Anne-Christine Roda

Anne-Christine Roda
I define a highly original interpretation of the portrait: in my work the painting is entirely subjugated to the portrayal of man’s fragility. My paintings, in terms of the choice of pose for my models and the neutral treatment of their backgrounds are as rooted in tradition, as my subjects are sourced unequivocally from our contemporary era. My choice of subject speaks directly to our everyday lives. My ‘sitters’ – very diverse in age and social status are striking in their individuality. Yet going beyond the individual, their very diversity represents disparate fragments of a mosaic combining to reveal an image of humanity pulsating with life. Through this shared humanity each portrait has the power to evoke in an instant for the viewer, the most personal of memories. Thanks to my training as a picture restorer, I, with each meticulously applied layer of paint gradually reveals my sitters face in all its naked intimacy. The features emerge with precision and realism. The gentle hollow of a fine wrinkle, the texture of a strand of hair or even the moisture of a glistening eye: it’s in this quest for exactitude and fidelity to my subject that the individual is revealed in all its sensitivity. It was the dawn of photography amongst other things that heralded the decline of the painted portrait and yet it is from a photograph that I work, ultimate proof that while digging deep into the traditions of my art form I distance myself from this very tradition in seeking a naked rawness in my representations. Since 2013, I have exhibited in Galleries (France, Geneva, Munich), Art Centres (in France), Art Fairs (Paris, Strasbourg, Monaco) and Museums (National Portrait Gallery in London and Edinburgh, Ulster Museum in Belfast, Meam in Barcelona, Wausau Museum in Wmoca). In 2015, I participated to the BP Portrait Award. My paintings are part of collections in France, Switzerland, Germany, UK, United States, Hong Kong...

Artist:
Anne-Christine RODA

I define a highly original interpretation of the portrait: in my work the painting is entirely subjugated to the portrayal of man’s fragility. My paintings, in terms of the choice of pose for my models and the neutral treatment of their backgrounds are as rooted in tradition, as my subjects are sourced unequivocally from our contemporary era. My choice of subject speaks directly to our everyday lives. My ‘sitters’ – very diverse in age and social status are striking in their individuality. Yet going beyond the individual, their very diversity represents disparate fragments of a mosaic combining to reveal an image of humanity pulsating with life. Through this shared humanity each portrait has the power to evoke in an instant for the viewer, the most personal of memories. Thanks to my training as a picture restorer, I, with each meticulously applied layer of paint gradually reveals my sitters face in all its naked intimacy. The features emerge with precision and realism. The gentle hollow of a fine wrinkle, the texture of a strand of hair or even the moisture of a glistening eye: it’s in this quest for exactitude and fidelity to my subject that the individual is revealed in all its sensitivity. It was the dawn of photography amongst other things that heralded the decline of the painted portrait and yet it is from a photograph that I work, ultimate proof that while digging deep into the traditions of my art form I distance myself from this very tradition in seeking a naked rawness in my representations. Since 2013, I have exhibited in Galleries (France, Geneva, Munich), Art Centres (in France), Art Fairs (Paris, Strasbourg, Monaco) and Museums (National Portrait Gallery in London and Edinburgh, Ulster Museum in Belfast, Meam in Barcelona, Wausau Museum in Wmoca). In 2015, I participated to the BP Portrait Award. My paintings are part of collections in France, Switzerland, Germany, UK, United States, Hong Kong...

Veronika Lobareva

Veronika Lobareva
Veronika Lobareva was born in 1969 in the city of Angarsk, Irkutsk region. She studied at the Irkutsk Art College at the department of easel painting. Since 1996 - a free artist. Her main areas of creativity are impressionism and realism. Member of the Union of Artists of Russia and the National Union of Pastels of Russia. Lives and works in Irkutsk. Permanent participant of Russian and foreign exhibitions.

Artist:
Veronika Lobareva

Veronika Lobareva. (1969) She studied at the Irkutsk Art College. Since 1996 - freelance artist. Since 2010 - Member of the Union of Artists of Russia. Since 2021 - Member of the National Union of Pastels of Russia. Lives and works in Russia (Irkutsk - St. Petersburg - Kaliningrad) Her main areas of creativity are impressionism and realism. She mainly paints in oils in the genre of urban landscape and still life. Permanent participant of Russian and foreign exhibitions. Her works are in private collections in Russia, Germany, America, France, China, etc.

Exhibitions

1996 - Personal exhibition, "SibExpoCentre" (Irkutsk) 1997 - Youth exhibition "Third Eye" (Irkutsk) Regional Art Museum (Irkutsk) 1999 - Exhibition of the gallery "Palette" (Irkutsk) 2000 - Exhibition of the gallery "Palette" (Irkutsk) 2000 - Exhibition of the gallery "Palette" (Irkutsk) 2001 - Exhibition of the gallery "Palette" (Irkutsk) 2002 - Exhibition of the gallery "Palette" (Irkutsk) 2003 - Youth exhibition "Results on the way" (Irkutsk) Regional Art Museum (Irkutsk) 2004 - Personal exhibition in the gallery "Palette" (Irkutsk) 2004 - Traveling exhibition, France with the assistance of the gallery "SibArt" 2004 - Exhibition of Russian artists (Carcassonne, France) 2005 - Exhibition of Russian artists (Carcassonne, France) 2005 - Personal exhibition "petite France" (Irkutsk) - gallery "SibArt" 2005 - Traveling exhibition, France with the assistance of the gallery "SibArt" 2007 - Personal exhibition in the gallery "Planetarium" (Irkutsk) 2007 - Personal exhibition "Invitation to travel" House-Museum of Rogal (Irkutsk) 2007 - Exhibition of Irkutsk artists (Manchuria, China) 2008 - "Salon-TSDH-2008" (Moscow) 2008 - Exhibition of Irkutsk artists within the V Baikal Economic Forum (Irkutsk) 2008 - Exhibition "Artesania", Maly Manege, (Moscow) 2008 - Exhibition of Russian artists (Beijing, China) 2008 - Exhibition of Russian artists (Changchun, China) 2008 - Exhibition of Irkutsk artists, (Angarsk, Irkutsk region) 2009 - Exhibition of Russian artists (Beijing, China) 2010 - Exhibition of Russian artists (Beijing, China) 2010 - Personal exhibition (gallery "DiaS"), Bank "Opening", (Irkutsk) 2010 - 21 International Art Society (Irkutsk) 2010 - Exhibition of Irkutsk artists ("DiaS" gallery) Legislative Assembly of the Irkutsk Region (Irkutsk) 2010 - Exhibition of Irkutsk artists ("DiaS" gallery) Regional Administration (Irkutsk)

2011 - Exhibition of Irkutsk artists (gallery "DiaS") Regional Administration (Irkutsk) 2012 - Exhibition of Irkutsk artists (gallery "DiaS") Irkutsk community (Moscow) 2013 - Art Beijing 2013 - Beijing ("DiaS" gallery) 2013 - Art China 2013 - Beijing ("DiaS" gallery) 2013 - Art Canton 2013 - Guangzhou ("DiaS" gallery) 2014 – Art Basel 2014 (gallery "DiaS") 2014 - Exhibition of Irkutsk artists (Russian Cultural Center, Beijing) 2014 - Exhibition "Paints of Olkhon" in the gallery "DiaS" (Irkutsk) 2014 - Exhibition "Neformat" (Irkutsk Regional Art Museum) 2009-2022 - participation in general exhibitions of the gallery "DiaS" (Irkutsk) 2018 - Personal exhibition in the gallery "DiaS" (Irkutsk) 2020 - Personal exhibition in the gallery "DiaS" (Irkutsk) 2021 - Exhibition "Intersections" (NSP, Moscow - 1st place) 2021 - Exhibition "City by the Sea" (SH, St. Petersburg) 2022 - Exhibition "On the sunny side" (SH, St. Petersburg) 2022 - Exhibition "The route is rebuilt" (NSP, Moscow) 2022 - Summer Exhibition (NSP, Moscow - Grand Prix)

Jacques Bodin high resolution painting

Jacques Bodin high resolution painting
Jacques Bodin, painter, lives and works in Levallois Perret near Paris. He is one of the main representant of european hyperrealism. The paintings, are executed from his own photos modified with numeric tools. His paintings accentuate photographic deviations from reality (depth of field, wide angle, lighting, and focus anomalies) to create a hyperrealism reference. Subject matter includes extreme closeup views of exacting images cast in shadow through reflective lighting. The apparent hyperrealistic frontality of the foregrounds is compared with the diffuse aspect of the backgrounds in which we can see vanishing lines which break up the graphic organization of the canvas. His work explores diverse subject themes such as grass, fruits, hair, trees and vegetation and is organized in the manner in which he captures his subjects and depicts them with meticulous attention. Approaching minimalism, some of the works embark on a conceptual aspect of hyperreality. He has been in numerous gallery shows and his work has been featured in many books. He is represented by Plus One gallery in London. Research of perfection during execution contains itself a message. It is perhaps this passage of time which gives a metaphysical dimension to hyperrealism.

Rivoli Genève
The wander of giving the eye what it can’t see. - The frayed segments that protrude from the wound threads of a ball of string, the luminous transparency of the glass bottle that reflects, deformed, the architecture of the room and the brilliant, compelling colors of the fruit in the basket, the strands of tall, dry grass that decorate the back of a woman like a tattoo… With Jacques Bodin every feature is perfectly visible in a bracing sharpness, from the wrinkled but shiny peel of the oranges to their inner white spongy part, to the pulp of which we see the juice that raises it; from the transparent drops of dew worn by a stem of grass like a jewel, to the veins of ivy enveloping around a lying trunk, to a tuft of grass that the wind combs as if it were hair. The wander lies in giving the eye much more than it can see. As Picasso said, “realism is the impossible”. A mysterious, paradoxical phrase, explained by the literary critic Walter Siti. The world, the reality, is too vast and too complex to be dominated by our gaze. To succeed, the realistic painters divide it into small parts to study them in detail. If we want the precision of the detail, it is impossible to have the whole of the real. Looking at hyper - realistic works of art, many wonder what sense it has to realize them. We all, in fact, have more or less sophisticated technical tools to photograph the world and ourselves. It is a well - founded question.
Nowadays we do not choose a smart-phone for its basic technical property of calling and receiving calls, but for the additional features of taking high resolution photos and video pictures. Snapping photos has become a sort of nervous habit, a tic, a compulsive behavior. Our subjects are barely able to show our special look of the world around us. In a museum, for example, our biggest task is to take pictures of the paintings, installations and sculptures even when it is prohibited. Nevertheless the process of creating art proves to be unpredictable. One of the most exciting questions of contemporary art is to ask oneself if something has been photographed or hand painted. This fascinating doubt is the sign of a challenge between creation and reproduction. Realism is a technique to learn more about the world, not through mere imitation nor through the reproduction of things, but through their analytical remaking by our own hands. Bodin wants to be the soil that makes the grass grow, and the dew that quenches it in the morning. Cristina Muccioli Art critic, curator and lecturer

Artist:
Jacques Bodin

Jacques Bodin, painter, lives and works in Levallois Perret near Paris. He is one of the main representant of european hyperrealism. The paintings, are executed from his own photos modified with numeric tools. His paintings accentuate photographic deviations from reality (depth of field, wide angle, lighting, and focus anomalies) to create a hyperrealism reference. Subject matter includes extreme closeup views of exacting images cast in shadow through reflective lighting. The apparent hyperrealistic frontality of the foregrounds is compared with the diffuse aspect of the backgrounds in which we can see vanishing lines which break up the graphic organization of the canvas. His work explores diverse subject themes such as grass, fruits, hair, trees and vegetation and is organized in the manner in which he captures his subjects and depicts them with meticulous attention. Approaching minimalism, some of the works embark on a conceptual aspect of hyperreality. He has been in numerous gallery shows and his work has been featured in many books. He is represented by Plus One gallery in London. Research of perfection during execution contains itself a message. It is perhaps this passage of time which gives a metaphysical dimension to hyperrealism.

BIOGRAPHY

2023 Hyper 23, Musée Photobastei, Zurich Plus One gallery, London Galerie Le Cactus bleu, Reugny Eglise Saint Florentin, Amboise, Levallart, Levallois Perret, L’Hyperréalisme, Mairie de Levallois Perret 2022 Galerie Le Cactus bleu, Reugny Eglise Saint Florentin, Amboise Levallart, Levallois Perret 2021 Jacques Bodin, Peintures autour de Courçay, salle polyvalente Courçay 20x20, Arte Libre galeria Plus One gallery, London Levallart, Levallois Perret 2020 Transperceptions, Institut culturel bulgare Ceci n'est pas une photo, Hotel de Ville , Levallois Perret 20x20, Arte Libre galeria Algo mas que realismo, Zarragossa Plus One gallery, London Levallart, Levallois Perret 2019 20x20, Arte Libre galeria, Zarragosse 20x20, Arte Libre galeria,MEAM, Barcelone Algo mas que realismo, Zarragossa Plus One gallery, London Levallart, Levallois Perret 2018 Plus One gallery, Hyperrealism, Museo del tabac, Andorre State of the Arts gallery, Hong Kong Art fair State of the Arts gallery, Singapore Art fair Galerie atelier Saint Honoré, Hyperréalisme, Paris Réel abstrait, Eglise de la Madeleine, Paris Algo mas que realismo, Zarragossa Plus One gallery, London Levallart, Levallois Perret 2017 La nature abstraite de la réalité, Eglise de la Madeleine, Paris Algo mas que realismo, Zarragossa Plus One gallery, London Levallart, Levallois Perret 2016 Algo mas que realismo, Zarragossa Verité vraie, Le réalisme à travers la peinture contemporaine, Xun art gallery, Pékin, Shijiazhuang Plus One gallery, London State of the Arts gallery, Hong Kong Levallart, Levallois Perret 2015 Galerie Anna Tshopp, Marseille State of the Arts gallery, Hong Kong Plus One gallery, London Levallart, Levallois Perret 2014 State of the Arts gallery, Hong Kong Plus One gallery, London 2013 State of the Arts gallery, Hong Kong Galerie By the Arts, Paris 2012 State of the Arts gallery, Hong Kong 2011 Rarity gallery, Mykonos, Greece Silas Marder gallery, Bridgehampton, USA

2010 Galerie Anna Tschopp, Marseille, France 2009 Galerie Lebreton, Pont Aven, France 2006 Galerie Catherine et Andre Hug, Paris, France Galerie Suty, Coye La Forêt, France Galerie Whitfield, Mexico 2005 Galerie Catherine et Andre Hug, Paris, France Galerie Suty, Coye La Forêt, France Galerie Whitfield, Mexico 1997 Itinéraires Levallois Perret 1991 Espace Michel Simon, Noisy le Grand 1990 France Japon Tokyo Galerie Caplain Matignon, Paris 1988 Shémas Images Acropolis Nice 1987 Portes et portiques, Château de Sceaux 1984 Musée château de Nointel Les 92 du 92 Boulogne Billancourt 1983 Musée château de Nointel 1981 Octogone, Paris Mairie de Boulogne Billancourt 1980 Espace Cardin, Paris 1978 Espace Cardin, Paris 1996 à 2003 Salon d'Automne, Grand palais, Paris 1978 à 1995 Salon Comparaisons, Grand palais, Paris 1981 à 1995 Salon Figuration critique, Grand palais, Paris 1980 à 1982 Salon de Montrouge 1978 à 1990 Salon Grands et jeunes d'aujourd'hui, Grand palais, Paris

RECENT BIBLIOGRAPHY

Hyperrealism Magazine, june 2022 p.36-47 Je découvre l'Art Moderne, Editions Amalthée, may 2022 Hiperrrealism, Museo del Tabac, Andorra, 2018 Poets and Artists, Glorious color, june 2018 Hyperrealism Magazine, january 2018 Arte y Libertad XI, Arte Libre, november2017 Jacques Bodin, Didi Menendez, Poets and artists, july 2017 Vérité vraie, Le réalisme à travers la peinture contemporaine, Feng Liu éditeur, 2016 Arte y Libertad X, Arte Libre, november2016 Art's Vice, march 2016 Jacques Bodin Paintings, 2014, hyperrealism.net ed. Poets and Artists, february 2014 Splux, Japan, august 2012 Art croissance, septembre 2012 Arte y Libertad V, Arte Libre, 2011 Poets and Artists, february 2010 Public Art, january 2010 Nature art today, 2010, E. Patou ed. Dessins et Peintures, january 2010 Poets and Artists, december 2009 Jacques Bodin Paintings, 2009, hyperrealism.net ed. Peinture et photographie, J. L. Chalumeau, 2088

Troy  Brooks

Troy Brooks
Troy Brooks looks at the contradictions of artificiality through portraits of androgynous women captured at the height of their own private dramas. Presenting them spot-lit, Troy makes them appear almost like film stars, enhancing the suggestion of potent hidden narratives. In this way his women seem somehow prisoners of their own exuberance, beholden to their decadent impulses whilst also lucid enough to perceive their own folly.
“Brooks’s female subjects are not what we might call beautiful in the traditional sense. But these oddly elongated, crystal eyed ladies are none the less compelling to look at. Each one seems to be a piece of a story that writes itself different for every viewer. One can’t help but wonder what lies beneath these contemplative faces... what have they seen?” — SHE WALKS SOFTLY “His surreal portraits of women with elongated anatomies have become signature icons of the new contemporary art scene. Clearly influenced by the dramatic glamour of the femme Fatales of 30’s and 40’s film noir, Brooks’ women stare down the viewer as if taking their measure from within the world behind the frame. They are aloof, yet burning with interior dialogue and seductively demanding the attention of anyone who catches their gaze.” — COREY HELFORD GALLERY

Artist:
Troy Brooks

"Born 1972 in Southern Ontario, Canada. I had no formal training. The only teachers I had were the photographers and lighting technicians of the old Hollywood studio system. I learned how to draw and paint from vintage movie stills. I learned the art of visual story telling from watching those stills come to life in late night movies. I live and make my art in a converted 19th century bank in the historic town of Wallaceburg, Ontario Canada."

Troy Brooks is a contemporary surrealist painter. His work presents elaborate pageantry of female characters observed in allegorical settings. These women play out intimate scenes, usually caught in moments where something transformative has or is about to happen. The ‘women of Troy’ have become distinctive images on the contemporary pop surrealism scene.

Exhibitions

2019: Lucky 13 Anniversary Show, Pt. 2: Pop Surrealism & New Figurative, Corey Helford Gallery, Los Angeles Corey Helford Gallery at LA Art Show 2019, Corey Helford Gallery 2018: Troy Brooks "Skinwalker", Corey Helford Gallery, Los Angeles Ephemeral, Modern Eden, San Francisco Corey Helford Gallery at Art New York 2018, Corey Helford Gallery 2016 : Dec – Corey Helford Gallery Show (Solo) Aug – Corey Helford Gallery 10th Anniversary Show (Group) July – James Freeman Gallery, London UK (Group) May – 19 Karen Gallery, Australia (Group) April 16 – May 7 Troy Brooks “Veiled Hearts”(Solo) May – Annual Exhibition, 19 Karen Contemporary Artspace (Group) Sept 17 – Oct 8 Femme To Femme Fatale, The Feminine in Contemporary Art Beautiful Bizzarre & Modern Eden Gallery (Group) 2015 : “Smashing Suggestions” Pink Zeppelin Gallery – Berlin, Germany (Group) “Five and Under Show” Arcadia Contemporary – New York USA (Group) “Parabolic” – Red Head Gallery – Toronto, Canada (Group) “Lost Mitten Society” – Jonathan LeVine Gallery – New York USA (Group) 2014: “Scratch” – Double Solo Show w/R.Kelly Clipperton – TAC Gallery – Toronto, Canada(Solo) “Dragonseed” – Pentimento Gallery – Toronto, Canada (Solo) “Candy Land” Super Wonder Gallery – Toronto, Canada (Group) Art Attack- Buddies in Bad Times – Toronto, Canada (Auction) 2013: Pentimento Gallery – Toronto, Canada(Group) “March of the Velvets” – Pentimento Gallery – Toronto, Canada (Solo) “Summer Salon” – Pentimento Gallery – Toronto, Canada (Group) 2012: Galarie D’Avignon – Montreal, Canada(Group) “The Fates & The Furies” – Pentimento Gallery – Toronto, Canada (Solo) “Summer Salon” – Pentimento Gallery – Toronto, Canada (Group) 2011: “Colossus” Pentimento Gallery – Toronto, Canada(Solo) FCP Gallery – Toronto, Canada (Group) Pentimento Gallery – Toronto, Canada (Group) 2010: “Virago” Pentimento Gallery – Toronto, Canada(Solo) FCP Gallery – Toronto, Canada (Group) “Climax” – PWA Royal Theater – Toronto, Canada (Auction)

Lara Zankoul Photography

Lara Zankoul Photography
Lara Zankoul, is an interdisciplinary artist based in Beirut, Lebanon. Her work captures everyday human behavior and issues that occur within society through photographic media. The aim is to invite the viewers to come up with their own interpretation and understanding of the photographs and the stories behind them. Her signature work not only stands out in its conceptual identity, but also in its timelessness. As a self-taught photographer, Zankoul’s work is heavily based on experimentation and world building within her photographs in order to create moments and craft them rather than just document them. She has been featured in a number of exhibitions: locally, in group and solo exhibitions in Ayyam Gallery and Art Lounge, Beirut. On an international scale, she has been showcased in the Guy Hepner Gallery in New York and HEIST Gallery in London.

Artist:
Lara Zankoul

Exhibitions

Solo Exhibition, «As cold as a white stone», Ayyam Gallery, Beirut, January 2017 Solo Exhibition, «As cold as a white stone», Ayyam Gallery, Dubai, September 2016 Group exhibition, «ArtxDesign», Gyu Hepner Gallery, Broadway, New York, June 2016 Group exhibition, «Beirut Photo Fair», ARTHEUM, Beirut, Lebanon, October 2015 Group exhibition, «Beirut Art Fair», Heritage of Emotions, “Work in Progress” and Nikki Diana Marquardt, Beirut, Lebanon, September 2015 Auction, Young Collector’s Auction, Ayyam Gallery, Dubai, 10 February 2015 Group exhibition, «The Road To Elysium», HEIST Gallery, London, November 2014 Solo Exhibition, «The Unseen», Ayyam Gallery, Beirut, February 2014 Group exhibition, «Festival Photomed Edition 3», Beirut, Janurary 2014 Auction, Young Collector’s Auction #18, Ayyam Gallery, Dubai January 2014 Group exhibition,«Festival Photomed Edition 3», Sanary-Sur-Mer 2013 Auction, «Modern and Contemporary Arab, Iranian and Turkish Art Part II» , Christie’s, April 2013 Solo Exhibition «Depths», Ayyam Gallery, Beirut, 2013 Auction, Young Collector’s Auction #14, Ayyam Gallery, Dubai 2012 Auction, Young Collector’s Auction #13, Ayyam Gallery, Dubai 2012 Auction, Young Collector’s Auction #12, Ayyam Gallery, Dubai 2012 (made the cover’s catalogue) Group exhibition and competition «Shabab Ayyam Photography», Dubai 2011 (Award recipient) Group exhibition «Woman in Contemporary Art», Art Lounge, Beirut 2011 Group Exhibition «Through Our Lenses», Solar Hotel , Paris 2011 Solo Exhibition «Synopsis», VAPA Association, Beirut 2011

Galina Gomzina

Galina Gomzina
I have always been fascinated by water; in almost all of my works you can see the depicted water with enchanting and elusive reflections of the reality surrounding us. These stories that convey a sense of peace and harmony, at the same time are filled with energy and motion. I always say that: "Water is a genuine creator. Sometimes it creates its masterpieces only for a moment, and then they disappear into oblivion, only for the new ones to appear… and it’s fascinating for an artist to capture and portray these very moments in a picture…" Galina Gomzina

Artist:
Galina Gomzina

Galina Gomzina is a talented watercolor painter possessing a high mastery of watercolor technique. Her masterpieces are widely known both in Russia and abroad. Galina was born in St. Petersburg, in a city of extraordinary beauty, where the majestic Neva River and numerous picturesque canals flow. This was the very thing that has influenced the artist’s creativity; in almost all of her works we see the masterly depicted water with enchanting and elusive reflections of the reality surrounding us. These stories that convey a sense of peace and harmony, at the same time are filled with energy and motion. Galina has always been fascinated by water: “Water is a genuine creator. Sometimes it creates its masterpieces only for a moment, and then they disappear into oblivion, only for the new ones to appear… and it’s fascinating for an artist to capture and portray these very moments in a picture…» Galina has graduated from the Saint Petersburg Stieglitz State Academy, the Department of Design. But as the artist says, she was attracted by a magical watercolor since her childhood, and began to master it only after graduation. It was an exciting and complex process, and, as a result, in 2000, Galina started her work as a professional watercolor painter. Her favorite technique is «A la prima», a one-layer watercolor technique on wet paper. Galina is a member of the Creative Union of Artists of Russia and the Russian Society of Marine Artists. The artist’s creative biography includes more than 10 solo exhibitions both in Russia and abroad, constant participation in international watercolor exhibitions and the biennale (China, England, Italy, Emirates, Albania, Serbia, etc.), and a large number of publications. So, her work was appreciated by both connoisseurs and non-professional artists in Beijing, where her personal exhibition “Two Venice” was held in 2006. Her works are located in private collections in Russia and other countries (England, Italy, Spain, America, China, Serbia, etc.)

The artist’s creative life takes place both in her homeland and abroad, on trips to picturesque places that are often unique, far from tourist routes. Despite her intense exhibition activities, the artist expresses her talent in successful teaching. She conducts watercolor courses, online classes and plein air workshops both in Russia and abroad (Germany, Italy, etc.) Galina is a very energetic, positive and, as her students say, cheerful person who generously shares the secrets of her skills. She is very creative in conducting her classes, so they are always emotional and productive. Some of her students are already participating in international watercolor exhibitions.

Latest exhibition

2015 International exhibition of a watercolor in Fabriano (Italy) 2015 International Watercolor Festival in Albania 2016 1th International Watercolor Exhibition in Moscow 2016 International Watercolor Exhibition IWS Pakistan 2016 International Watercolor Biennale Belgrad-Serbia 2015, 2018 International Watercolor Exhibition «Masters of Watercolor» (St. Petersburg). 2018 First International Watercolor Festival in UAE 2019 Internationale Festival Urbino In Acquerello 2019 International Watercolor Exhibition in Bali, Indonesia 2019 1th International Watercolor Grand Masters Exhibition Iws Sare Gallery, Moscow 2019 1th International Art Festival “World of High Watercolor”, Moscow 2021 2th International Art Festival “World of High Watercolor”, Moscow 2022 Russian exhibition of watercolor artists “In on breath”, Moscow

The most important exhibitions

1992 Collective exhibition in England (Henley-on-Thames) 2003 Personal exhibition in Belgrade (Serbia ) «St. Petersburg 1703-2003» within the international program devoted to the 300 anniversary of St. Petersburg. 2003 Personal exhibition in the Moscow Fund of Culture («Two Venice») 2005 Personal exhibition in The Moscow Fund of Culture (“Carnival of Flowers”) 2006 Personal exhibition in «The forbidden city», in Beijing (China) within year of Russia in China. 2010 Personal exhibition «Coasts of Europe» in the Moscow Fund of Culture within year of France in Russia (Moscow) 2011 Personal exhibition «I catch reflections in the mirrored water…» in the State Exhibition Hall (GD) «Tushino».(Moscow) 2011 XVI Moscow art fair ART ARENA 2011 in the Central Exhibition Hall «Arena» (Moscow). Project «… Celestial » 2012 Personal exhibition in the State Art Gallery «Na Kashirke» (Moscow) 2013 ART SALON in the Central House of Artists (Moscow). Project of the gallery “Na Kashirke» «Graphics landscape».

Anthony Kosiso Attah

Anthony Kosiso Attah
Anthony Kosiso Attah is a hyper-realism artist. He was born and lives in Enugu in Nigeria being the only artst in his family for two generatons. He has faced a considerable amount of struggle in his pursuit of the ultmate need to express his ideals and emotions. Kosisochukwu has a Diploma in fine art. His journey into art started when he drew his uncle. He made a drawing of his uncle when he was still tender and it was perfect. He was amazed and he said in the next years to come that he'd be very good at drawing that he should just believe in himself. In 2018 he was depressed and fustratated, He heard a voice in he's head saying "BELIEVE". He drew his first personal project "titled "BELIEVE". It is his only way of expressing hidden emotons, dreams and fantasies, giving a louder voice, he learnt from Ebube Onyenwe. This is something he has always intended and dreamt of doing. Aiming only at shining a bright spotlight on his inner thoughts, emotions and strong ideas he has been forced to suppress due to his family background..

Artist:
Anthony Kosiso Attah

Anthony Kosiso Attah is a hyper-realism artist. He was born and lives in Enugu in Nigeria being the only artst in his family for two generatons. He has faced a considerable amount of struggle in his pursuit of the ultmate need to express his ideals and emotions. Kosisochukwu has a Diploma in fine art. His journey into art started when he drew his uncle. He made a drawing of his uncle when he was still tender and it was perfect. He was amazed and he said in the next years to come that he'd be very good at drawing that he should just believe in himself. In 2018 he was depressed and fustratated, He heard a voice in he's head saying "BELIEVE". He drew his first personal project "titled "BELIEVE". It is his only way of expressing hidden emotons, dreams and fantasies, giving a louder voice, he learnt from Ebube Onyenwe. This is something he has always intended and dreamt of doing. Aiming only at shining a bright spotlight on his inner thoughts, emotions and strong ideas he has been forced to suppress due to his family background..

Fidel Molina

Fidel Molina
With a realistic style, the works of Fidel Molina enclose a personal reference, because they come from their immediate environment. His artistic goal is to show the reality around him, to look at life and the issues of our time and draw attention to certain facets to invite the viewer to investigate and go beyond representation itself. From the beginning of his already long career exhibition, his painting has been exhibited in some of the most important galleries.

Artist:
Fidel Molina

Fidel Molina was born in Madrid on July 3, 1971. As the son of a painter, he grows among brushes, oils and useful of his father, Luis Molina. His interest in painting and creativity led him to study Fine Arts at the Complutense University of Madrid, where he graduated in the specialty of Design. After graduating he devoted for many years to graphic design in a professional manner, the result of which his creations have been seen in film and TV and Internet advertising campaigns, but without ceasing aside his pictorial work, what has led him to starring a personal and intimate journey with his works. With a realistic style, the works of Fidel Molina enclose a personal reference, because they come from their immediate environment. His artistic goal is to show the reality around him, to look at life and the issues of our time and draw attention to certain facets to invite the viewer to investigate and go beyond representation itself. From the beginning of his already long career exhibition, his painting has been exhibited in some of the most important galleries.

SOLO EXHIBITIONS

2018. FROM COMMON PLACES AND INTIMATE SCENARIOS. Exhibition Hall of the Cajamurcia Foundation. Madrid (Spain). 2014. BULL! - Club Taurino de Murcia (Spain). 2013. ENVIRONMENTS - Gigarpe Gallery. Cartagena, Murcia (Spain). 2011. FIGURES AND SPACES – Sala Alta Exhibitions. Blanca, Murcia (Spain). 2009. NATURE, SKIN AND URBE - Classroom of Culture of Cajamurcia. Cehegín, Murcia (Spain). 2007. FRAGMENTS OF REALITY - Villa de Blanca Exhibition Hall. Blanca, Murcia (Spain). 2006. Cultural Center Valdebernardo. Madrid (Spain). 2006. Exhibition Hall Latina-Antonio Mingote. Madrid (Spain).

COLLECTIVE EXHIBITIONS

2018. 13 LOOKS AT REALISM II - GRECO Group - Santa Cruz Museum. Toledo (España). 2018. 13 LOOKS AT REALISM - GRECO Group - Casa de Vacas Cultural Center. Madrid (Spain). 2018. XVII INTERNATIONAL TAURINE PAINTING CONTEST. Selected - IBERCAJA Exhibition Hall. Logroño (Spain). 2018. CONCÉNTRICA - Jorge Alcolea Gallery. Madrid (Spain). 2017. 30 YEARS MUEKLES – Muekles. San Javier, Murcia (España). 2017. SUMMERS ART - Trazos Gallery. Ciudad Real (Spain). 2017. EXTRAORDINARY SUMMER EXHIBITION 2017 - Galería Jorge Alcolea. Madrid (Spain). 2017. BLANCA, ARTISTS VILLA - MUCAB (Museum and Art Center of Blanca). Blanca, Murcia (Spain). 2016. 28 "MIGUEL GONZÁLEZ SANDOVAL" NATIONAL PLASTIC ARTISTS CONTEST 2016 - "El Bailío" Exhibition Hall. Lora del Río, Seville (Spain). 2016. SUMMER EXTRAORDINARY '16 - Jorge Alcolea Gallery. Madrid (Spain). 2016. COLLECTIVE END OF SEASON - Art Terraferma Gallery. Lleida (Spain). 2016. END OF SEASON COLLECTIVE - Art Gallery Mar. Barcelona (Spain). 2016. SHARED SPACES - Sala d'Art E. Arimany. Tarragona (Spain). 2016. NEW VALUES VII - Exhibition Hall of the Aragonese Artistic Association of Zaragoza. Zaragoza (Spain). 2016. SELECTION OF ARTISTS III - Terraferma Art Gallery. Lleida (Spain). 2016. SMALL FORMAT COLLECTIVE - Art Terraferma Gallery. Lleida (Spain). 2016. XX BULLFIGHTING DRAWING CONTEST "VILLA DE LA TORRE". - Cultural Bullfighting Club "Domingo Ortega". La Torre de Esteban Hambrán. Toledo (Spain). 2016. SELECTION OF ARTISTS III - Art Gallery Mar. Barcelona (Spain). 2015. 50 × 50 CHRISTMAS 2015 - Jorge Alcolea Gallery. Madrid (Spain). 2015. GREAT EXHIBITION IN A SMALL FORMAT - Sala d'Art E. Arimany. Tarragona (Spain). 2015. SELECTION OF ARTISTS III - Sala d'Art E. Arimany. Tarragona (Spain). 2015. COLLECTIVE PRESENTATION YEARBOOK - Terraferma Art Gallery. Lleida (Spain). 2015. COLLECTIVE PRESENTATION YEARBOOK - Sala d'Art E. Arimany. Tarragona (Spain). 2015. FIESTA DEL TORO - Conde de Rodezno Art Gallery. Pamplona (Spain). 2015. END OF S

AWARDS

2018. Selected in the XVII Peña Taurina Bullfighting International Competition "El Quite". Logroño (Spain) 2017. Preselected for the Annual Exhibition of the Royal Society of Portrait Painters of the Mall Galleries of London (United Kingdom). 2016. Selected in the 28th National Plastic Arts Contest "Miguel González Sandoval" of Lora del Río, Seville (Spain). 2004. Finalist in the 2nd Sports Painting Contest of Diario Marca. Spain.

Desmond O’Hagan

Desmond O’Hagan

Artist:
Desmond O’Hagan

Desmond O’Hagan biography

O’Hagan was born in Wiesbaden, Germany, and was raised in the United States. He enjoys working in several media, but his primary focus is oils and pastels. Constantly challenging himself has translated into a fulfilling career in fine art encompassing several one-man shows and participation in group exhibitions in the United States, Japan, China, Canada, and France. O’Hagan has achieved “Eminent Pastelist” status with the International Association of Pastel Societies and is a member of their “Masters Circle.” He is also a Master Pastelist with the Pastel Society of America and is listed in Who’s Who in American Art. O’Hagan has won several awards in national and international exhibits including IAPS convention exhibit’s Prix’d Pastel Award and “Southwest Art” magazine’s Award of Excellence (twice) at the “Windows to the Divine” Exhibitions in Denver, CO. He has also won the George Innes, Jr. Memorial Award from the Salmagundi Club in New York City. O’Hagan was invited to exhibit and conduct workshops and seminars at the 2nd Biennial China International Pastel Exhibition in Suzhou, China in 2016. In December of 2016, F&W Media released four new instructional DVD’s by O‘Hagan: two instructing in oil painting, and two instructing in pastel painting. In 2018, four additional instructional videos were released titled Decoding Degas. In these videos, O’Hagan explores the centuries-old practice of copying a master artist from history. His paintings have been the subject of feature articles in numerous national and international magazines including American Art Collector, Southwest Art, The Artist Magazine, International Artist, American Artist, United Airlines’ Hemispheres magazine, Artists and Illustrators (England), International Artist (Australia), and Gekkan Bijyutsu (Japan). He is also represented in five books. O’Hagan’s art is in public and private collections and museums in the U.S., Europe, Canada, Japan, and China, including the Denver Public Library, Robert and Judi Newman Collection, Museum of Pastel Art (Suzhou, China), Loveland Museum (Loveland, CO), Museum of Saint-Aulaye (France), U.S. Marine Corp (Denver, CO), and Ballard Spahr LLP, (Denver, CO). He teaches workshops nationally and internationally and is represented by galleries in Santa Fe, NM, Isle of Palms, SC, and Denver, CO.

Hubert de Lartigue

Hubert de Lartigue
The female body is the major inspiration and subject in Hubert de Lartigue's work. Influenced by fashion photography and the glossy idealization of the female nude, the artist portrays the beauty and imperfections of his live models in sensual and alluring poses. Hubert explains his work by saying, “The portrait is a classic theme in the world of painting. However, I try to create elements of surprise in each of my portraits, the way I crop them, the expression or the attitude of the models. But the power of the portrait lies above all in the look of the model, which is unique each time. All I have to do is underline the strength and the intensity,”

Artist:
Hubert de Lartigue

Hubert de Lartigue is a French painter and illustrator. After graduating with graphic arts, he began his career in the field of packaging, as well as a freelance illustrator. His works were more related to science fiction, book covers, and pin-ups. Since the 2000s, he turned increasingly to photo-realism and hyper-realism, including anatomical details in portraits or large canvases.

SELECTED SOLO EXHIBITIONS

2012 Muses, Bernarducci Meisel Gallery, New York 2001 "Figure it Out", Louis K. Meisel Gallery, New York, NY, 27 January - 24 February 2004 "Great American Pin-up- Vintage and Contemporary Works", Louis K. Meisel Gallery, New York, 11 September – 2 October. 2006 "Femmes artistes (peintures recente)", Galerie Frederic Bosser, Paris, France, 20 February – 10 March. 2007 Bernarducci Meisel Gallery, New York, NY, 4- 27 October 2006 Femmes Artistes (peintures récentes), Galerie Frederic Bosser, Paris, France Exhibition of pin-ups at the Christophe Agency in Paris Solo exhibition of SF illustrations at the Imaginales in Épinal (France) Exhibition and sales at the Monde de Jeu, Porte de Versailles Paris 2004 French Pin-ups, Galerie Frederic Bosser, Paris, France Exhibition “Great American Pin-up- Vintage and Contemporary Works”, Louis K. Meisel Gallery, New York, September 11 – October 2 2003 Exhibition 2012 Muses, Bernarducci Meisel Gallery, New York 2001 "Figure it Out", Louis K. Meisel Gallery, New York, NY, 27 January - 24 February 2004 "Great American Pin-up- Vintage and Contemporary Works", Louis K. Meisel Gallery, New York, 11 September – 2 October. 2006 "Femmes artistes (peintures recente)", Galerie Frederic Bosser, Paris, France, 20 February – 10 March. 2007 Bernarducci Meisel Gallery, New York, NY, 4- 27 October 2006 Femmes Artistes (peintures récentes), Galerie Frederic Bosser, Paris, France Exhibition of pin-ups at the Christophe Agency in Paris Solo exhibition of SF illustrations at the Imaginales in Épinal (France) Exhibition and sales at the Monde de Jeu, Porte de Versailles Paris 2004 French Pin-ups, Galerie Frederic Bosser, Paris, France Exhibition “Great American Pin-up- Vintage and Contemporary Works”, Louis K. Meisel Gallery, New York, September 11 – October 2 2003 Exhibition of pin-ups Frédéric Bosser Gallery, Paris, France 2001 Exhibition Figure it out, Louis K. Meisel Gallery, New York 1999 Exhibition Galaxiales in Nancypin-ups Frédéric Bosser Galler

SELECTED GROUP EXHIBITIONS

2017 The Europeans, Louis K. Meisel Gallery, New York, NY 2016 Collective exhibition pour the coming out of the book Tall Trees of paris at the Art Factory Gallery, Paris. Collective exhibition The Portrait Show at the Bernarducci Gallery, New York. 2015 Summer Group Exhibition, Bernarducci Meisel Gallery, New York, NY Context Art Miami, Bernarducci Meisel Gallery, Miami, FL Art Silicon Valley/San Francisco, Bernarducci Meisel Gallery, San Francisco, CA 2014 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, Indiana Austin Art Projects, Palm Desert, CA Collective exhibition, Winter White at the Bernarducci Meisel Gallery, Catalogue, New York. Collective exhibition, Derivare at the Nouveaux Frigos, Paris. 2013 Photorealism Revisited, Oklahoma City Museum of Art, OK; The Butler Institute of American Art, Youngstown, OH; MANA Contemporary, Jersey City, NJ Photorealism in the Digital Age, Bernarducci Meisel Gallery, New York Sneak Peek: Photorealism in the Digital Age, Bernarducci Meisel Gallery, New York Collective exhibition, The Naked Truth, Plus One Gallery, London 2011/2 Stand Still, Bernarducci.Meisel.Gallery, New York 2012 Collective exhibition, Bernarducci Meisel Gallery, New York Collective exhibition at the Imago Gallery, Desert Palm, USA Collective exhibition at the Rarity Gallery, Mykonos, Greece Collective exhibition, Galerie de Bellefeuille, Photoréalisme, Montreal Collective exhibition at the Marie Ricco Gallery, Calvi, Corsica 2011 National Juried Biennial, Amarillo Art Museum, Amarillo, TX Art Hamptons, Bridgehampton, NY Watermill Art Center, Watermill, NY Galerie Marie Ricco, Calvi, Corsica, France 2010 Expansion, Bernarducci.Meisel.Gallery, New York Permanent exhibition Alexis Lartigue Gallery, Paris, France 2009 Heros Collective, Zone Franche, Bagneux, France. Louis K. Meisel Gallery: 40 Years of Photorealism, Bernarducci Meisel Gallery, New York Figure 8, Bernarducci Meisel Gallery, New York

Terry Rodgers

Terry Rodgers
Rodgers is an accomplished painter with a striking mastery of light and transitions as is evidenced by his current body of work. This work focuses on the life of the upper-middle-class Americans, seemingly adrift in affluence and casualness, unsatisfied and disconnected. Nonetheless, Rodgers's work remains firmly rooted in life class drawing, necessitating the use of, and contact with, human models. Rodgers asks friends, acquaintances, professional models, and, sometimes, total strangers, to pose for him in a photography session. He then builds a scenario in a painting by pulling together elements from a wide array of photographs. His rendering of an imaginary leisure life stands as an iconic vision of the tensions and confusion endemic to today's society. The resulting images are not snapshots or slices of life, not verite records of actual moments in actual families or party situations, or diaristic records of his family life, but carefully constructed and composited fictions, designed to elicit the most meaning and sustain the maximum amount of ambiguity. The seductive and marvelous glamour of the outer world jars against the vulnerability and delicacy of our inner and private selves. From spectacular large oil canvases and mixed media to stark photo-portraits and kaleidoscopic videos, Rodgers’ work both collapses and emphasizes psychic distance and physical proximity. It suggests that, in a world of ready-made entertainment, there’s an underlying uncertainty and a sense that something is missing.
Cutting edge art and the figurative is again avant-garde in the paintings by Terry Rodgers. The viewer is at the same time a voyeur and a guest at the party, but an existential calm reigns in the paintings. Rodgers is a master of composition.

Artist:
Terry Rodgers

Terry Rodgers is an internationally recognized artist who has worked and lived in Massachusetts, Washington, DC, and Ohio. He attended Amherst College, with a major in the Fine Arts. His strong interest in film and photography influenced his style in the direction of representational realism in art. He spends summers each year in Southern France painting from life and photographically capturing the gestures, faces, and figures that inhabit the 21st Century milieu that he depicts in his paintings.

Exhibitions

2009 Boundaries of Desire, Scheringa Museum of Realism, Spanbroek/Opmeer, Netherlands (solo) 2003 Marella Arte Contemporanea, Milano, Italy (solo) 2003 Bakersfield Museum of Art, Bakersfield, CA (solo) 2002 Fay Gold Gallery, Atlanta, GA (solo) 2002 Thomas McCormick Gallery, Chicago, IL (solo) 2002 dfn gallery, New York, NY (solo) 2002 Louis Stern Fine Arts, Los Angeles, CA (solo) 2002 Dunedin Fine Art Center, Dunedin, FL (solo) 2002 Noethern Michigan University Art Museum, Marquette, MI (solo) 2002 Art Chicago, Fay Gold Gallery, Atlanta, GA (group) 2001 Louis Stern Fine Art, Los Angeles, CA (group) 2001 Keny Gallery, Columbus, OH (solo) 2001 Center for the Cultural Arts, Gadsden, AL (solo) 2001 Ellen Noel Art Museum, Odessa, TX (solo) 2000 Erie Art Museum, Erie, PA (solo) 2000 Parkersburg Art Center, Parkersburg, WV (solo) 2000 Midwest Museum of American Art, Elkhart, IN (solo) 2000 Fay Gold Gallery, Atlanta, GA (group) 1999 National Midyear Exhibition, Butler Institute of American Art, Youngstown, OH (group) 1999 Wisconsin Union Gallery, Madison, WI (solo) 1999 Burroughs - Chapin Art Museum, Myrtle Beach, SC (solo) 1999 Keny Gallery, Columbus, OH (solo) 1998 University of Wisconsin, Furlong Gallery, Stout, WI (solo) 1998 National Midyear Exhibition, Butler Institute of American Art, Youngstown, OH (group) 1997 National Midyear Exhibition, Butler Institute of American Art, Youngstown, OH (group) 1994 National Midyear Exhibition, Butler Institute of American Art, Youngstown, OH (group) 1994 Hammond Gallery, Lancaster, OH (solo) 1993 Nicolae Galleries, Columbus, OH (solo) 1993 German Village Exhibition, Columbus, OH (group) 1993 Hammond Gallery, Lancaster, OH (group) 1992 Struve Gallery, Chicago, IL (group) 1992 Katz & Dawgs Gallery, Columbus, OH (group)

Several books about his work have been published including: Terry Rodgers — Dimensions of Ambiguity, Terry Rodgers — The Apotheosis of Pleasure, Solo Spaces, and Vectors of Desire. His work has appeared in many museum catalogues, and Rodgers has been featured in numerous publications in America and abroad including Die Welt, Art in America, Citizen K, German GQ, Kunstbeeld, Arte, Die Zeit, NRC Handelsblad, Numero, Zoo, Le Vife, Joia Magazine, Elle and FLAUNT to name a few. His works can also be followed widely in blogs internationally.

Claudia Kaak

Claudia Kaak
Claudia Kaak is a German self-taught artist whose main subject is the human figure. Her oil paintings are based on photographs and movie stills. Every work has an autobiographical and social narrative which focuses on her childhood experiences. Her artwork deals with existential feelings, the inner strife of human beings and the extreme unlimited emotional and physical experience of pain. Her work is mostly untitled with a number assigned to a series in order not to influence the viewer. Her intention is to break taboo and allow emotional disorder to seep through the artwork.

Artist:
Claudia Kaak

Bio

Claudia Kaak is a figurative artist based in Germany. She was born in 1987 in Heppenheim, Germany, where she lives and works. She is a member of Poets and Artists and the International Guild of Realism, appearing in international publication, exhibiting nationally and internationally, and her work is in collections around the world. She has been a finalist for the 13th,14th and 16th Annual ARC competition and has been awarded by the International Guild of Realism (2019) and the Grand Salon (2020).

Artist Statement

Claudia Kaak is a German self-taught artist whose main subject is the human figure. Her oil paintings are based on photographs and movie stills. Every work has an autobiographical and social narrative which focuses on her childhood experiences. Her artwork deals with existential feelings, the inner strife of human beings and the extreme unlimited emotional and physical experience of pain. Her work is mostly untitled with a number assigned to a series in order not to influence the viewer. Her intention is to break taboo and allow emotional disorder to seep through the artwork.

Charlotte Baston - Série Art'd'Corps / Art'd'Corps series

Charlotte Baston - Série Art'd'Corps / Art'd'Corps series
Série de dessins et tableaux aux accents bruts, corps d'hommes et de femmes en prise avec un vivant tumultueux, fort et fragile, violent parfois, corps d'êtres à la sensibilité extrême dans toute leur présence éclatante. Series of drawings and paintings with raw accents, bodies of men and women in contact with a tumultuous, strong and fragile, sometimes violent life, bodies of beings with extreme sensitivity in all their dazzling presence.

Série L'Encore des Corps / L'Encore de Corps series
Série de dessins mais surtout de tableaux où les corps viennent parler une langue frêle, puissante et douce, corps sans visages, paroles de peaux, de bras, d'épaules et de cœur à cœur, l'envie de toucher, ces êtres aux tons terreux et aux textures passées. Series of drawings but above all of paintings where the bodies come to speak a frail, powerful and soft language, bodies without faces, words of skin, arms, shoulders and heart to heart, the desire to touch, these beings in tones earthy and faded textures.

Artist:
Charlotte Baston

L'Encore des Corps

Née en 1977 à Lecco en Italie, Charlotte Baston est très tôt formée à la musique et à la danse, deux arts qu'elle a ensuite longuement pratiqués professionnellement. C'est en 2015 qu'elle débute la peinture de façon autodidacte, art auquel elle consacre tout son temps depuis. "Je travaille avant tout les matières, c'est le commencement de toutes mes œuvres, un essentiel pour moi, le lieu de tous les possibles, et nouveau à chaque fois, où le support lui-même est à réinventer. De ce monde travaillé, vieilli, usé, il semblerait qu'il se cache toujours des corps, j'entrevois leurs formes, et je ne fais que les laisser émerger... Ainsi corps et matière ne font qu'un, un mur, une roche, une fresque... en vérité je ne sais pas, mais ils existent" Le corps est au centre de l'oeuvre de Charlotte Baston, source inépuisable d'inspiration, corps qui dépeignent à merveille, les nuits et les jours des hommes depuis toujours.

Victor Sheleg

Victor Sheleg
Victor Sheleg is a Russian artist who grew up in Latvia, and who has exhibited his art throughout Moscow. His creative outlook is based on his personal worldview, which explores the conformist culture of the society he experiences before turning it into an intriguing artistic aesthetic. His depictions of female figures, laced with shadow and suggestion, provide an intriguing balance of conformity and freedom, both in form and content. "When creating a picture, I am guided by emotions and energy. Harmony born of chaos of color, stains, lines and splashes." Viktor Sheleg

Artist:
Victor Sheleg

Personal exhibitions

1993 Gallery "TEN", Liepaya, Latvia. 1994 Gallery "Ars Moderna", Riga, Latvia. 1995 Gallery "Ars Moderna", Riga, Latvia. 1996 Gallery "Ars Moderna", Riga, Latvia. 1996 "Business Center" Moscow Chamber Of Commerce and Industry, Moscow, Russia. 1997 Russian Center of Science and Culture, Helsinki, Finland. 1997 Gallery "Ars Moderna", Riga, Latvia. 1998 Gallery "Mara", Daugavpils, Latvia. 1998 Gallery "Centrs", Liepaya, Latvia. 1998 Gallery "Ars Moderna", Riga, Latvia. 1999 Fashion House A.Pavlov, Riga, Latvia. 1999 Gallery "Basteja pasaža", Riga, Latvia. 2000 Gallery "Nellija", Riga, Latvia. 2000 Gallery "Basteja pasaža", Riga, Latvia. 2000 Gallery "Signature of Art", Chicago, USA. 2002 Gallery "Howard Alberts", Chicago, USA. 2003 Gallery "CDH", Moscow, Russia. 2004 Gallery "Le Siants", Prague, Czech Republic. 2005 Gallery «Basteja Pasaža», Riga, Latvia. 2006 Gallery «Moscow House», Riga, Latvia. 2007 Gallery «Moscow House», Riga, Latvia. 2010 Gallery «Slavinsky art", Sankt-Peterburg, Russia. 2010 Gallery "Arthaus Genzel", Vetcslar, Germany. 2011 Gallery «New Form", Geteborg, Sweden. 2011 Gallery «Tornby", Denmark. 2012 Gallery «New Form" Geteborg, Sweden. 2013 Gallery " Timelles",Spain 2014 Gallery " Timelles", Poland 2015 Gallery "Gall'Art Roma", Italy 2016 Gallery "Onessimo", USA 2017 Gallery "901" USA

Group exhibitions and art fairs

Art Ireland, Dublin (2004-2009) Art Zurich International (2004) Art Edinburgh (2005-2008) The Affordable Art Fair, London (Spring Collections 2006-2009) Art Melbourne (2006) Affordable Art Fair, Paris (2008) Chelsea Art Fair, London(2009) Glasgow Art Fair (2009) Edinburgh Art Fair( 2009) Bergamo Arte Fiera (2010) Affordable Art Fair Brussels (2010) The Affordable Art Fair Spring Collection (2010) Glasgow Art Fair (2010) Chelsea Art Fair (2010) AAF NYC Fall (2010) AAF Amsterdam (2010) Edinburgh Art Fair (2010) Affordable Art Fair Milano, ( 2011) Affordable Art Fair Brussels (2011) AAF NYC Fall (2011) Colectiva de Otoño (2011) Edinburgh Art Fair (2011) AAF MILAN (2012) AAF BRUSSELS (2012 GRAND DESIGNS LIVE LONDON (2012)

Brienne M Brown - Bringing the Everyday to Life

Brienne M Brown - Bringing the Everyday to Life
Much to her mother’s indignation, Brienne owned little clothing that was not covered in paint. From a very young age, Brienne showed talent in art and music, but wanted to pursue a career in the sciences. She started her education at the University of Utah as a double major (Art and Chemistry), eventually receiving a BS in Chemistry and finishing with a Master’s degree in 2004. After graduation, Brienne worked in a Toxicology lab. Though she painted some by taking an occasional class, as the years wore on, she realized she wanted more art in her life than a career in science would allow. She was surprised and delighted to find great fulfillment in painting. In fact, it became a necessity. After leaving her job as a toxicologist to raise her first child in 2008, Brienne had the opportunity to paint more consistently. Prioritizing painting and taking workshops from artists she admired paid off. Soon she was not only exhibiting and entering shows regularly, but also winning awards. Brienne holds signature membership status for the National Watercolor Society, Western Federation of Watercolor Societies, Pennsylvania Watercolor Society, and Utah Watercolor Society. Her work has been published in Splash 17 Best of Watercolor: Inspired Subjects, PleinAir Magazine, and Watercolor Artist Magazine. Brienne’s passion is watercolor and plein air painting. She has won several top awards in many plein air competitions. “I find beauty in everyday life, the so called ‘mundane’. Ordinary people going about their everyday lives inspire me. I especially enjoy painting en plein air, where each painting reminds me of where I was, of the experiences I had, the sounds, smells, and the people I met. As I try and capture the essence of a scene, my paintings are always more about a moment in time than about a particular location. I enjoy sharing how I see the world.”

Artist:
Brienne M Brown

Education

From a very young age, Brienne showed talent in art and music, but wanted to pursue a career in the sciences. She started her education at the University of Utah as a double major (Art and Chemistry), eventually receiving a BS in Chemistry and finishing with a Master’s degree in 2004. After graduation, Brienne worked in a Toxicology lab. Though she painted some by taking an occasional class, as the years wore on, she realized she wanted more art in her life than a career in science would allow. She was surprised and delighted to find great fulfillment in painting. In fact, it became a necessity. After leaving her job as a toxicologist to raise her first child in 2008, Brienne had the opportunity to paint more consistently. Prioritizing painting and taking workshops from artists she admired paid off. Soon she was not only exhibiting and entering shows regularly, but also winning awards. Brienne holds a signature membership for the Utah Watercolor Society and the Pennsylvania Watercolor Society. Brienne’s most recent love is painting en plein air, which has also enhanced her studio work. She has won several top awards in many plein air competitions. “I find beauty in everyday life, the so called ‘mundane’. Ordinary people going about their everyday lives inspire me. I especially enjoy painting en plein air, where each painting reminds me of where I was, of the experiences I had, the sounds, smells, and the people I met. As I try and capture the essence of a scene, my paintings are always more about a moment in time than about a particular location. I enjoy sharing how I see the world.”

Select Exhibitions and Awards

- 2017 Solomon's Plein Air Festival: Honorable Mention for "Capt. Brandon Awaits" - 2017 Outstanding Watercolor in the September Bold Brush Online Competition: "On the Boardwalk" - 2016 Outstanding Watercolor in the October Bold Brush Online Competition: "First Flight Out" - 2016 Solomon's Plein Air Festival: PleinAir Magazine award for "My Seventh Heaven" - 2016 Easels in Frederick Plein Air Competition: 2nd Place Award for "Antiques Bridge" - 2016 Wayne Plein Air Festival: Honorable Mention for "Manayunk Morning" - 2016 PWS 37th International Exhibition: 4th Place Award for "Morning Stroll to the Patch" - 2015 Outstanding Watercolor in the November Bold Brush Online Competition: "Morning Stroll to the Patch" - 2015 Easels in Frederick Best Landscape or Town Outside Frederick City Award: "Sharing Memories" - 2015 Camp Hill Plein Air Festival Purchase Award: "Looking Down on River Street" - 2015 Splash 17: Inspirational Subjects for "Discussing Grandpa's House" - 2015 Georgia Watercolor Society International: 10th Award for "Ridge Street" - 2014 Oct/Nov "Best Watercolor" in Plein Air Salon: "Back of Chick's Cafe" - 2014 Outstanding Watercolor in the Sept Bold Brush Online Competition: "Back of Chick's Cafe" - 2014 UWS Fall Member Exhibition (Utah): Award of Merit for "NYC Streets" - 2014 PWS 35th Juried Exhibition (Harrisburg, PA): Merchandise Award for "Tagged" - 2014 Lewsiburg Arts Festival (Pennsylvania): Best of Show for "Discussing Grandpa's House" - 2014 WFWS 39th Annual Juried Exhibition (Arizona) - 2014 UWS Spring Open Juried Exhibition (Utah): Award of Merit for "Evening Stroll" - 2013 UWS Fall Member Exhibition (Utah): Award of Excellence for "Morning Chores" - 2013 Finalist in the June Bold Brush Painting Online Competition: "Discussing Grandpa's House" - 2013 PWS 34th Juried Exhibition (Warren, PA): Honorable Mention for "On the Foothills"

- 2013 UWS Spring Open Juried Exhibition (Utah): Juror's Award for "Mount Olympus" - 2013 PWS Online Member Competition: Honorable Mention for "Downtown Salt Lake" - 2013 AWS 145th Juried Exhibition (New York, New York) - 2012 UWS Fall Member Exhibition (Utah): Best of Show for "Downtown Salt Lake" - 2012 Wastach Plein Air Paradise Competition, Midway Paint Out (Midway, UT): Third Place for "Breakfast at Cafe Galleria" - 2012 Wasatch Plein Air Paradise Competition, Heber Paint Out (Midway, UT): First Place Purchase Award for "Cleofa's Wash" - 2012 Logan's Summerfest Plein Air Competition (Logan, UT): First Place for "He Painted as Far as He Could Reach" - 2012 Ogden 's Art Festival Quick Draw Plein Air Competition (Ogden, UT): First Place for "Ogden's 25th Street" - 2012 Ogden Plein Air Festivel (Ogden, UT): Purchse Award for "22nd Street Trail" - Plein Air Moab '11 Competition (Moab, Utah): First Place Purcahse Award in Watercolor for "Fields of Moab" - 2011 UWS Fall Memeber Exhibition (Utah): Award of Merit for "Jermyn, PA" - 2011 Spring City Plein Air Competition (Spring City, Utah): Award of Merit for "Farmer Gene's Chickens" - 2011 Wasatch Plein Air Paradise Competition (Midway, Utah): 2nd Place for "A Man and His Dog" and 4th Place for "Farmer Tom"

Publications

- Palette Magazine - Plein Air Magazine, Oct/ Nov 2015 Issue, "Plein Air Watercolors: Mixed Grays & Bold Brushstrokes", pg. 60-64. - Southwest Art Magazine, Jan 2019, "Introductions: Brienne M Brown", pg. 68-69.

Stanko Abadzic
Photography

Stanko Abadzic Photography
Abadzic was born in Vukovar, Croatia in 1952. His father, recognizing Stanko's suspectibility to the old world charm of this city on the Danube, presented him with a Russian camera on his 15th birthday. Abadzic taught himself the technical basics while refining his vision by attending exhibitions, studying photography books and watching television and films. He joined a photo club, exhibited his early work, and earned money taking pictures of weddins and soccer clubs. Abadzic subsequently joined the staff of the newspaper Vjesnik as a photojournalist, married and started a family. This trnquil existence, however, wa brutally interrupted by the outbreak of Croatia's war of independence in 1991. The dark years of physical and creative displacement ended when Abadzic moved to Prague on a sunny August day in 1995. The warmth of the sun symbolized for Abadzic the city's positive energy. Feeling a sense of rebirth, he began exploring Prague with his medium-format camera, leaving behind the photojournalist and discovering the artist within. The enigmatic beauty of Prague's ancient streets and cul-de-sacs also helped deepen t he sense of misterioso that inhabits so many of Abadzic's images. The furtive pose and voyeuristic overtones of "Curiosity, Prague" transforms a commonplace scene into a Cocteau-like meditation on unconscious urges. Abadzic's head, heart and spirit had achieved perfect alignment through his photography.

Artist Statement
I slowly peeked behind the curtain, entered old backyars overgrown with Ivy where time had stopped, "he says. "I met people who remained original and authentic, people in no hurry, people who refused to take part in the extremes of globalization. The more I unveiled Prague, the more I began to experience photography as an art form. The sensation was intense, like a volcanic eruption. "The mass media bombard us with images of blood and tears, " he states." It's high time we showed interest in beauty and aesthetics, not just in wars and catastrophes. I still believe photography can touch people emotionaly. I believe a photograph can be a testimony and a document of its time, and that it can inspire us to talk to each other and make a better world."

Artist:
Stanko Abadžić

Biography

Abadzic was born in Vukovar, Croatia in 1952. His father, recognizing Stanko's susceptibility to the old world charm of this city on the Danube, presented him with a Russian camera on his 15th birthday. Abadzic taught himself the technical basics while refining his vision by attending exhibitions, studying photography books and watching television and films. He joined a photo club, exhibited his early work, and earned money taking pictures of weddings and soccer clubs. Abadzic subsequently joined the staff of the newspaper Vjesnik as a photojournalist, married and started a family. This tranquil existence, however, was brutally interrupted by the outbreak of Croatia's war of independence in 1991. The dark years of physical and creative displacement ended when Abadzic moved to Prague on a sunny August day in 1995. The warmth of the sun symbolized for Abadzic the city's positive energy. Feeling a sense of rebirth, he began exploring Prague with his medium-format camera, leaving behind the photojournalist and discovering the artist within. Abadzic moved back to his homeland in 2002, settling in the capital city of Zagreb, but retained his Czech residence permit and returns periodically to Prague. He also photographs extensively on the Croatian island of Krk, site of images such as "Brothers, Baska," which eloquently reference our shared humanity. Abadzic continues to create work that registers a positive outlook despite the difficulties of his past and increasing cynicism currently in fashion.

Exhibitions

2018: Gliptoteka Zagreb - Selection Month of Photography Belgrade Gallery Bartselona - Nudes 2016: City Museum Odessa, Odessa, Ukraine - Prague 2015: Photofolies, Rieupeyroux, France - Nude Museum of Photography Istanbul - Selection Gallery Barcelona Belgrade - Nudes AQ Galerija Celje, Slovenia - Nudes Laupheimer Fototage, Laupheim - Streetphotography The Photographer’s Gallery Istanbul - Street Photographs 2014: Museum of Photography Marmaris, Turkey - Prague Gallery Lauba, Zagreb, Croatia - Prague Gallery Kameraseura, Helsinki - Zagreb Depo Gallery, Istanbul - Istanbul (with T.Onan) Gallery Lauba, Zagreb,Croatia - Nudes 2013: Museum Bjelovar - Prague Gallery Matica Hrvatska - Istanbul Gallery Lauba – Paris 2012: Galerija "Buzancic", Zagreb - "Scent of a woman" Museum For Arts And Crafts, Zagreb - "Zagreb, sketches for the portrait of the city" 2011: Museum of Sculpture, St.Petersburg - "Adriatic Rotues" Galerija "Spot" , Zagreb - "Adriatic Routes" Gallery "Photon" Lubljana, Slovenia - "Scent of a Woman" Gallery Verve, Santa Fe, New Mexico - Stanko Abadzic - "New photographs" Gallery "Bacva", HDLU, Zagreb - "Berlin, sketches for the portrait of the city" 2010: Verve Gallery of Photography, Santa Fe, USA - "Stanko Abadzic, photographs" Gliptoteka HAZU, Zagreb, "Paris - sketches for the portrait of the city" Drzavni arhiv Rijeka, Croatia - "Parisiene infinities" Siscia Obscura, Sisak, Croatia - Pariz - "sketches for the portrait of the city" Gallery "Camera" Helsinki - "Adriatic Routes" 2009: Galerija Lang, Samobor - "Aktovi" Gallery Siscia Obsura,Sisak - "Aktovi" (Nudes) Gallery Ministry of Beauty,Zagreb - "Aktovi" (Nudes) 2008: The Aipad Photography Show, New York - "Stanko Abadzic: Photographs" B+B Gallery, Bielsko-Biala, Poland - "Out of the Shadow" Museum Mimara, Zagreb - "100 Photographs" Gallery Placem, Tokyo - "Photography from Croatia" Artget Gallery, Belgrade - "Prag - Skice za portret grada" 2007: The Aipad Photo Show Miami - "Stanko Abadzic: P

Books

http://sabadzic.net.amis.hr/books.html

SYLC - Dreamlike Journey

SYLC - Dreamlike Journey
SylC paints, draws and sculpts the human figure that invariably is the focus of her researches. She invites us to join her for an initiation journey into its dreamlike, ambivalent and polychrome universe, where the viewer faces a world tinged with sweet illusory realities, where sincerity and artifice suddenly merge to give way to a more subtle reality...

Artist:
SYLC

Born in 1973. Works and lives near Paris. SylC paints, draws and sculpts the human figure that invariably is the focus of her researches. She invites us to join her for an initiation journey into its dreamlike, ambivalent and polychrome universe, where the viewer faces a world tinged with sweet illusory realities, where sincerity and artifice suddenly merge to give way to a more subtle reality... From the beginning of 2010, she devoted much of her work to several thematic projects, often carried out simultaneously; Several series have emerged: Mothers (2011-2013), The Mad Dogs' Round (2013-2015), The Seasons Scent (2013-2015), Human Birds (2013-2016), Osmose(s) (2016-2018) and With or Without a Rider (2018-2019). SylC collaborates with galleries in Europe and in the USA, where her artworks are presented through solo and groups shows. She was invited by public institutions to exhibit her artwork in historical sites such as the Chapel and the Cloister of the White Ladies (City of La Rochelle), the Château d'Eau (City of Bourges), the Chapel of the Jesuits (City of Chaumont) or the Ianchelevici Centre (City of Maisons-Laffitte). Present in private and public collections (City of La Rochelle, City of Le Mans, City of Maisons-Laffitte), SylC have been prizes awarded in Switzerland and France. Four catalogs have been published on her work.

Michele Del Campo

Michele Del Campo
In his ongoing series of paintings “Daydreamers”, he generally depicts an idle and melancholic youth, beautiful and kissed by the bright Mediterranean sun, but they appear aloof and immersed in an unfulfilled inner world. In his other ongoing series “Life on the edge” he expresses, in a more dramatic form, the isolation, the loneliness and the sense of loss of the individual. He paints both from life and from photos, according to the complexity of the composition. His works from photos are careful combinations of a number of different reference photographs that he has taken to models, objects and spaces in different times and places. He paints often on large formats with the freshness and sensuality of a very personal wet on wet technique.

Artist:
Michele Del Campo

Michele Del Campo was raised in San Nicandro Garganico, a small town in rural South Italy. When he was 18 he moved to Milan (Italy), where he started his Fine Art studies, then he went to study in Falmouth (UK), Dundee (UK) and Madrid (Spain). In 2008 he moved to London and in 2016 to Glasgow (UK), and in 2018 to Milan, where he now lives and works. He has a degree in Fine Arts from the Universidad Complutense of Madrid (Spain, 2007), and a degree in Illustration and Printmaking from the University of Dundee (UK, 2001). Del Campo has had solo exhibitions in Italy, Spain, UK, Switzerland and Peru, and group exhibitions around Europe, US and Asia, and has won many art prizes, among which the Premio BMW in 2006, given by Queen Sofía of Spain.

Solo exhibitions

2018 Galería Ansorena, Madrid 2017 "Mentes errantes" Galería Enlace Arte Contemporáneo, Lima, Peru "Way out and back", Palazzetto dell'Arte, Foggia, Italy 2015 "The Fall", Westminster Reference Library, London 2013 Stranded and Adrift, Alpha Gallery, London 2012 Il Muto Rumore dell'Acqua, Imago Art Gallery, Lugano, Switzerland 2011 Viaje de no retorno, Galería Enlace Arte Contemporáneo, Lima, Peru 2010 Close Strangers, Mark Jason Gallery, London 2008 Urban Chic, Mark Jason Gallery, London 2007 Galería Jorge Alcolea, Madrid 2006 Gente di mare, Galería Fernando Alcolea, Barcelona 2005 Galería Jorge Alcolea, Madrid Galería Fernando Alcolea, Barcelona 2004 Galería Jorge Alcolea, Madrid Galería American Prints, Valencia 1998 Villa Zoya, Concorezzo, Milan

Awards

2016 "Oil Painters of America Award" in ARC International Salon Competition, US Finalist The Artist's Magazine Art Prize 2015 Grand Prize "All Media" Art Competition, The Artist's magazine, US Third Prize at "Pintar Rápido", London Chroma Prize, Patchings Open Art Competition, Calverton, UK Longlisted at Aesthetica Art Prize, Aesthetica magazine, York (UK) Finalist in the International 2014/15 Art Renewal Centre (ARC) Salon, Figurative Category Finalist The Artist's Magazine Art Prize 2014 Royal Talens Prize, Patchings Open Competition, Calverton, Nottinghamshire, UK Finalist at International 2013/14 Art Renewal Centre (ARC) Salon in Figurative and Still Life categories, US The Artist's Exhibition Prize, Patchings Open Competition, Calverton, Nottinghamshire, UK Third prize in the Art Event Evening, Annual Exhibition of the Royal Institute of Oil Painters, Mall Galleries, London 2013 Joint Second prize in the Art Event Evening, Annual Exhibition of the Royal Institute of Oil Painters, Mall Galleries, London Honourable Mention in the II Curso de Pintura Realista, course taught by Antonio López García and Andrés García Ibañez, Olula del Río 2012 Winner of Winsor and Newton Oil Prize, Royal Society of Marine Artists annual exhibition, Mall Galleries, London First prize Premios Luces to the Best Solo Exhibition of the Year in Peru, Lima 2009 Selected in the Threadneedle Art Prize, Mall Galleries, London 2008 Third Price Best of the Best, Art in Action, Oxford 2006 First Price XXI Premio BMW de Pintura 2005 First price X Certamen Unipublic de Pintura Deportiva, Madrid First Printmaking Prize Espina y Capo, 72º Salón de Otoño, Madrid 2003 First prize XIV Premio de Pintura Rápida Fiestas del Pilar, Madrid Second prize Premio Nacional de pintur

Tomoko Momoki

Tomoko Momoki

Artist:
Tomoko Momoki

Biography

Tomoko Momoki, was born in Japan in 1972. In 1993 she completed the general study course of the Academy of Fine Arts in Tokyo, and continued her training at the same Academy, specializing in 1994 in painting techniques. In the same year, and for the following three years, she participated in the Shiun-You-Kai salon in Tokyo and presented her works four times in art galleries in both collective and personal staging. In 1994 she passed the selection that enabled her to stay in the ateliers of the Academy where she continued her specific research on oil painting until 1997. In 1997 she undertook a study trip to Europe with the Academy which will have a decisive influence on her subsequent transfer to Italy. In 1998 he moved to Rome with the aim of studying and absorbing the codes and archetypes of Western and in particular Italian art. For two years she continued to paint by inserting new elements into her painting and in 2000 he exhibited his works in Tokyo. Since 2001 she has added wall painting to easel painting and collaborates on decorative interventions in buildings of historical / artistic importance that keep her busy for the next ten years. The time spent next to original works of the seventeenth, eighteenth and nineteenth centuries, is well spent, these works further enrich not only her technical background, but lead her to reflect on the path made by man in art, and on the profound role that it covers, when it is able to really convey an emotion. In 2013 she returned to deal exclusively with easel painting.

2014 ~ 2015 Collective exhibition “Artisti ai banchi” Rome 2016 ~ 2017 Collective exhibition "Rilievi Contemporaly Art" Rome. 2017 Collective exhibition "Galleria Opera Unica" Rome 2017 ~ 2018 Collective exhibition “Unicorn Gallery Rome” Rome 2018.11 Bipersonal exhibition DIVERGING INCIDENTS “Galleria Francesco Zanuso” Milan 2019.6 Collective exhibition “Secret Art Show” Milan 2019 Collective exhibition "KoArt Gallery" Noto (Catania) 2019.9 He started his collaboration with ArteAtelier in Milan. 2019.10 Art Fair of Parma 2019.11 Bipersonale ESTRI PAINTERS FROM THE EAST "Galleria Spazi Arte" Piacenza 2019.11 Arte Fiera of Padua 2019.12 Collective exhibition “Secret Art Show” London 2021.10 Personare exhibition "Studio rosi" San cesareo (Rome) 2021.12 Two-person “Galleria del Corso” Rome

Ronald Bowen
the 90s and beyond

Ronald Bowen the 90s and beyond
Structure: Ronald Brown's structure is dependent on the relationships between strong verticals and horizontals, with some strong diagonals; stability is achieved by the use of right angles.He enjoys breaking a fundamental art school rule by placing the center of composition at the exact center of the canvas rather than slightly off to the side. An absolute and austere symmetry is hence achieved. Light and Color: Though dependent on observed or photographically recorded light, Ron's handling is purer and more intense, using the full strength of oil paint to achieve a luminosity which is pictorial, not photographic. Shadows: Shadows provide the fugitive or delicate element in most paintings contradicting the strong architectural frameworks. The presence of shadows implies the passage of time and introduces a time element in the paintings which makes them less rigid or fixed. This is where the poetry in the work lies. Technique: Composition and initial layers are laid down in acrylic. The top layers are worked out fastidiously in translucent oil paint, which gives the works their richness and luminosity. Subjects: He chooses fragments of banal reality (architectural interiors, exteriors, windows, plants) but by concentrating on them, purifying them, and intensifying the light he brings out a sense of mystery and poetry lurking behind the ordinary appearance. In his insistence on the "frozen moment," shadows, and intense light, Bowen is closest to the work of the great 20th century American realist, Edward Hopper.

Artist's Statement
"If I were to define my style of painting, I would call it 'Transcendental Realism.' It is my intention to present to the viewer an image that is on the one hand concrete and close to life, yet so filtered, strange and bordering on the abstract that he may be led into a state of contemplation and meditation. There is a minimum of anecdote in my painting in order to allow the viewer space to create his own story, to discover his own mystery." -Ronald Bowen - American Embassy Art Show (Guest of Honor), Paris - May 1996

Artist:
Ronald Bowen

Ron Bowen is an American residing in Paris. His impressive realist oil paintings of contemporary interiors and exteriors reflect his mastery of a linear painting style. Basing his technique on the Renaissance method of underpainting and overpainting, he creates luminous color and bold shadows. The dialogue between color and light accentuates the simple subject matter, creating calm, intriguing, and thoroughly modern art.

Biography

Ronald Bowen was born in 1944. He grew up in Lake Placid Florida, a quiet town surrounded by lakes, citrus groves, and ranches. From an early age he showed a talent for drawing. From 1962 to 1967 he studied art, along with music and languages, at Florida State University in Tallahassee, completing his final year at their study center in Florence, Italy. This first contact with Europe was a turning point for him. Finished with his university studies, he taught art for a year at his former school in Lake Placid. In 1968 he chose to return to Europe to teach and continue his art studies, spending a summer in Paris, then a year teaching in a small boarding school in England followed by a year in Nice, France, enrolled as a full-time painting student at the Ecole Nationale d'Art Décoratif. In 1970 he returned to Paris as "Artist in Residence" at the Fondation des Etats-Unis, a scholarship offered by the Woolley Foundation. The scholarship was renewed for a second year. In 1973 he began teaching art classes part-time at the American School of Paris and has since made that city his home, retiring from the school in 2008. In 2010 he was awarded the Monique Corpet Prize for painting from the Taylor Foundation in Paris. in 2018 the Taylor Foundation awarded him the Madeleine Couderc Painting Prize. In 1993 Ronald Bowen received French Nationality, making him a citizen of both the U.S. and France. The artist lives and works in a light-filled Montmartre studio surrounded with tropical plants overlooking Paris rooftops and the Basilica of Sacré Coeur in the distance.

Solo Exhibitions

2015 - "Hyperréalistes" Expo Flash with Jacques Bodin, Galerie Anna-Tschopp Marseille 2013 - American School of Paris 2012 - Fondation Taylor, Paris2012 - Fondation Taylor, Paris 2011 - Galerie Beckel-Odille-Boïcos, Paris 2010 - ARTSZ, Galerie Suzanne Belaieff Monaco La Galerie Anna-Tschopp, Marseille 2006 - Galerie Beckel-Odille-Boïcos, Paris Galerie Catherine et André Hug, Paris 2005 - Galerie Catherine et André Hug et Galerie Eric Monbel, Paris 2004 - Rona Gallery, London 2003 - Galerie Artemisia, Paris 2002 - Rivier College Art Gallery, Nashua, New Hampshire DFN Gallery, New York 2001 - Royal Street Gallery, Paris 2000 - DFN Gallery, New York 1999 - Boutique Hughes Chevalier, Paris Royal Street Gallery, Paris Galerie Beckel-Odille-Boïcos, Paris 1998 - Galerie Mouvances, Paris Zenith Gallery, Washington 1997 - Zenith Gallery, Washington 1996 - American School of Paris Galerie Toft, Paris 1990 - American School of Paris 1983 - Galerie Philippe Frégnac, Paris 1981 - Galerie Philippe Frégnac, Paris 1979 - Galerie Philippe Frégnac, Paris 1974 - Conservatoire National d'Art Dramatique, Paris 1971 - Fondation des Etats-Unis, Paris

Collective Exhibitions

2018 L'Abstrait Réel, La Salle Royale de l'Eglise de la Madeleine, Paris Henry Miller Fine Art, London Salon Comparaisons, Grand Palais, Paris 2017 Henry Miller Fine Art, London Abstract Nature of Realism, La Salle Royale de l'Eglise de la Madeleine, Paris Société des Artistes Français, Grand Palais, Paris 2016 American School of Paris Fondation des Etats-Unis, Cité Universitaire, Paris Boïcos Fine Arts, Paxos, Greece 2015 Salon Comparaisons, Grand Palais, Paris Boïcos Fine Arts, Paxos, Greece 2014 Salon Comparaisons, Grand Palais, Paris Cercle Municipal des Gobelins et des Beaux-Arts (Guest of Honor) Marie du 13ème, Paris 2013 Salon Comparaisons, Grand Palais, Paris 2011 Galería Ámbit, Barcelona Salon Comparaisons, Grand Palais, Paris 2010 Salon Comparaisons, Grand Palais, Paris 2009 Galerie Beckel-Odille-Boïcos, Paris 2008 Galerie Beckel-Odille-Boïcos, Paris Selection du Salon d'Automne à Compiègne Galerie Raison d'Art, Lille 2007 Salon d'Automne Paysages, Pont-l'Evêque et Beaumont-en-Auge 2004 Galerie Artemisia, Paris Galerie Beckel-Odille-Boïcos, Paris 2003 D.F.N. Gallery, New York Redwing Fine Art Gallery, Yarmouth, MA Rona Gallery, London 2002 Salon d'Etampes Redwing Fine Art Gallery, Yarmouth, MA Galerie Beckel-Odille-Boïcos, Paris D.F.N. Gallery, New York 2001 Salon d'Automne Works on Paper, Espace Belleville, Paris Salon de Saint Cloud Salon de Garches American Embassy Art Show Galerie Beckel-Odille-Boïcos, Paris D.F.N. Gallery, New York 2000 Salon de Saint Cloud American Embassy Art Show, Paris D.F.N. Gallery, New York Salon d'Automne Salon de Saint Cloud Honors Show Philharmonic Center, Naples, Florida 1999 Salon d'Automne, Paris D.F.N. Gallery, New York Zenith Gallery, Washington Salon de Saint-Cloud American Embassy Art Show, Paris Kiron Espace, Paris Galerie Liliane R, Deauville 1998 Salon d'Automne, Paris D.F.N. Gallery, New York Zenith Gallery, Washington Salon de Saint-Cloud American Embassy Art Show, Paris

Juan Cossio

Juan Cossio
Cossio’s principal tool for painting is an airbrush, which sprays the paint onto the canvas and allows for the seamless blending of pigments. This blending allows Cossio to achieve high detail and precision found in his elaborate works. By using an airbrush instead of a standard paintbrush, Cossio changes the function of a tool originally designed to retouch photographs into the primary means of creating a photorealistic image. In each of his compositions, Cossio experiments with the human form and its ability to convey emotion in functional, minimalistic interiors. Many of his works echo those of the New Realism movement, conjuring an atmosphere in which the figure is derived from reality but the other elements are fabricated, obscure, utilitarian yet unexpected. Cossio pares down the environment in which the figure is placed so as to direct all concentration on the figure. Though Cossio works in a hyperrealist style, his scenes are set apart from the reality of day-to-day living. Cossio states, “I create images starting from a contradiction. I am a painter who does not want to paint reality. I want to interpret it with all the means that are at my reach.” His interpretation of reality is one of appreciation for the beauty, the emotion, and the paradoxes of everyday life.

Artist Statement
" For me making art is something inherited, natural. I was always a good draftsman, it´s like breathing. It´s a necessity to express my ideas through painting and to see the world around me with an artistic point of view. Beside is the real aspect: I´m an artist; it´s my job and I have to make a living from this; that´s why I make art. "

Artist:
Juan Cossio

Juan Manuel Cossio was born in Madrid, Spain in 1960. He received academic training in Art and History at the Complutense University of Madrid. From 1980, Cossio worked as a Copyist at the Museo del Prado, where he studied from close observation and reinterpreted classical works of art; studied under Spanish realist Antonio López García; and became a student of Manuel Franquelo, one of Spain’s leading hyperrealist painters from the New Realism movement of the 1960s. Actively involved in the explosive Spanish art scene of the Eighties, Cossío's tireless research and experimentation into pushing the boundaries of pictorial techniques led him to what is now more commonly known as 'New Realism'. Relying on photography as his main means of support and using the timeless airbrush as his preferred tool, Cossío's work continues to evolve through an openness to approach and his continual curiosity in employing whatever new techniques are at hand in order to achieve his unique contemporary aesthetic which look to the female figure as its main subject. Cossio currently lives and works in Madrid and his work has been exhibited internationally in countries such as Spain, Italy, the UK, South Africa, Venezuela, and the US. Habiendo mostrado una temprana vocación para el dibujo así como una gran sensibilidad para la
pintura y la fotografía,Juan Cossío realizó estudios de Bellas Artes en la Universidad Complutense de Madrid.Activamente envuelto en el fértil panorama cultural que supuso la década de los 80 en España, Cossío desarrolla una búsqueda incesante de experimentación que le lleva a los límites de lastécnicas pictóricas,introduciéndole en lo que que se ha venido llamando como "Nuevo Realismo".Apoyándose en la fotografía como herramienta de registro de la realidad y en el aerógrafo como herramienta de trabajo más adecuada para sus fines.El trabajo de Cossío evoluciona en su contínua curiosidad en utilizar cualquier medio que le ayude a expresar su estética contemporánea que tiene cómo protagonista la figura femenina

Exhibitions

2019.Solo show.La Factoría de Papel.Madrid 2019. Art Revolution Taipei.Galería Art-Bcn.Taiwán 2018.ARCO .Clorofila Digital.Madrid 2018.GABINETE ART FAIR.Clorofila Digital.Madrid. 2018.Collective photography exhibition."The same in rights" organized by Abogacía Española.Madrid 2018.Solo show.R.Alexander Fine Art."Life in abstraction".Atlanta.U.S 2017.Group show.Thornwood gallery.Houston.Texas. 2017.Group show.Galeria K.Palma de Mallorca. 2017."Reality Check".Everard Read Gallery.Cape Town. 2017.Galeria K.LUXEMBOURG ART FAIR 2016.Works at Count Ibex Collection. 2016.Winter collective.Albemarle gallery.London 2016.Group show.S.R.Brennen Galleries.Santa Fe.New Mexico.USA. 2016.Group show.Mary Martin gallery.Florida.USA 2016.Group show.Spanish Art Exhibition.Hangzhou.China 2016.Group show.R. Alexander Art Gallery.Atlanta.USA 2015.Realism 2015.Albemarle Gallery.London 2015.S R.Brennen galleries.USA. 2015.R Alexander Fine Art.USA 2014.Solo show."Debajo de tu piel vive la luna".El Quatre gallery.Barcelona. 2014.Winter collective.Albemarle gallery.London 2013.Participates in Art Palm Beach 2013.Waterhouse&Dodd gallery.London.New York. 2013.Participates in "Salon 2".collective exhibition.Anthony Brunelli Fine Arts.Binghamton,NY. 2013.Participates in Art Wynwood 2013-Miami.Waterhouse&Dodd gallery.London.New York. 2013.Participates in Scope New York 2013.Waterhouse&Dodd gallery.London.New York. 2013.Group show."The naked truth".Plus one gallery.London. 2013."Hyperrealism today"-Museu del Tabac.Andorra. 2013."Lapada".Art&Antiques Fair.Plus One gallery.London. 2013.Group show"The naked truth".Plus One Gallery.Londres. 2013.Group show"Hyperrealism today".Sant Juliá de Lória.Andorra. 2013.Group show."Celebration of 100 years of Everard Read".Cape Town. 2012.Participates in Art Greenwich.Anthony Brunelly Fine Arts.Binghamton,NY. 2012.Participates in Waterfall Mansion Art of New York.Anthony Brunelli Fine Arts.Binghamton,NY.

2011.Collective exhibition.Galerie Archange.Paris 2011.Collective exhibition. Plus One Gallery. London 2011.Collective exhibition."15th Anniversary Exhibition".Everard Read Gallery.Cape Town. 2011.Collective exhibition ."Corpi esposti".Barbara Frigerio Contemporary Art Gallery.Milano. 2010.Collective exhibition "Winter Show" .Plus One Gallery.London. 2009.Collective exhibition "Realism Redefined".Cuadro Fine Art Gallery.Dubai. 2009.Collective exhibition. Plus One Gallery. London 2008.Solo exhibition Albermale Gallery. 2008.Participates in the Fair Art Nocturne Knocke.Belgium 2007.Participates in the Fair "Luxury Please". Vienna 2007.Collective exhibition "Realism". Sammer Gallery 2006.Collective exhibition "The Female Poser" . Sammer Gallery 2006.Works in the "Fundació de les Arts i els Artistes".MEAM of Barcelona 2005.Solo exhibition Sammer Gallery . Marbella. 2005.Participates in the Palm Beach Art Fair. Miami. Sammer Gallery 2005.exhibition Vazquez Kunst Gallery.Holland. 2005.exhibition collective "What is realism?".Albermale Gallery.London 2004.The Spanish Post Office chooses the painting "Nativity" for its reproduction on stamp. 2003.Participates in the Feria DeArte of Madrid .Gema Lazcano Gallery 2003.Collective exhibition "Arcanes Contemporaries" . Clave Gallery 2003.Collective exhibition "Small Format" . Gema Lazcano Gallery 2003.Participates in the Commemorative Exhibition "XXV Anniversary of the Spanish Constitution". Museo Casa de la Moneda 2002.Participates in the International Contemporary Art Fair of Seville .Puchol Gallery . Valencia. 2001.Exhibition Clave Gallery . Murcia 2000. Collective exhibition " Forms and Volumes".Heller Gallery 1999.Participates in the Latin American Art Fair of Caracas .Heller Gallery 1997 .Collective exhibition "Classic and Modern of the reality". Heller Gallery.Madrid. 1997.Works in the Confederación de Cajas de Ahorro de Madrid

WORKS IN PRIVATE COLLECTIONS:

-Dubi Shiff Art Collection.Tel Aviv -MEAM:Museo Europeo de Arte Moderno.Barcelona -IBEX Collection.Germany -Sambricio de Guiu.Colección privada.Toledo -Fundación Tejerina.Madrid -Chapter One Restaurant.Dublin

Slava Fokk-Penetration
Paintings 2004-2015

Slava Fokk-Penetration Paintings 2004-2015
Slava Fokk's way of painting is distinguished by a “smart retrospection”- an exacting selection of painting techniques that allowed to create technologically perfect and plastically expressive works. Turning of Slava Fokk to origins of oil painting and to creative techniques of old Dutch manner of painting, was quite natural. Fokk has not been lost in the modern painting process which is often stunningly declarative, bringing a lot of anti-aesthetic destroying qualities and much intentional technological imperfections. Creatively interpreting a great heritage he developed his own recognizable complex of painting techniques which are justified in the painting and plastically expressive.

Theme:
The women are the central object. Monumentalism and plasticity of classical art in combination with Modern Art stylistics are still attractive for the artist. His work is distinguished by a good taste, without off-limit extremes from expressive brutality to digital technologies in a “Hyper-Realism”. Some flatness of general composite solution and a delicate scumbling design within a picture make a subtly shaded pictorial image which is especially good in woman’s portraits.

Artist:
Slava Fokk

Painter Slava Fokk belongs to a younger generation of South of Russian painters, who in twenty years created in a sense an aesthetic phenomenon outstanding against a background of Russian modern art-process. His works are distinguished by a refined aesthetic, and they do not succumb to the extremes of “Hyper-Realism”. He has a special talent to unite elements from the postmodern era with Russian symbolism in an aesthetic way. The geometric shapes create an Art Deco atmosphere, enhanced by the bright and contrast-rich color palette.

Biography

In 1997 he completed his training at Krasnodar Art School, also known as the Repin. Declared to be one of the brightest graduates of his class, Mr. Fokk graduated with high honors. Some years later the reflective Slava decided to move to Moscow. In his words, “I felt that the atmosphere where I was living was pressing on me. At some point, everyone needs to leave… to live somewhere else, far away. As a native of Krasnodar, I knew I would have to work to adapt to another city, another culture – and that it would be very useful.” The ancient Greeks said: “Only when you come back and realize that nothing has changed do you realize how much you yourself have changed.” In Moscow, where he became very productive, Slava was exposed to the “old” Russia, a combination of bourgeois and art. “The greatest challenge an artist faces is to adequately channel his first bursts of creative energy. It is necessary to constantly work at improving one’s skills in order to effectively tackle this challenge.” “I combine practically obsolete concepts with modern decorative themes. In the present body of work, I wanted to create a slightly nostalgic atmosphere.” His main focus is the art of the “northern revival.” He is attracted to the oil paintings of the Netherlands schools. These provide a soft light and shadow with a sometimes internal light that seems to envelop the subjects and figures.

Achievements

2007: first prize“Traditions and Time”, International Festival of Arts, “Zero” Moscow Gallery.

Museum of Art
HALL

 

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