe Bluzot was born in 1959 in Montluçon (Allier). The artist draws inspiration from Vermeer, Chardin, Balthus or even Rothko to depict everyday life. In 1981, Philippe Bluzot made a contribution to the « Poudre d’or » association with Jérôme Mesnager, one of the first street painters. They share this passion to highlight forgotten beings. His paintings are unsettling due to its reality, they flirt around with photographic illusion, without actually being hyper-realist. Especially since the painter offers a mirror of our life or a life that one is determined to conceal (death, life in the street...). Ordinary or even banal scenes are gilded in a sensitive manner. The artist says "It's about re-constructing a sensitive space, where the hand's role, usage of pigments, composition, values, quest for materials are all important questions, just like investigating appearances of the world in which we are immersed. I rub against this reality and try to reveal or trigger a presence due to visual power, in order to titillate the look".

Mes Voyages by Niloufar Banisadr - Artist Biography

Mes Voyages by Niloufar Banisadr - Artist Biography
-------------------------------- Niloufar Banisadr was born in 1973, in Tehran, where she grew up and trained herself in the art of photography. She had just turned 30 when she decided, in 2003, to settle in France in order to polish her craft. First in Strasbourg then in Paris a few years later, she worked in earnest to expand her palette and broaden a catalogue of photographs which were exhibited in Dubai, Istanbul, Arles and the City of Light. After being granted French citizenship, and while enjoying a growing reputation in the world of photography and contemporary art, Niloufar contributed, in 2013, to the foundation of the Parisian Gallery 55Bellechasse, which, for its inauguration, organized a successful retrospective exhibition of her work. The œuvre Niloufar Banisadr has been creating for more than 20 years strings together series which are sometimes abstract, often representational, but always preoccupied with a certain idea of womanhood. When she is asked about her artistic approach, usually seen as politically committed and controversial, Niloufar replies that it ought to be interpreted as an introspective and reflective work on what being a woman today signifies and entails, a work she mostly fulfils in a narrative and illustrative mode. Closely listening to the stirrings of her own body as well as to those of the women of her generation, both in the East and in the West, the Franco-Iranian artist has often represented herself in her works, either as self-portraits or as dreamlike figures. Having been fascinated, since her very beginnings, by the “clash of cultures” in her native land, Niloufar Banisadr is today internationally renowned and exhibits in a growing number of museums and galleries, notably Basel, Miami, New York and Paris--------------------------------

"Mes Voyages" artist's statement
-------------------------------- Niloufar Banisadr has here chosen to systematically superimpose her own portrait, where she appears as an iconic representation of her native culture, on photographs of places, artworks and objects which have inspired her in the course of her mostly European peregrinations. The artist acknowledges that this series probably reveals, on her part, a form of parapraxis: the uprooted, expatriated individual seeking a new sense of belonging without going as far as disavowing her own origins.

Artist:
Niloufar BANISADR

PHOTOGRAPH

Niloufar lives and works in Paris her works can be seen 55Bellechasse - Paris7 as well as in few partner galleries, museums and private institutions

Charlotte Baston - Série Art'd'Corps / Art'd'Corps series

Charlotte Baston - Série Art'd'Corps / Art'd'Corps series
Série de dessins et tableaux aux accents bruts, corps d'hommes et de femmes en prise avec un vivant tumultueux, fort et fragile, violent parfois, corps d'êtres à la sensibilité extrême dans toute leur présence éclatante. Series of drawings and paintings with raw accents, bodies of men and women in contact with a tumultuous, strong and fragile, sometimes violent life, bodies of beings with extreme sensitivity in all their dazzling presence.

Série L'Encore des Corps / L'Encore de Corps series
Série de dessins mais surtout de tableaux où les corps viennent parler une langue frêle, puissante et douce, corps sans visages, paroles de peaux, de bras, d'épaules et de cœur à cœur, l'envie de toucher, ces êtres aux tons terreux et aux textures passées. Series of drawings but above all of paintings where the bodies come to speak a frail, powerful and soft language, bodies without faces, words of skin, arms, shoulders and heart to heart, the desire to touch, these beings in tones earthy and faded textures.

Artist:
Charlotte Baston

L'Encore des Corps

Née en 1977 à Lecco en Italie, Charlotte Baston est très tôt formée à la musique et à la danse, deux arts qu'elle a ensuite longuement pratiqués professionnellement. C'est en 2015 qu'elle débute la peinture de façon autodidacte, art auquel elle consacre tout son temps depuis. "Je travaille avant tout les matières, c'est le commencement de toutes mes œuvres, un essentiel pour moi, le lieu de tous les possibles, et nouveau à chaque fois, où le support lui-même est à réinventer. De ce monde travaillé, vieilli, usé, il semblerait qu'il se cache toujours des corps, j'entrevois leurs formes, et je ne fais que les laisser émerger... Ainsi corps et matière ne font qu'un, un mur, une roche, une fresque... en vérité je ne sais pas, mais ils existent" Le corps est au centre de l'oeuvre de Charlotte Baston, source inépuisable d'inspiration, corps qui dépeignent à merveille, les nuits et les jours des hommes depuis toujours.

Lara Zankoul Photography

Lara Zankoul Photography
Lara Zankoul, is an interdisciplinary artist based in Beirut, Lebanon. Her work captures everyday human behavior and issues that occur within society through photographic media. The aim is to invite the viewers to come up with their own interpretation and understanding of the photographs and the stories behind them. Her signature work not only stands out in its conceptual identity, but also in its timelessness. As a self-taught photographer, Zankoul’s work is heavily based on experimentation and world building within her photographs in order to create moments and craft them rather than just document them. She has been featured in a number of exhibitions: locally, in group and solo exhibitions in Ayyam Gallery and Art Lounge, Beirut. On an international scale, she has been showcased in the Guy Hepner Gallery in New York and HEIST Gallery in London.

Artist:
Lara Zankoul

Exhibitions

Solo Exhibition, «As cold as a white stone», Ayyam Gallery, Beirut, January 2017 Solo Exhibition, «As cold as a white stone», Ayyam Gallery, Dubai, September 2016 Group exhibition, «ArtxDesign», Gyu Hepner Gallery, Broadway, New York, June 2016 Group exhibition, «Beirut Photo Fair», ARTHEUM, Beirut, Lebanon, October 2015 Group exhibition, «Beirut Art Fair», Heritage of Emotions, “Work in Progress” and Nikki Diana Marquardt, Beirut, Lebanon, September 2015 Auction, Young Collector’s Auction, Ayyam Gallery, Dubai, 10 February 2015 Group exhibition, «The Road To Elysium», HEIST Gallery, London, November 2014 Solo Exhibition, «The Unseen», Ayyam Gallery, Beirut, February 2014 Group exhibition, «Festival Photomed Edition 3», Beirut, Janurary 2014 Auction, Young Collector’s Auction #18, Ayyam Gallery, Dubai January 2014 Group exhibition,«Festival Photomed Edition 3», Sanary-Sur-Mer 2013 Auction, «Modern and Contemporary Arab, Iranian and Turkish Art Part II» , Christie’s, April 2013 Solo Exhibition «Depths», Ayyam Gallery, Beirut, 2013 Auction, Young Collector’s Auction #14, Ayyam Gallery, Dubai 2012 Auction, Young Collector’s Auction #13, Ayyam Gallery, Dubai 2012 Auction, Young Collector’s Auction #12, Ayyam Gallery, Dubai 2012 (made the cover’s catalogue) Group exhibition and competition «Shabab Ayyam Photography», Dubai 2011 (Award recipient) Group exhibition «Woman in Contemporary Art», Art Lounge, Beirut 2011 Group Exhibition «Through Our Lenses», Solar Hotel , Paris 2011 Solo Exhibition «Synopsis», VAPA Association, Beirut 2011

Thomas Ruckstuhl

Thomas Ruckstuhl
Thomas Ruckstuhl was born in 1969 in Mannheim, Germany. In regular art classes at high school his little paintings received quite some attention and many compliments. This kind of work felt so effortless to him that he could hardly understand and acknowledge the great feedback. He never considered art as a hobby, not to speak of a potential profession. Ruckstuhl studied physics and received his PhD degree in 1999. With his work in research in the area of optical microscopy he felt increasingly unfulfilled which culminated in an identity crises in early 2012. This crisis, however, offered him a great opportunity. Finally he took the time to think what he really wanted in his life. It did not take one week from the first idea of becoming a fine art painter to his decision. "The sudden new prospects of seeing myself as an artist in the future was the greatest sensation of my life". It was mainly his structured way of scientific thinking that lead him into the next period: systematically learning about art and how to paint. In June 2012 he bought his first set of oil paints and signed into the Virtual Art Academy, a four year apprentice online program by Barry John Raybould. Ruckstuhl worked himself through the program and also studied under Barry's instruction in the Tuscany.
"I can't stress enough how much Barry Raybould has helped me to become a professional painter and how thankful I am to him". Ruckstuhl has direct and loose style in capturing his perceiption on canvas. Using few economical brushstrokes he suggests the form of his observations instead of painting objects smoothly and with much detail. "I like to invite the viewer onto a journey. The eyes should not just travel across the painting to discover what is there but I ask the viewer to look at my paintings at close and then gradually step back. The abstract color pattern of the brushmarks will step by step fuse into a realistic picture of the scene. I think this change of perspective passes on my perceiption best, along with my joy at finding the beauty in ordinary things."

Artist:
Thomas Ruckstuhl

Thomas Ruckstuhl was born in 1969 in Mannheim, Germany. In regular art classes at high school his little paintings received quite some attention and many compliments. This kind of work felt so effortless to him that he could hardly understand and acknowledge the great feedback. He never considered art as a hobby, not to speak of a potential profession. Ruckstuhl studied physics and received his PhD degree in 1999. With his work in research in the area of optical microscopy he felt increasingly unfulfilled which culminated in an identity crises in early 2012. This crisis, however, offered him a great opportunity. Finally he took the time to think what he really wanted in his life. It did not take one week from the first idea of becoming a fine art painter to his decision. "The sudden new prospects of seeing myself as an artist in the future was the greatest sensation of my life". It was mainly his structured way of scientific thinking that lead him into the next period: systematically learning about art and how to paint. In June 2012 he bought his first set of oil paints and signed into the Virtual Art Academy, a four year apprentice online program by Barry John Raybould. Ruckstuhl worked himself through the program and also studied under Barry's instruction in the Tuscany.

"I can't stress enough how much Barry Raybould has helped me to become a professional painter and how thankful I am to him". Ruckstuhl has direct and loose style in capturing his perceiption on canvas. Using few economical brushstrokes he suggests the form of his observations instead of painting objects smoothly and with much detail. "I like to invite the viewer onto a journey. The eyes should not just travel across the painting to discover what is there but I ask the viewer to look at my paintings at close and then gradually step back. The abstract color pattern of the brushmarks will step by step fuse into a realistic picture of the scene. I think this change of perspective passes on my perceiption best, along with my joy at finding the beauty in ordinary things."

Warwick Fuller

Warwick Fuller
“You can read ad infinitum of the landscape painter trying to “paint his feelings”, “capture the light”, “render the mood of a scene”. There is nothing particularly new or unique in this ideology, developed in part through a natural progression of a very strong landscape tradition in Australia. It is sad to see these expressions misused, abused and over used to the point of becoming almost meaningless with insincerity. Those statements are though, I believe, some of the more important aims and ideals at the core of the genuine landscape painter’s psyche. I, like others, do search for a means of expressing these qualities! I know for me these are genuine and worthy goals. In this, there is a dilemma I feel will test me. It has been a long held opinion of mine that too often the work of the traditional landscape painter has been seen in an over-familiar sort of way. That is, known objects in the picture being seen superficially and assessed according to a preconceived understanding of those objects. How do I express my vision of the subject unambiguously. It’s not a technical thing as for example, in composition. It’s far more elusive than that. I am doubting more often whether the direction I am taking can adequately reveal, for example, the thrill of gazing at the last rays of sunlight in the tree tops. I can paint something of what it looks like but I am trying to paint how I feel! I want my pictures to sing the songs I sang when I painted them. My hope is that if I can paint with the joy of that moment, something of my emotional responses to the moment will shine through.” Warwick Fuller

Artist:
Warwick Fuller

Plein air painter Career spanning over 35 years Fellow of the Royal Art Society of NSW Paintings hung in private, corporate and institutional collections in Australia and overseas Represented in prominent galleries in Sydney, Blue Mountains and London Numerous awards and over 60 one-man exhibitions Occasional art judge, adviser and teacher Lives in Little Hartley, west of the Blue Mountains, NSW.

“You can read ad infinitum of the landscape painter trying to “paint his feelings”, “capture the light”, “render the mood of a scene”. There is nothing particularly new or unique in this ideology, developed in part through a natural progression of a very strong landscape tradition in Australia. It is sad to see these expressions misused, abused and over used to the point of becoming almost meaningless with insincerity. Those statements are though, I believe, some of the more important aims and ideals at the core of the genuine landscape painter’s psyche. I, like others, do search for a means of expressing these qualities! I know for me these are genuine and worthy goals. In this, there is a dilemma I feel will test me. It has been a long held opinion of mine that too often the work of the traditional landscape painter has been seen in an over-familiar sort of way. That is, known objects in the picture being seen superficially and assessed according to a preconceived understanding of those objects. How do I express my vision of the subject unambiguously. It’s not a technical thing as for example, in composition. It’s far more elusive than that. I am doubting more often whether the direction I am taking can adequately reveal, for example, the thrill of gazing at the last rays of sunlight in the tree tops. I can paint something of what it looks like but I am trying to paint how I feel! I want my pictures to sing the songs I sang when I painted them. My hope is that if I can paint with the joy of that moment, something of my emotional responses to the moment will shine through.” Warwick Fuller

Sasha Hartslief

Sasha Hartslief
Hartslief's experimentation with chiaroscuro techniques derives inspiration from the works by 17th century Baroque masters such as Rembrandt who, through the buildup of impasto paint, evoked light and shadow in his portraits as a psychological device, similar to the way in which stage-lighting functions in the theatre. Often seeming to be lit from below, the expressive shading in Hartslief's portraits tends to converge around the facial hollows, giving the paintings a spatial as well as emotional depth. The eyes of the women in her portraits, in particular, seem inwardly focused.

Artist:
Sasha Hartslief

Sasha Hartslief was born in 1974 in Gauteng. At the age of seventeen, she came to Cape Town to study English and Philosophy at UCT. Passionate about drawing from an early age, she is largely self-taught, closely observing other artists and avidly reading up on technique. Hartslief had always been passionate about drawing, but the desire to become an artist only crystallized into a decision in 1995, when she enrolled at Cape College under the tutelage of Elizabeth Gunter. Her subjects are often viewed from a philosophical, deeply personal perspective, resulting in striking works that are emotionally charged, pensive in mood and considered in composition. Her subtle investigations into the human condition via the underbelly of Cape Town life somehow strike a chord with us. "I defer to the classical Masters for inspiration," says Sasha Hartslief, who admits to placing images painted by the 19th century American Impressionist, John Singer Sargent, next to her easel while she paints. Her muses include the 19th century neo-classicist, Jean-Auguste-Dominique Ingres, whose draughtsmanship and linear dexterity provide formal inspiration for her works. But Hartslief's brushstrokes are more diffuse than the precise, stylized techniques of the neo-classicists. Like the 19th century French Impressionists, she uses brushstrokes to evoke the transience of light, colour and movement. And like her Renaissance and Impressionist forebears, she employs everyday visual devices to explore the way in which atmospheric light and tonal modulations inform a surface, and to evoke atmospheres fraught with symbolic subtexts. But the transience of the captured moment is counterbalanced by the disciplined rigour of Hartslief's technique and painterly process. She admits to being "obsessively skills-driven and consumed" by her work. Each image becomes a formal study in light, contour and line. Hartslief's experimentation with chiaroscuro techniques derives inspiration from the works by 17th century Baroque masters such as Rembrandt who, through the buildup of impasto paint, evoked light and shadow in his portraits as a psychological device, similar to the way in which stage-lighting functions in the theatre. Often seeming to be lit from below, the expressive shading in Hartslief's portraits tends to converge around the facial hollows, giving the paintings a spatial as well as emotional depth. The eyes of the women in her portraits, in particular, seem inwardly focused. Since 1999, Hartslief has exhibited regularly at the Everard Read Gallery, Cape Town, including several solo exhibitions. She continues to attract a broad collector base from around the world and is clearly one of South Africa’s most exciting young talents.

SELECTED SOLO EXHIBITIONS

2018 Interiors, Everard Read, Cape Town, South Africa Aura, Everard Read, London, UK 2016 Sasha Hartslief: New Works, Everard Read, Cape Town, South Africa 2013 Hartslief New Works, Everard Read, Johannesburg, South Africa 2012 Sasha Hartslief, Everard Read, Cape Town, South Africa Solo Exhibition, Rosendahl, Thöne & Westphal, Berlin, Germany 2011 Recent Works, Everard Read, Cape Town 2009 Sasha Hartslief : New Works, Everard Read, Cape Town 2007 Solo Exhibition, Everard Read, Cape Town

SELECTED GROUP EXHIBITIONS

2017 People & Portaiture, Everard Read CIRCA Gallery, Cape Town, South Africa 2016 Nocturne, Everard Read Gallery, Cape Town, South Africa 2015 Summer in the City, Everard Read Gallery, Cape Town, South Africa Homage , Everard Read Gallery, Cape Town, South Africa WINTER, Everard Read Gallery, Cape Town, South Africa EMPIRE, Everard Read Gallery, Cape Town, South Africa 2014 Summer Season Part I, Everard Read Gallery, Cape Town, South Africa Winter, Everard Read Gallery, Cape Town, South Africa 2013 100, Everard Read, Cape Town, South Africa

Exhibition of Frédéric Blaimont

Exhibition of Frédéric Blaimont
With a fabulous technique, a mixture of accomplished dexterity and the clever exploitation of the weft of the canvas, the bristles of the paintbrush or the brush, the ambient light, defying all the laws of composition, he invents balances tightrope walkers, always on the verge of breakage and ideal stability. Through his characters, Fréderic Blaimont translates real life in a tender yet uncompromising manner. What one notices, at first sight, is the banality of his subjects. Something unusual happens, the solitude of his characters is particularly present. His painting is a mixture of benevolence and wickedness. Sometimes unpleasant with his characters he nonetheless paints them with gentleness and attention. Ordinary passers-by, anonymous, transparent like the air we breathe, are pretexts to seize the chatter of these tiny heroes. If we listen, they tell us their past, their hopes, and their fears, one may recognize some of them.

Artist's Statement
The truth is found in observation. I am curious about my contemporaries, people in their everyday life. I like to watch their attitudes without complacency; I like their faults. Their imperfections are sympathetic to me, their authenticity makes them touching, moving, endearing, close to us. I try to reproduce in my paintings these characteristics and the feelings they arouse in me. And it is with great sincerity that I would like, through my painting, to share with you my interest and my look for these transparent anonymous and so common.
Moving, natural, captured by a lucid unforgiving vision, these portraits represent an image of society that the artist brushes with benevolence. –Luis Porquet / Journalist and art critic

Artist:
Frédéric Blaimont

Frédéric Blaimont is a brilliant portrait painter. With a fabulous technique, a mixture of accomplished dexterity and the clever exploitation of the weft of the canvas, the bristles of the paintbrush, ambient light, defying all the laws of composition, he invents balances tightrope walkers, always on the verge of breakage and ideal stability. Living in South West France, Blaimont exhibits mainly in galleries in France and Europe. He was distinguished by the magazine “Miroir de l’Art” as one of the 100 leading artists followed by gallery owners, collectors and art lovers. In 2017, he received the Renée Bernard Award from the Taylor Paris Foundation.

Distinctions & training

• Distinguished by the magazines "Mirror of Art" and "Aesthetica" as part of the 100 contemporary artists of the future. • Laureate "Renée Bernard Award" from the Taylor Foundation (2017) • Nominated in the Luxembourg Art Prize (2015) by Galerie Hervé Lancelin • Grand Prix at the Salon des Artistes Méridionaux (2008) Education • School of Graphic Arts (Kunstgewerbeschule) - Basel - Switzerland • National School of Decorative Arts - Paris • Massier at the Met de Penninghen workshop - Paris • CAP as a painter - Meaux

Personal exhibitions

2019 • Airial gallery - Mimizan • The blue donkey gallery - Marciac 2018 • Galerie Art du temps Luxart in collaboration with Delem Private Bank Arlon - Belgium • Galerie De l'Ancien Courrier - Montpellier 2017 • Galerie Courcelles Contemporary Art - Paris • Art Gallery of Time - Cleon of Andran - Drôme 2016 • Gallery Of The Old Courier - Montpellier • Galerie Duchoze - Rouen 2015 • Center of Contemporary Art - Mont-de-Marsan 2014 • Sakah Gallery - Toulouse 2013 • Anagama Gallery - Versailles 2012 • Sparts Gallery - Paris 2010 • Gallery "of all colors" - Saint-Clar • Yves Callet-Molin Gallery - Vevey - Switzerland 2009 • "Nothing" Gallery Aix en Provence • Roger Betti Gallery - Toulouse 2008 • The Blue Donkey Gallery - Marciac

Collective exhibitions

2019 • Galerie L'Angélus New Art - Barbizon • Anagama Gallery - Versailles • Art Gallery of Time - Cleon of Andran - Drôme • Gallery of the Ancient Courier - Montpellier • Biennale of Contemporary Art André Malraux Cultural Center - Le Pecq • Salon Comparison - Grand Palais - Paris • Passage to Art - Cherbourg 2018 • Salon Art Up - Castle Gallery - Lille • Salon Saint Sever de Rustan - Guest of Honor • Salon Comparison - Grand Palais - Paris • The 111 arts - Toulouse 2017 • Salon Comparison - Grand Palais - Paris • The 111 Arts - Toulouse • Art Up Salon - Duchoze Gallery - Rouen • Salon de la Figuration Critique - Paris • Taylor Foundation - Paris Winner "Renée Bernard Prize" 2016 • Salon de la Figuration critique - Paris • International Fair of Contemporary Art in Pouilly smoked • Salon Art Karlsruhe - Roy Sfeir Gallery - Germany • Art Up Salon - Nicole Evin Gallery - Lille 2015 • Macparis Salon - Paris • Hervé Lancelin Gallery nominated in Luxembourg Art Prize 2015 - Luxembourg 2011 • Lacroix Gallery - Quebec - Canada • Pont Neuf Gallery - Paris 2010 • Roger Betti Gallery - Toulouse 2009 • Salon of Southern Artists - Toulouse 2008 • Salon des Artistes Méridionaux - Grand Prix - Toulouse • Galerie L'Etang d'Art - Bages - France 2007 • Espace Saint-Nazaire - Sanary-sur-Mer

Lorena Kloosterboer

Lorena Kloosterboer
Lorena Kloosterboer is a Dutch-Argentine artist (the Netherlands, 1962) painting contemporary realist still lifes. She seeks to capture the fascinating interactions between colors, light, shadows, textures and reflections, and unite them in visual poetry. During Kloosterboer’s thirty+ year career her artwork has received many prestigious awards, and has been exhibited in well over 150 gallery and museum exhibitions in Argentina, Belgium, Canada, Denmark, Estonia, France, Germany, Japan, the Netherlands, Spain, the United Kingdom, and the United States. Kloosterboer has written a book about painting in acrylics which has been published worldwide in several languages. She also writes essays about art and artists, catalog introductions, and has undertaken several curatorial projects. All her articles can be found on her website under Art Blog. Lorena Kloosterboer currently lives and works in Antwerp, Belgium.

Artist:
Lorena Kloosterboer

Lorena Kloosterboer is a Dutch-Argentine artist (the Netherlands, 1962) painting contemporary realist still lifes. She seeks to capture the fascinating interactions between colors, light, shadows, textures and reflections, and unite them in visual poetry. During Kloosterboer’s thirty+ year career her artwork has received many prestigious awards, and has been exhibited in well over 150 gallery and museum exhibitions in Argentina, Belgium, Canada, Denmark, Estonia, France, Germany, Japan, the Netherlands, Spain, the United Kingdom, and the United States. Kloosterboer has written a book about painting in acrylics which has been published worldwide in several languages. She also writes essays about art and artists, catalog introductions, and has undertaken several curatorial projects. All her articles can be found on her website under Art Blog. Lorena Kloosterboer currently lives and works in Antwerp, Belgium.

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